{"title":"Video Featured Gear","description":"","products":[{"product_id":"ibanez-ts9-tube-screamer-effects-pedal-809","title":"Ibanez TS9 Tube Screamer Effects Pedal","description":"\u003cp\u003eThe Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. Guitar Player called it the best. Plug it in. Crank it up. You'll hear what all the fuss is about. Tone, drive, and level controls.\u003c\/p\u003e","brand":"Ibanez","offers":[{"title":"Default Title","offer_id":33920347996295,"sku":"IBTS9","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/ibanez-effects-and-pedals-overdrive-and-boost-ibanez-ts9-tube-screamer-effects-pedal-ibts9-28573839294599.jpg?v=1646011022"},{"product_id":"boss-bc-1x-bass-compressor-9619","title":"Boss BC-1X Bass Compressor","description":"\u003cp\u003e\u003cstrong\u003eFrom Boss:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEquipped with cutting-edge BOSS technology, the BC-1X Bass Comp performs far beyond the capabilities of conventional bass compressor pedals. This premium stompbox features pro-level multiband compression controlled by intelligent circuitry, making it simple to dial in natural sounds for any playing style. The advanced design responds to different dynamics and registers to apply the perfect amount of compression in real time, ensuring that your tone never gets over-squeezed or muddy. Transparent, powerful, and easy to use, the BC-1X is a must-have tool that delivers studio-quality punch and precision for dynamic players.\u003c\/p\u003e \u003cstrong\u003eSpecs:\u003c\/strong\u003e \u003cul\u003e\n\u003cli\u003eIntelligent circuitry adapts to every register and playing nuance, providing natural compression that preserves the fundamental bass tone\u003c\/li\u003e\n\u003cli\u003eInteractive internal processing enables users to dial in sophisticated multiband compressor settings with simple stompbox controls\u003c\/li\u003e\n\u003cli\u003eProfessional 18-volt input electronics provide ample headroom for any bass, ensuring clean and punchy sound with no distortion\u003c\/li\u003e\n\u003cli\u003eHigh-resolution gain reduction indicator shows the current compression amount at a glance\u003c\/li\u003e\n\u003cli\u003eDigital circuitry greatly reduces noise, a common problem with standard compressors\u003c\/li\u003e\n\u003cli\u003eBOSS five-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":33922020606087,"sku":"BC-1X","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/boss-effects-and-pedals-compression-and-sustain-boss-bc-1x-bass-compressor-bc-1x-28186898432135.jpg?v=1647022455"},{"product_id":"boss-bd-2-blues-driver-9624","title":"Boss BD-2 Blues Driver","description":"\u003cp\u003eThe BD-2 delivers the creamy, slightly crunchy sound associated with great blues guitar. 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Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they’ve been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.\u003cbr\u003e\u003cbr\u003eOn the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec\/Overdub\/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! 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The BE-OD delivers authentic tube amplifier sound from a compact pedal with the controls needed to shape your tone including volume, gain, tight, bass, treble and presence. These responsive knobs will take you from light, slightly broken up overdrives to straight up gain nirvana. 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Using a high-performance 200-watt digital power amp to achieve the headroom and dynamic range of a real vintage Twin tube amp, paired with the pronounced sparkle and clarity of two Jensen® N-12K neodymium speakers and a resonant pine cabinet, the result is tubeless Twin Reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the Tone Master Twin Reverb is in fact about only half the weight of an all-tube Twin.\u003cbr\u003e\u003cbr\u003eFront panel features give guitarists a playing experience identical to the tube version, including Fender’s world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSeries: \u003c\/b\u003eTone Master®\u003cbr\u003e\u003cb\u003eCountry Of Origin: \u003c\/b\u003eCN\u003cbr\u003e\u003cb\u003eColor: \u003c\/b\u003eBlack\u003cbr\u003e\u003cb\u003eAmplifier Type: \u003c\/b\u003eDigital\u003cbr\u003e\u003cb\u003eControl Knobs: \u003c\/b\u003eBlack Plastic and Knurled Chrome\u003cbr\u003e\u003cb\u003eInputs: \u003c\/b\u003eFour - (1\/4\", Two Normal and Two Vibrato)\u003cbr\u003e\u003cb\u003eCabinet Material: \u003c\/b\u003eLightweight Solid Pine\u003cbr\u003e\u003cb\u003eHandle: \u003c\/b\u003eMolded Plastic Strap with Nickel-Plated Caps\u003cbr\u003e\u003cb\u003eSpeakers: \u003c\/b\u003eTwo - 12\" Jensen® N-12K Neo\u003cbr\u003e\u003cb\u003eTotal Impedance: \u003c\/b\u003e4 ohms\u003cbr\u003e\u003cb\u003eDimensions: \u003c\/b\u003e15.90x26.30x31.70 IN\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e43.50 LB","brand":"Fender","offers":[{"title":"Default Title","offer_id":33928468365447,"sku":"2274200000","price":1599.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/fender-amps-guitar-combos-fender-tonemaster-twin-reverb-combo-120v-2274200000-17217155661959.jpg?v=1648968791"},{"product_id":"jhs-colour-box-v2-888614","title":"JHS Colour Box V2","description":"\u003cp\u003e\u003ci\u003eFrom JHS:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003cbr\u003e\u003cbr\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003cbr\u003e\u003cbr\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003cbr\u003e\u003cbr\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument!  This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, to War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. – Josh Scott\u003cbr\u003e\u003cbr\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003cbr\u003e\u003cbr\u003eThe most significant improvements are:\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAddition of an Output transformer\u003c\/li\u003e\n\u003cli\u003eSafely Passes 48v Phantom Power\u003c\/li\u003e\n\u003cli\u003eEQ Shift Knobs for precision EQ control\u003c\/li\u003e\n\u003cli\u003eHi\/Lo Switch for ultra clean headroom\u003c\/li\u003e\n\u003cli\u003e100% available clean signal even on acoustic guitar\u003c\/li\u003e\n\u003cli\u003eSilent switching, aka no \"switch-pop\"\u003c\/li\u003e\n\u003cli\u003eRuns on standard 9V DC Neg power\u003c\/li\u003e\n\u003cli\u003eLet's take a look at the features and controls of the Colour Box V2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003cbr\u003e\u003cbr\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003cbr\u003e\u003cbr\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available.  In the Lo mode, you will easily be able to get ultra clean sounds without breakup.  Lo Mode is excellent for tone shaping when distortion is not needed.  In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003cbr\u003e\u003cbr\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003cbr\u003e\u003cbr\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls.  The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +\/- 17dB of control.  If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.\u003cbr\u003e\u003cbr\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope.\u003cbr\u003e\u003cbr\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone.  Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003cbr\u003e\u003cbr\u003eThe Colour Box runs on standard 9V DC Negative power and measures 5.7” x 3.75” x 1.85\"\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":33929401303175,"sku":"CBOXV2","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/jhs-effects-and-pedals-overdrive-and-boost-jhs-colour-box-v2-cboxv2-28558488076423.jpg?v=1650587527"},{"product_id":"mxr-octavio-fuzz-941225","title":"MXR Octavio Fuzz","description":"\u003ci\u003eFrom MXR:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eMade famous by Jimi Hendrix, the Octavio Fuzz and its touch-responsive octave-up saturation continue to be employed by modern players, from straight-up rockers to low ’n’ slow doomsayers. For the first time ever, that iconic effect has joined the MXR standard line. The layout is as simple as it ever has been—just set the Output and Fuzz controls to your desired volume and intensity, and allow your picking and plucking dynamics to coax out the pedal’s legendarily searing, synth-like tones.\u003cbr\u003e\u003cbr\u003eExplore the furthest reaches of silicon saturation in a trusted vessel. Get yourself an MXR Octavio Fuzz.","brand":"MXR","offers":[{"title":"Default Title","offer_id":33930084909191,"sku":"M267","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/mxr-effects-and-pedals-fuzz-mxr-octavio-fuzz-m267-28463487221895.jpg?v=1651402387"},{"product_id":"boss-sd-1-super-overdrive-9693","title":"Boss SD-1 Super OverDrive","description":"\u003cp\u003eThe SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.\u003c\/p\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":34297347899527,"sku":"SD1","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/boss-effects-and-pedals-overdrive-and-boost-boss-sd-1-super-overdrive-sd1-28218141802631.jpg?v=1647053583"},{"product_id":"boss-sd-1w-super-overdrive-waza-craft-analog-pedal-9694","title":"Boss SD-1W Super Overdrive Waza Craft Analog Pedal","description":"Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog circuitry. Standard mode captures the classic SD-1 sound while Custom mode offers new tonal range and gain.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNominal Input Level:\u003c\/b\u003e -20 dBu\u003cbr\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e 1 M ohm\u003cbr\u003e\u003cb\u003eNominal Output Level: \u003c\/b\u003e-20 dBu\u003cbr\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e 1 k ohm\u003cbr\u003e\u003cb\u003eRecommended Load Impedance: \u003c\/b\u003e10 k ohms or greater\u003cbr\u003e\u003cb\u003eControls: \u003c\/b\u003ePedal switch, Mode switch, LEVEL knob, TONE knob, DRIVE knob\u003cbr\u003e\u003cb\u003eIndicator:\u003c\/b\u003e CHECK indicator (Serves also as battery check indicator)\u003cbr\u003e\u003cb\u003eConnectors:\u003c\/b\u003e INPUT jack, OUTPUT jack, DC IN jack\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22). AC adaptor (sold separately)\u003cbr\u003e\u003cb\u003eCurrent Draw: \u003c\/b\u003e15 mA\u003cbr\u003e\u003cb\u003eExpected battery life under continuous use (These figures will vary depending on the actual conditions of use.):\u003c\/b\u003e Carbon: Approx. 25 hours\u003cbr\u003e\u003cb\u003eAlkaline:\u003c\/b\u003e Approx. 42 hours\u003cbr\u003e\u003cb\u003eAccessories:\u003c\/b\u003e Owner's Manual, Leaflet (\"USING THE UNIT SAFELY,\" \"IMPORTANT NOTE,\" and \"Information\"), Carbon-zinc battery (9 V, 6F22)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWidth:\u003c\/b\u003e 73 mm (2-7\/8 inches)\u003cbr\u003e\u003cb\u003eDepth: \u003c\/b\u003e129 mm (5-1\/8 inches)\u003cbr\u003e\u003cb\u003eHeight: \u003c\/b\u003e59 mm (2-3\/8 inches)\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e430 g (0 lbs. 16 oz.)","brand":"Boss","offers":[{"title":"Default Title","offer_id":34297348784263,"sku":"SD1W","price":164.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/boss-effects-and-pedals-overdrive-and-boost-boss-sd-1w-super-overdrive-waza-craft-analog-pedal-sd1w-28513582514311.jpg?v=1651548907"},{"product_id":"electro-harmonix-holy-grail-nano-reverb-11682","title":"Electro-Harmonix Holy Grail Nano Reverb","description":"\u003cp\u003eFrom the manufacturer:\u003c\/p\u003e\u003cp\u003eDivine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, \"how did they fit Notre Dame into such a small package?\" Finally, reach enlightenment with the haunting Flerb.\u003c\/p\u003e","brand":"Electro-Harmonix","offers":[{"title":"Default Title","offer_id":34297695142023,"sku":"NANOHOLYGRAIL","price":137.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/electro-harmonix-effects-and-pedals-reverb-electro-harmonix-holy-grail-nano-reverb-nanoholygrail-28287617892487.jpg?v=1649174536"},{"product_id":"electro-harmonix-micro-pog-11698","title":"Electro-Harmonix Micro POG","description":"\u003cp\u003eFrom the manufacturer: The Legendary and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.\u003c\/p\u003e\u003cp\u003eElectro-Harmonix XO Micro POG Polyphonic Octave Generator Guitar Effects Pedal Features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSuper fast tracking\u003c\/li\u003e\n\u003cli\u003eGlitch-free polyphonic output\u003c\/li\u003e\n\u003cli\u003eDry, Sub Octave, and Octave Up controls\u003c\/li\u003e\n\u003cli\u003eDry and wet outputs\u003c\/li\u003e\n\u003cli\u003eIncludes 96DC-200BI power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro-Harmonix","offers":[{"title":"Default Title","offer_id":34297703137415,"sku":"MICROPOG","price":244.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/electro-harmonix-effects-and-pedals-octave-and-pitch-electro-harmonix-micro-pog-micropog-28288004587655.jpg?v=1647047475"},{"product_id":"electro-harmonix-nano-pog-polyphonic-octave-generator-11706","title":"Electro-Harmonix Nano POG Polyphonic Octave Generator Pedal","description":"\u003cp\u003e\u003cstrong\u003eFrom The Manufacturer: \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe smallest member of the polyphonic POG clan provides impeccable tracking and sound. Separate level controls for dry, sub octave and octave up plus an extra Dry out and silent footswitching provide the perfect formula for this compact jewel.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSuper, space saving design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTracks chords, sweeps or single notes with no hitches or glitches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGreat 12-string guitar sound or turn your guitar into a bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAmazing organ-like sounds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable original pitch volume, one octave up volume and one octave down volume\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDry output jack in addition to the effect output jack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSilent footswitching and road worthy die-cast package\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEHX 9.6DC-200 power supply included\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electro-Harmonix","offers":[{"title":"Default Title","offer_id":34297707724935,"sku":"NANOPOG","price":230.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/electro-harmonix-effects-and-pedals-octave-and-pitch-electro-harmonix-nano-pog-polyphonic-octave-generator-pedal-nanopog-28288137232519.jpg?v=1647004983"},{"product_id":"jhs-morning-glory-discreet-overdrive-v4-14071","title":"JHS Morning Glory Discreet Overdrive V4","description":"\u003cstrong\u003eJHS Morning Glory Discreet Overdrive V4\u003c\/strong\u003e \u003cp\u003e\u003cstrong\u003eFrom JHS Pedals:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOver the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the \"transparent\" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer.\u003c\/p\u003e\u003cp\u003eLooking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain\" 1\/4\" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only.\u003c\/p\u003e\u003cp\u003eWhether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From \"Little Wing-ish\" chime to full chord rock \u0026amp; roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal.\u003c\/p\u003e\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":34298357973127,"sku":"JHSMGDOV4","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/jhs-effects-and-pedals-overdrive-and-boost-jhs-morning-glory-discreet-overdrive-v4-jhsmgdov4-28514979020935.jpg?v=1651572662"},{"product_id":"proco-you-dirty-rat-distortion-15963","title":"ProCo You Dirty RAT Distortion","description":"\u003cp\u003e\u003cstrong\u003eProCo You Dirty Rat Distortion\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThis is the most classic sounding of all RAT distortion pedals. Think '60s garage rock. Think early punk. Think about the bands that changed the sound of rock 'n' roll.\u003c\/p\u003e\u003cp\u003eThe key to the You Dirty RAT tone is in its germanium clipping diodes. Any pedal aficionado will tell you that nothing compares to the warm tone that these sought after components provide. This pedal is the perfect middle ground between distortion and fuzz, combining the characteristic cutting RAT tone with the warmth of a classic fuzz-tone.\u003c\/p\u003e\u003cp\u003eThe You Dirty RAT also provides 3 dB more compression than the original RAT. This not only provides more \"tube amp warmth,\" but ads extra sustain.\u003c\/p\u003e\u003cp\u003eThe You Dirty RAT features the legendary RAT Filter control. Turn it to the right to roll off brittle high-end frequencies. Having trouble cutting through the mix? Turn the Filter down and allow the natural brightness of your instrument to shine through. The Distortion and Volume controls dial in the perfect amount of gain while keeping the level consistent with your clean tone. While there's no mistaking the legendary RAT tone when the pedal is on, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.\u003c\/p\u003e","brand":"ProCo","offers":[{"title":"Default Title","offer_id":34298474561671,"sku":"YDRAT","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/proco-effects-and-pedals-overdrive-and-boost-proco-you-dirty-rat-distortion-ydrat-28073325494407.jpg?v=1646969352"},{"product_id":"boss-mt-2w-metal-zone-waza-craft-distortion-pedal-506256","title":"Boss MT-2W Metal Zone Waza Craft Distortion Pedal","description":"\u003ci\u003eFrom Boss:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eFor over 25 years, the MT-2 Metal Zone has been one of the most popular and influential compact pedals in the BOSS lineup, with overall sales that are second only to the venerable DS-1 Distortion. Made in Japan and infused with Waza Craft mojo, the MT-2W takes the iconic stomp to new levels of tonal range and versatility. Standard mode delivers an evolved version of the original mid-focused Metal Zone tone, while Custom mode introduces a fresh, wide-ranging voice that’s perfectly suited for today’s diverse high-gain styles. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Metal Zone: A Milestone in High-Gain Stomps \u003c\/b\u003e\u003cbr\u003eFirst released in 1991 and in continuous production ever since, the MT-2 Metal Zone is loved by guitarists everywhere for its thick, rich distortion and distinctive mid-focused character. Capable of producing a versatile range of heavy tones, the MT-2’s innovative dual-stage gain circuit has influenced legions of pedal designers through the years. Another standout feature is its groundbreaking three-band EQ with parametric midrange, which provides deep sound-shaping ability for covering numerous high-gain styles. The pedal was also one of the first BOSS compacts with dual-concentric knobs, offering expanded control without increasing size. \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eMT-2W: Refined Tones with Waza Craftsmanship \u003c\/b\u003e\u003cbr\u003eLike all Waza Craft pedals, the MT-2W infuses an original BOSS analog design with artful refinements for enhanced performance and versatility. The dual-stage gain circuit features a discrete design with carefully selected components, providing premium tones with increased clarity. The EQ has been refined as well, with a smoother midrange tone and unique Q values specially tuned for the pedal’s Standard and Custom modes.   \u003cbr\u003e\u003cbr\u003e\u003cb\u003eStandard Mode: Enhanced Metal Zone \u003c\/b\u003e\u003cbr\u003eSupported by the discrete components in the MT-2W’s dual-stage gain circuit, Standard mode takes the Metal Zone’s famous mid-driven sound to the next level. The attack is even more responsive, and the definition and clarity has been enhanced as well. Noise has been reduced too, providing improved performance at ultra-high gain settings.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCustom Mode: Wide and Tight \u003c\/b\u003e\u003cbr\u003eEngaging the MT-2W’s Custom mode voices the pedal for a huge, wide-ranging sound, making it ideal for nearly any current heavy style. The tone is natural and open, with increased dynamics and rounder lower mids than Standard mode. Even at the highest gain settings, the low end remains full yet tight, focused, and well-defined, perfect for chugging out low-tuned riffs. The sound also cleans up very nicely when reducing your guitar’s volume, putting an extremely balanced range of tones under your fingers.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWaza Craft: The Art of Superior Tone \u003c\/b\u003e\u003cbr\u003eSince the beginning, the engineers at BOSS have been committed to achieving he finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, Waza is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. \u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePremium Waza Craft pedal with all-analog audio circuitry\u003c\/li\u003e\n\u003cli\u003eInnovative dual-stage gain circuit built with discrete analog components\u003c\/li\u003e\n\u003cli\u003eStandard mode updates the famous MT-2 Metal Zone sound with improved clarity and lower noise\u003c\/li\u003e\n\u003cli\u003eCustom mode delivers full-throttle gain tones with wider range, increased dynamics, and tighter low end\u003c\/li\u003e\n\u003cli\u003ePowerful three-band EQ provides intense sound customization with High, Low, and sweepable Midrange and up to 15 dB boost\/cut on each band\u003c\/li\u003e\n\u003cli\u003ePremium buffer for clean and clear tone when bypassed\u003c\/li\u003e\n\u003cli\u003eMade in Japan\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":34301114646663,"sku":"MT-2W","price":164.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/boss-effects-and-pedals-distortion-boss-mt-2w-metal-zone-waza-craft-distortion-pedal-mt-2w-28217536217223.jpg?v=1652509205"},{"product_id":"soldano-super-lead-overdrive-100w-head-white-control-957852","title":"Soldano Super Lead Overdrive 100w Head White Control Panel Black Tolex Classic Metal Grille","description":"\u003ci\u003eFrom Soldano:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eSoldano’s Super Lead Overdrive 100 (SLO-100) set the standard for modern high-gain amplification. It all started in 1987, when Seattle-native Mike Soldano built one of the first high-gain amp heads with searing harmonics and the perfect balance of gain, sustain and tight touch response.  Soon after Mike moved to Los Angeles and displayed his revolutionary amp at the 1987 NAMM show. It didn’t take long for the industry to take notice. The now legendary SLO-100 had arrived!\u003cbr\u003e\u003cbr\u003eThe SLO completely changed what players came to expect from amps. They shelved their old amps and replaced them with this foot-switchable 100-watt monster, loaded with player-friendly features.  While the amp’s drive channel found it backing up renowned rock guitarists like Mick Mars (Motley Crue), Warren de Martini (Ratt), and Howard Leese (Heart), its clear and tactile clean channel and bluesy crunch also made the SLO the first choice for non-metal stalwarts, such as Mark Knopfler, Eric Clapton, Warren Haynes, Gary Moore and Lou Reed to name a few. Today, the amp’s tone and steadfast reliability remains a go-to for thousands of guitarists around the world.\u003cbr\u003e\u003cbr\u003eThe new Soldano Super Lead Overdrive 100 delivers upon the “SLO’s” legendary reputation in both appearance and performance but with the addition of some wildly popular, player-requested features.  The SLO-100 continues to be hand-crafted in the United States using only the highest-grade components and is backed by a limited lifetime warranty.\u003cbr\u003e\u003cbr\u003eThe SLO-100 Upgrades:\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDepth control\u003c\/b\u003e\u003cbr\u003eHistorically, one of the most popular SLO “mods” is the addition of a DEPTH control to the amplifier’s power section.  The Depth control in now standard on the SLO-100.  The combination of the Depth and Presence controls provides a powerful EQ section that goes well beyond a typical tone stack, enhancing the tonal possibilities of the amp’s sonic character.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eImproved Noise Floor\u003c\/b\u003e\u003cbr\u003eThe new SLO-100 features modern grounding, a DC based filament circuit and circuit separation to avoid crosstalk between the channels resulting in an excellent signal-to-noise ratio without altering the amp’s pure amp. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eVersatile \u0026amp; Transparent effects loop\u003c\/b\u003e\u003cbr\u003eThe newly designed ultra-transparent tube-buffered effects loop handles anything from vintage pedals to high-powered rack units.  For tube purists who prefer straightforward amp tone, a hardwire bypass switch is included allowing you to completely remove the effects loop from the circuitry.  The new return level control can be used to set up two foot-switchable, preset volume levels. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFront panel channel switching\u003c\/b\u003e\u003cbr\u003ePlayers familiar with the original SLOs will be elated at our inclusion of an onboard channel-select toggle switch. 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extra scooped beauty - center Fullerton strut - heated 70s CBeeS.\u003c\/li\u003e\n\u003cli\u003eThe Super Bees’ EZ81 tube rectifier yields lively bounce while enhancing the amplifiers emotional buzz.\u003c\/li\u003e\n\u003cli\u003eSuitable for home or afield.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower: \u003c\/b\u003e10 Watts \/ Wisper - 2 Watts\u003cbr\u003e\u003cb\u003eTubes: \u003c\/b\u003e2) 12AX7, 1) 12AT7, 2) 6BM8, 1) 6CA4\u003cbr\u003e\u003cb\u003eChannels: \u003c\/b\u003e1\u003cbr\u003e\u003cb\u003eControls: \u003c\/b\u003eVolume, 3 Position Sting Switch, Trebel, Med, Bass, Reverb, Attenuator\u003cbr\u003e\u003cb\u003eSwitches: \u003c\/b\u003eSting\u003cbr\u003e\u003cb\u003eReverb: \u003c\/b\u003eYes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 33 Lbs, 21” wide by 8” deep by 15.5” tall","brand":"Carr","offers":[{"title":"Default Title","offer_id":39404322062471,"sku":"CARR-SUPERBEE-110","price":3330.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/carr-amps-guitar-combos-carr-super-bee-1x10-combo-amp-w-reverb-attenuator-carr-superbee-110-28216440520839.jpg?v=1649497617"},{"product_id":"harmony-series-6-h605-1x8-5w-combo-amp-1128378","title":"Harmony Series 6 H605 1x8 5W Combo Amp","description":"Small in size yet big on tone, the Harmony H605 is a compact tube combo amplifier that combines the best amp-building techniques of the past and present into a single neat package. Ideal for bedroom practice and home studios, the H605 stretches the possibilities of what classic and modern sounds can be.\u003cbr\u003e\u003cbr\u003eAt the heart of the H605 lies a 6L6 power tube and two 12AX7 preamp tubes. This amp delivers 5 watts of warm lows, rich mids and glassy highs through an Italian-made 8\"\" Jensen P8R speaker. Crafted for rock, blues, jazz and more, the H605 gives both vintage and modern sounds an equal chance to shine.\u003cbr\u003e\u003cbr\u003eOther key features include a 3-band EQ and a Presence knob for precise tone-shaping adjust- ments, along with a built-in power attenuator that allows the H605 to use its full tonal capability even at lower volumes. Onboard Reverb and Gain Boost are foot-switchable, and a line out jack is also available for direct recording to an external device.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpeaker:\u003c\/b\u003e Jensen P8R, 8\" 16Ω\u003cbr\u003e\u003cb\u003ePreamp Tube:\u003c\/b\u003e 2 x 12AX7\u003cbr\u003e\u003cb\u003ePower Amp Tube:\u003c\/b\u003e 1 x 6L6GC\u003cbr\u003e\u003cb\u003eInput Power: \u003c\/b\u003e75W\u003cbr\u003e\u003cb\u003eOutput Power: \u003c\/b\u003e5W\u003cbr\u003e\u003cb\u003eInput Rating:\u003c\/b\u003e 100V 50-60Hz (JP), 120V 60Hz (US), 220-240V 50Hz (EU\/AU) \u003cb\u003eDimensions: \u003c\/b\u003e19.9\" x 16.2\" x 10.6\" (505 x 412 x 270 mm)\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e32 lbs \/ 14.5 kg\u003cbr\u003e\u003cb\u003eFootswitchable Features:\u003c\/b\u003e Boost, Loop, Reverb","brand":"Harmony","offers":[{"title":"Default Title","offer_id":39533192577159,"sku":"HMN-057003110120US","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/harmony-amps-guitar-combos-harmony-series-6-h605-1x8-5w-combo-amp-hmn-057003110120us-28493077086343.jpg?v=1647657123"},{"product_id":"gibson-eb-1-electric-bass-dark-mahogany-1958-1300874","title":"Gibson EB-1 Electric Bass Dark Mahogany 1958","description":"\u003ci\u003eThe following specs were carefully collected and recorded by a skilled technician. For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our experts.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSummary\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFinish Details: \u003c\/b\u003eOriginal finish on the back and neck. The headstock has four small black touchups around each tuner post; the original tuner holes were bored out at one point, and were then filled, re-drilled, and touched up.\u003cbr\u003e\u003cb\u003eBody Material: \u003c\/b\u003eMahogany Body\u003cbr\u003e\u003cb\u003eBody Details: \u003c\/b\u003eSolid mahogany body with carved top\u003cbr\u003e\u003cb\u003eNeck Material: \u003c\/b\u003eMahogany Neck\u003cbr\u003e\u003cb\u003eFingerboard Material: \u003c\/b\u003eBrazilian Rosewood\u003cbr\u003e\u003cb\u003eNeck Profile: \u003c\/b\u003e\"C\" profile\u003cbr\u003e\u003cb\u003eNeck Thickness (IN): \u003c\/b\u003e.92\" (1st fret), .99\" (12th fret)\u003cbr\u003e\u003cb\u003eFingerboard Radius: \u003c\/b\u003e10.00\" to \u003cbr\u003e\u003cb\u003eNut Width: \u003c\/b\u003e1-11\/16\"\u003cbr\u003e\u003cb\u003eScale Length: \u003c\/b\u003e30 1\/8\"\u003cbr\u003e\u003cb\u003eNeck Details: \u003c\/b\u003eSet-in mahogany neck with unbound Brazilian rosewood fretboard, dot inlays, and truss rod adjustment at the headstock. The nut has been replaced. The original tuner holes were bored out at one point, and were subsequently plugged and re-drilled for the correct tuners.\u003cbr\u003e\u003cb\u003eElectronics: \u003c\/b\u003eOriginal humbucker pickup with center pole pieces and black plastic cover, and original wiring harness with master volume\/tone controls. Some solder joints appear to have been touched up. The pots were made by Centralab, and date to 1961.\u003cbr\u003e\u003cb\u003ePickup Measurements: \u003c\/b\u003e33.0k\u003cbr\u003e\u003cb\u003eHardware: \u003c\/b\u003eThree of the tuners have been replaced with period-correct tuners. The jack plate and nut are also not original. The pickguard is missing.\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e8 lbs 8 oz \u003cbr\u003e\u003cb\u003eModifications\/Repairs: \u003c\/b\u003e-The nut and jack plate are not original -Some solder joints have been touched up -Three of the tuners are not original -The tuner holes have been plugged and re-drilled, and the area of the headstock around these has been touched up with black\u003cbr\u003e\u003cb\u003eCase Details: \u003c\/b\u003eOriginal hardshell case; the handle has broken on one side.\u003cbr\u003e\u003cb\u003eCosmetic Condition: \u003c\/b\u003eThe bass has aged nicely, with consistent horizontal finish checking on the body and neck, and numerous small dings\/gouges on the body. There is heavy wear on the bass side of the pickup, and numerous chips along the edges of the body. The back of the body has some buckle rash and additional finish chips. The neck has a couple small dings on the back at the second fret, and wear along the sides of the fingerboard. The headstock edges have some finish wear as well.\u003cbr\u003e\u003cb\u003eTech Notes: \u003c\/b\u003ePlays well with low action; the frets are narrow and fairly low with minor wear, and the bass plays cleanly in this condition. The truss rod is adjustable in both directions. The original inked serial number on the back of the headstock has faded; the pot codes and appointments date the instrument to 1961.\u003cbr\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":39541035991175,"sku":"12358266","price":3870.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/gibson-bass-guitars-short-scale-gibson-eb-1-electric-bass-dark-mahogany-1961-12358266-28466483003527.jpg?v=1647966000"},{"product_id":"keeley-halo-andy-timmons-dual-echo-pedal-1487331","title":"Keeley Halo Andy Timmons Dual Echo Pedal","description":"Andy Timmons’ mysterious sounding  “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself.  Andy spent decades combining and crafting the sounds you can now get from the HALO.  Notes from the HALO dance rhythmically, almost creating a reverb diffusion.  Those notes are held together with tape-style effects like modulation, saturation and compression.  The results are stunning.  The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy’s signature “Halo” sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTone Factory\u003c\/b\u003e\u003cbr\u003eUse the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy’s unique “Halo” sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run the HALO in stereo for incredible true-stereo imaging. Save your favorite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Sound of Two Delays\u003c\/b\u003e\u003cbr\u003eUse the HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Our Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat\/hold.  Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLet's Dance\u003c\/b\u003e\u003cbr\u003eUse the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eAndy Timmons signature “Halo” sound saved as a preset!\u003c\/li\u003e\n\u003cli\u003eThe HALO functions as 2 delay pedals with up to 1500ms of available delay time – save different sounds to A and B – then switch between the two!\u003c\/li\u003e\n\u003cli\u003e5 delay rhythms including stereo rack BBD and multi-head tape delay.\u003c\/li\u003e\n\u003cli\u003e8 factory presets loaded with new delay and modulation sounds.\u003c\/li\u003e\n\u003cli\u003eStatus light indicates when you’ve adjusted a knob from home settings.\u003c\/li\u003e\n\u003cli\u003eSoft stomp switches for tap tempo, infinite hold, preset save\/recall, and more.\u003c\/li\u003e\n\u003cli\u003eRemote switching and programmable expression pedal control.\u003c\/li\u003e\n\u003cli\u003eDREAM multi-core DSP for stunning sound quality.\u003c\/li\u003e\n\u003cli\u003eTrue-Bypass or Trails.\u003c\/li\u003e\n\u003cli\u003eMade in the USA.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":39907215179911,"sku":"KHALO","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/keeley-effects-and-pedals-delay-keeley-halo-andy-timmons-dual-echo-pedal-khalo-29284143857799.jpg?v=1654710621"},{"product_id":"strymon-deco-v2-tape-saturation-doubletracker-pedal-1536448","title":"Strymon Deco V2 Tape Saturation \u0026 Doubletracker Pedal","description":"An evolution of its compact effects pedals, each pedal Strymon’s V2 line of effects is packed with new features and enhancements designed to give users additional flexibility, power, and ease of use, both on the stage and in the studio! \u003cbr\u003e\u003cbr\u003e\u003cb\u003eTape: The First Effect\u003c\/b\u003e\u003cbr\u003eAdd warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds.\u003cbr\u003e\u003cbr\u003eOur journey begins with the early recording studios of the ’50s and ’60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMid-Century Maverick.\u003c\/b\u003e\u003cbr\u003eFrom the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.\u003cbr\u003e\u003cbr\u003eDeco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eClassic Sound, New Features.\u003c\/b\u003e\u003cbr\u003eOur second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003cul\u003e\n\u003cli\u003eNew Tonal Options - We’ve added new controls for even more sonic flexibility. Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.\u003c\/li\u003e\n\u003cli\u003eMIDI - Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW vial\u003c\/li\u003e\n\u003cli\u003eDeco’s EXP\/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/li\u003e\n\u003cli\u003eHardware Improvements - A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTape Saturation\u003c\/b\u003e\u003cbr\u003eGive your sound the smooth and warm qualities of analog tape, along with the enhanced touch sensitivity and playing dynamics that are intrinsic to the inner workings of tape machines. Achieve incredible transparency at low levels, with reduced high frequency spikes and a harmonically rich low end. Turn up the Saturation to increase the amount of tape drive, dynamic compression and distortion.\u003cbr\u003e\u003cbr\u003eDeco is perfectly suited for a last-in-chain, “always on” sweetening effect. Everything sounds better on tape. Want to push the limits of tape beyond what was originally possible? Use Deco as a tape-style transparent overdrive—crank the Saturation all the way up to “peg the meters” and gently overload the machine’s input.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDoubletracker\u003c\/b\u003e\u003cbr\u003eGo back to the early days of recording studios, where a few creative audio engineers discovered a new world of augmented sound by pushing the limits of studio tape machines. By inventing automatic doubletracking, they introduced echo, flanging, and chorus to the world of recorded music.\u003cbr\u003e\u003cbr\u003eIntensify and widen your sound with Deco’s Doubletracker controls. Turn the Lag Time to obtain classic slapback tape echo, spacious doubletrack chorusing, and mind-bending tape flanging. Add random modulation with the Wobble control and go from very subtle movement to more extreme undulations—just like having a recording engineer vary the speed of the machine.\u003cbr\u003e\u003cbr\u003eAdd warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Deco is a jack of all trades capable of creating a huge range of beautiful, distinctive, and enveloping vintage sounds.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTape Saturation Controls\u003c\/b\u003e\u003cbr\u003eDeco’s Tape Saturation side features controls for dialing in everything from light, transparent saturation all the way to smooth, overdriven tape distortion.\u003cbr\u003e\u003cbr\u003eThe Saturation knob allows for a wide range of tones that range from subtle saturation and compression at lower levels, to transparent tape overdrive at its upper limits.\u003cbr\u003e\u003cbr\u003eAn adjustable Volume control for Deco’s Tape Saturation lets you raise the output volume when using Deco as a boost, or dial it back to achieve unity gain.\u003cbr\u003e\u003cbr\u003eOur new generation of Deco features a dedicated Tone knob that lets you adjust the tone of your Tape Saturation, from darker to brighter.\u003cbr\u003e\u003cbr\u003eThe new generation of Deco also introduces a Voice switch for an expanded range of available sounds. The Voice switch has two settings:\u003cul\u003e\n\u003cli\u003eclassic: produces the response and saturation characteristics of 2-track mastering reel to reel tape machines.\u003c\/li\u003e\n\u003cli\u003ecassette: employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a musically compressed, fat tone and a great-feeling response.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eBlend Type\u003cbr\u003eAdjusts phase and internal routing to customize tone and low-end response:\u003cul\u003e\n\u003cli\u003esum: decks are in phase\u003c\/li\u003e\n\u003cli\u003einvert: Lag Deck is phase inverted\u003c\/li\u003e\n\u003cli\u003ebounce: right Lag Deck is bounced to left input for stereo ping-pong or mono double-echo\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eLag Time\u003c\/b\u003e\u003cbr\u003eSimply by turning Deco’s Lag Time knob, you can unlock a whole variety of organic, tape based modulation and delay effects.\u003cbr\u003e\u003cbr\u003eWhen adjusting the delay offset between Deco’s reference deck and the Lag Deck with the Lag Time knob, you can achieve everything from tape flanging at lower settings (-.3 to 3ms), increase that a bit for lush tape chorusing (3 to 50ms), followed by snappy slapback delay at longer delay times (50 to 150ms), all the way to spaced out tape echoes (150 to 500ms).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDoubletracker Controls\u003c\/b\u003e\u003cbr\u003eIn addition to Lag Time, Deco’s Doubletracker features additional controls to help you achieve a wide variety of tape based effects.\u003cbr\u003e\u003cbr\u003eThe Blend control sets the mix level between Deco’s Lag Deck and Reference Deck, and can be lowered to hear more of the Reference Deck for less doubletracking, or raised if you want to hear more of the doubletracking effect.\u003cbr\u003e\u003cbr\u003eDeco’s Wobble knob adds random tape speed based modulations to the Lag Deck. Go from very subtle movement to more extreme undulations — just like having a recording engineer vary the speed of the machine. Wobble is super handy to increase the depth of the modulation effect you hear when Lag Time is set to act as a tape flanger\/chorus, or use it to add modulation to the Lag Deck when set as a slapback or tape echo.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWide Stereo\u003c\/b\u003e\u003cbr\u003eDeco gives you the option for extremely wide stereo imaging to broaden and intensify the sound of your stereo rig.\u003cbr\u003e\u003cbr\u003eWide Stereo Mode sends the mono input (summed if using a stereo input) to the Left channel through the Reference Deck, and to the right channel via the delayed Lag Deck to create an adjustable stereo spread.\u003cbr\u003e\u003cbr\u003eThe Blend control acts like a pan control by adjusting the relative levels of the two tape decks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuto-Flange\u003c\/b\u003e\u003cbr\u003ePress and hold the Doubletracker Bypass footswitch to achieve a recording studio-inspired through-zero flange effect.\u003cbr\u003e\u003cbr\u003eThis engages a “virtual audio engineer” manning the faders and tape reels to create a smooth and predictable through-zero flange experience on the fly.\u003cbr\u003e\u003cbr\u003eAfter releasing the footswitch, the controls are smoothly returned to their previous settings.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMIDI\u003c\/b\u003e\u003cbr\u003eOur new generation of Deco features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco EXP\/MIDI jack or USB-C connection. Lag Time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003cbr\u003e\u003cbr\u003eRemotely bypass or engage the pedal, sync Lag Time changes along with your tracks, automate knob adjustments, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTrue \u0026amp; Buffered Bypass\u003c\/b\u003e\u003cbr\u003eDeco lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eJFET Input\u003c\/b\u003e\u003cbr\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Deco feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eStereo In \u0026amp; Out\u003c\/b\u003e\u003cbr\u003eNo need to make compromises when it comes to signal routing or pedal placement — Deco features full stereo in\/out capabilities.\u003cbr\u003e\u003cbr\u003eA single TRS input jack allows Deco to keep its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch allows you to easily set Deco for operation with a stereo (TRS) or mono (standard TS) input source. Low impedance dual TS output jacks let you use Deco as a stereo effect.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLine\/Instrument Level\u003c\/b\u003e\u003cbr\u003ePedals aren’t just for guitarists. Deco’s adjustable input signal level makes it a versatile tool for endless applications from the studio to the stage.\u003cbr\u003e\u003cbr\u003eBy setting Deco to line level input mode, you get 10dB of added headroom, allowing you to use Deco with bass guitars with active pickups, synthesizers, keyboards, effects loops, and more.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePowerful New ARM Processor\u003c\/b\u003e\u003cbr\u003eSignificant developments in mobile phones and computers have led to an evolution in technology that now allows our pedals to perform more simultaneous processes with less power draw than ever before. That means more processing power for every sonic nuance with less power consumption on your pedal board.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIns, Outs, and Switches\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/li\u003e\n\u003cli\u003eLow impedance independent TS stereo outputs.\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/li\u003e\n\u003cli\u003eDedicated Tape Saturation On\/Off \u0026amp; Doubletracker On\/Off footswitches\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAudio Quality\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMore\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eStrong and lightweight anodized dark gray aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current.\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e 9V power supply not included.","brand":"Strymon","offers":[{"title":"Default Title","offer_id":39927116988551,"sku":"Z12A-DCO2-1","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/strymon-effects-and-pedals-delay-strymon-deco-v2-tape-saturation-doubletracker-pedal-z12a-dco2-1-29375199084679.jpg?v=1657572972"},{"product_id":"soldano-slo-super-lead-overdrive-pedal-1635155","title":"Soldano SLO Super Lead Overdrive Pedal","description":"In 1987, Mike Soldano created the now legendary Super Lead Overdrive 100-watt tube head. The SLO set the standard for modern high-gain amplification and nearly four decades later, is still one of the most coveted amps in history. The SLOs drive channel found it backing up renowned rock guitarists like Mick Mars (Motley Crue), Warren de Martini (Ratt), and Howard Leese (Heart), while the bluesy crunch channel made the SLO the first choice for non-metal stalwarts, such as Mark Knopfler, Eric Clapton, Warren Haynes, Gary Moore and Lou Reed, to name a few.\u003cbr\u003e\u003cbr\u003eThe SLO-100 is famous for being one of the most detailed-sounding high-gain guitar amplifiers of all time. Until now, it’s been challenging to capture the amp’s nuanced character in a pedal format. The new Super Lead Overdrive pedal changes that, with the perfect balance of gain, sustain, and touch response the SLO is known for. Crafted using the same cascading gain stages as the flagship amp, the SLO pedal is the perfect way to get that signature Soldano sound on to your pedalboard.\u003cbr\u003e\u003cbr\u003eThe SLO pedal front panel boasts the same controls for Gain, Volume, Presence, and a 3-band EQ as the 100-watt tube amp. The side-mounted Deep switch nails the amp’s depth-knob low-end punch. These controls take you from harmonically rich crunch to some of the most famous high-gain in history. So, whether you’re after modern metal, Warren de Martini tones, or ‘80s-era Clapton, the SLO Pedal is where you’ll find them.\u003cul\u003e\n\u003cli\u003eInspired by the legendary Super Lead Overdrive (SLO-100) amplifier\u003c\/li\u003e\n\u003cli\u003eFamiliar control layout with gain, volume, 3-band EQ, and presence\u003c\/li\u003e\n\u003cli\u003eDeep voicing select switch\u003c\/li\u003e\n\u003cli\u003eIconic Soldano look\u003c\/li\u003e\n\u003cli\u003e9v power jack – DC supply only, no battery connection within\u003c\/li\u003e\n\u003cli\u003eAssembled in the USA\u003c\/li\u003e\n\u003cli\u003eDimensions: 2.6” (w) x 4.5” (d) x 2.25” (h)\u003c\/li\u003e\n\u003cli\u003eIncludes limited 5-Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Soldano","offers":[{"title":"Default Title","offer_id":40268299829383,"sku":"SOL-SLO","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/soldano-effects-and-pedals-overdrive-and-boost-soldano-slo-super-lead-overdrive-pedal-sol-slo-29997167116423.jpg?v=1668712448"},{"product_id":"marshall-1962hw-handwired-bluesbreaker-reissue-30-watt-1618765","title":"Marshall 1962HW Handwired \"Bluesbreaker\" Reissue 30-Watt 2x12\" Guitar Combo  2014","description":"\u003ci\u003eThe following specs were carefully collected and recorded by a skilled technician. 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A nod to the double-bound Tele models of the 1960s, the Classic Vibe Telecaster, features a slim “C”-shaped neck profile and Fender-Designed single-coil pickups, with an easy-playing 9.5”-radius fingerboard and narrow-tall frets, as well as a vintage-style Telecaster bridge with barrel saddles and string-through-body design.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Squier","offers":[{"title":"Default Title","offer_id":40832009896071,"sku":"0374046593","price":549.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/squier-electric-guitars-solid-body-squier-classic-vibe-60s-custom-telecaster-oxblood-squier-classic-vibe-60s-custom-telecaster-oxblood-0374046593-1208440790.jpg?v=1768598716"},{"product_id":"benson-amps-germanium-preamp-pedal-1989314","title":"Benson Amps Germanium Preamp Pedal","description":"\u003cp\u003eThis pedal is based on our now famous amp-in-a-box Preamp Pedal with one important tweak: the replace- ment of the first FET transistor with a germanium gain stage (stolen from our servo-biased Germanium Boost pedal). The result is an alternate universe take on our flagship pedal that marries the incomparable feel of germanium with the careful equalization and tone controls of the preamp pedal.\u003c\/p\u003e\u003cp\u003eThe result is a slightly lower gain, but richer sounding and feeling overdrive\/boost\/fuzz\/whatever we really, really dig. We hope you like it!\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeware\u003c\/strong\u003e: Germanium stops passing music at 120 Degrees Farenheit (like a very hot stage)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: 9VDC Boss style adapter or battery 50ma\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls\u003c\/strong\u003e: Gain (distortion), Treble (low pass filter), Bass (high pass filter), Volume\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Benson","offers":[{"title":"Default Title","offer_id":41076571930759,"sku":"BENSGERMPRE","price":259.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/benson-effects-and-pedals-overdrive-and-boost-benson-amps-germanium-preamp-pedal-benson-amps-germanium-preamp-pedal-bensgermpre-1020051355.jpg?v=1768965621"},{"product_id":"jhs-hard-drive-distortion-pedal-tan-2063242","title":"JHS Hard Drive Distortion Pedal Tan","description":"\u003cp\u003eThe JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.\u003c\/p\u003e\u003cp\u003eA fresh approach to achieving high gain distortion in a pedal format, the Hard Drive includes cascaded gain stages and a hard limiting circuit, followed by a class AB amplifier section that drives a “sweepable midrange” EQ and Baxandall bass and treble controls. With its generous external controls, the Hard Drive lets you dial in everything from grinding tube amp crunch to a bona fide wall of distortion that can easily cut through any stage or studio mix.\u003c\/p\u003e\u003cp\u003eThe Hard Drive holds a special place in JHS history as the final design work of our former head engineer, Cliff Smith. The prototype and design had been finalized just weeks before he passed away in 2021.\u003c\/p\u003e\u003cp\u003e“I don't know that there's ever been a JHS circuit where we experimented more. It was always a loose and casual approach to getting this right. I knew something great would come of it, so we just let it simmer…Cliff would call the Hard Drive circuit a mutt, and I agree– meaning this circuit is not a clone of anything in particular but rather an original iteration of tons of different inspirations and ideas, kind of like the Colour Box that he and I developed years earlier. I have vivid memories of Cliff spending entire weekends and nights tinkering and experimenting with this circuit. He would message me notes on the weekend when he got excited about something he stumbled into. This pedal was his hobby for a long time. He truly loved big, complicated gain staging and the challenge of making solid state circuitry respond like a valve amp. As a passion project that became a real product through Cliff’s consistent work, I can’t think of a more fitting last release from us as a design team than the Hard Drive. Cliff loved learning and this was his last masterclass. It’s an honor to finally put it out and let people enjoy the idea he brought to life.” - Josh Scott\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume\u003c\/strong\u003e - Controls the overall volume of the pedal. Left is less, right is more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid Freq\u003c\/strong\u003e - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive (Distortion)\u003c\/strong\u003e - Controls the amount of drive (distortion). Left is less, right is more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass\u003c\/strong\u003e - Controls the bass frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMiddle\u003c\/strong\u003e - Controls the mid frequencies level. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTreble\u003c\/strong\u003e - Controls the treble frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/li\u003e\n\u003cli\u003eSilent soft touch switching with a buffered bypass.\u003cbr\u003e \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":41686688399495,"sku":"HARDDRIVE-TAN","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/jhs-effects-and-pedals-distortion-jhs-hard-drive-distortion-pedal-tan-jhs-hard-drive-distortion-pedal-tan-harddrive-tan-1055591817.jpg?v=1768909593"},{"product_id":"jhs-10th-anniversary-colour-box-v2-2161164","title":"JHS 10th Anniversary Colour Box V2","description":"\u003cp\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument!  This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, to War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. – Josh Scott\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe most significant improvements are:\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli style=\"\"\u003eAddition of an Output transformer\u003c\/li\u003e\n\u003cli style=\"\"\u003eSafely Passes 48v Phantom Power\u003c\/li\u003e\n\u003cli style=\"\"\u003eEQ Shift Knobs for precision EQ control\u003c\/li\u003e\n\u003cli style=\"\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/li\u003e\n\u003cli style=\"\"\u003e100% available clean signal even on acoustic guitar\u003c\/li\u003e\n\u003cli style=\"\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/li\u003e\n\u003cli style=\"\"\u003eRuns on standard 9V DC Neg power\u003c\/li\u003e\n\u003cli style=\"\"\u003eLet's take a look at the features and controls of the Colour Box V2.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available.  In the Lo mode, you will easily be able to get ultra clean sounds without breakup.  Lo Mode is excellent for tone shaping when distortion is not needed.  In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls.  The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz, and Bass 120Hz, while the Treble, Middle, and Bass knobs boost or cut with +\/- 17dB of control.  If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone.  Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"\"\u003e\u003cspan style=\"\" sans helvetica sans-serif\u003eThe Colour Box runs on standard 9V DC Negative power and measures 5.7” x 3.75” x 1.85\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":42017668333703,"sku":"CBOXV2-10TH","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/jhs-pro-audio-di-boxes-jhs-10th-anniversary-colour-box-v2-jhs-10th-anniversary-colour-box-v2-cboxv2-10th-1090132146.jpg?v=1768150148"},{"product_id":"ibanez-ts808hwv2-handwired-tube-screamer-pedal-2072067","title":"Ibanez TS808HWv2 Handwired Tube Screamer Pedal","description":"\u003cp\u003eAt Ibanez, we sought to take the iconic Tube Screamer and push it further with a re-envisioning of the flagship, hand-wired model. We evaluated every component, while aiming to stay true to the pedal’s transparent and mid-range-focused tone. After numerous prototypes, we concluded the JRC NJM4558 op-amp was essential to achieve the Tube Screamer’s legendary sound. At the same time, this new design is capable of a wider range of sounds thanks to the addition of high-end components such MOGAMI OFC cables, which further enhance the benefits of a hand-wired pedal. Additionally, a boost has been added to the final stage of the circuit, increasing the maximum output level by +6dB. Its look has also been revamped, giving it a high-end appearance while retaining the traditional shape.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHANDWIRED TUBE SCREAMER PEDAL\u003c\/li\u003e\n\u003cli\u003eLimited production\u003c\/li\u003e\n\u003cli\u003eCompletely Hand-wired\u003c\/li\u003e\n\u003cli\u003eOverdrive, Tone and Level controls\u003c\/li\u003e\n\u003cli\u003eJapanese MOGAMI OFC cable\u003c\/li\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003ePower supply: One 9 Volt battery or External DC 9 Volt AC Adapter (Center-Negative)\u003c\/li\u003e\n\u003cli\u003eSpecial metal box included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ibanez","offers":[{"title":"Default Title","offer_id":42029407600775,"sku":"TS808HWv2","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/ibanez-effects-and-pedals-overdrive-and-boost-ibanez-ts808hwv2-handwired-tube-screamer-pedal-ibanez-ts808hwv2-handwired-tube-screamer-pedal-ts808hwv2-1100698472.jpg?v=1768868685"},{"product_id":"two-rock-classic-reverb-signature-10050w-head-tobacco-1774962","title":"Two Rock Classic Reverb Signature 100\/50W Head Tobacco Suede w\/Cane Grill","description":"\u003cp\u003eThe single-channel Classic Reverb Signature is Two-Rock’s ultimate tone shaping machine. This harmonically rich amp can be pushed into beautiful clean or overdriven tones while still retaining the guitar’s natural voice.\u003c\/p\u003e\u003cp\u003eThe Classic Reverb Signature is available as either a head or 1-12 combo in the following power configurations; 100\/50 watt (4 x 6L6), 50 watt (2 x 6L6 tube rectified, or 40\/20 watt (4 x 6V6). Built on either a black or silver anodized thick aluminum chassis, this amp features our proprietary output transformer as well as an all tube analog spring reverb, 3-position Gain Structure switch, foot switchable FET circuit, tone stack bypass, and Reverb Defeat which all together gives this amp a wide range of tonal possibilities, and have made the Classic Reverb Signature such an integral part of so many artist’s guitar rigs. The 3-position Gain Structure switch changes the front end sensitivity and overall feel of the preamp; in the down position the amp feels similar to a vintage black-panel, the middle position is much like the Two-Rock Matt Schofield Signature front end with a hotter input stage, and the full up position is our traditional Two-Rock front end. On the 100\/50 watt version the power output is switchable from 100 watts to 50 watts. Same goes for our 40 watt version which is switchable from 40 watts to 20 watts. On the 50 watt version instead of a half power option, the high power mode is fixed-biased and the low power mode is cathode biased. When switching wattages on the 100\/50w and 40\/20w versions, our proprietary output transformer compensates for impedance and phase differences so there is no adverse affect on the tone or feel of the amplifier.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003eFET Circuit with Gain control, Tone Stack Bypass, Tube driven analog Spring Reverb with separate Send and Return controls. 3-position Gain Structure Switch. Contour control, High\/Low Power Switch, foot switchable FET, Bypass, and Reverb Defeat, Passive Effects Loop\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAmp Configuration: 100w\/50w (4)6L6 (half power scaling)\u003c\/li\u003e\n\u003cli\u003eSpeaker outputs: 4ohm, 8ohm, 16ohm\u003c\/li\u003e\n\u003cli\u003eHead Dimensions: 20 5\/8\"W x 12\"H x 10 5\/8\"D (43 LBS)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Two Rock","offers":[{"title":"Default Title","offer_id":42035275661447,"sku":"2ROCKCLREVSIG10050STOBFWN","price":5599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/two-rock-amps-guitar-amps-guitar-combos-two-rock-classic-reverb-signature-100-50w-head-tobacco-suede-w-cane-grill-two-rock-classic-reverb-signature-100-50w-head-tobacco-suede-w-cane-grill-2rockclrevsig10050stobfwn-1092196124.jpg?v=1768367920"},{"product_id":"gibson-artist-mary-ford-les-paul-standard-gold-top-2059206","title":"Gibson Artist Mary Ford Les Paul Standard Gold Top w\/Cherry Back","description":"\u003cb\u003eThis item is in great condition and is barely used, showing only minor signs of usage from display on our showroom floor.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eBorn Iris Colleen Summers on July 7, 1924, Mary Ford was an accomplished guitarist, vocalist, and actress who was among the biggest recording artists of the early 1950s. Through her career in country music and her connections with Gene Autry and Eddie Dean, she developed a musical partnership with Gibson icon Les Paul that led to their marriage in 1949. In 1951 alone, the duo sold over six million records, and between 1950 and 1954, they recorded a string of 16 top-ten hits that showcased Mary’s rich, smooth voice, complex, perfectly executed harmonies that she sang along with herself through multi-track recording and overdubbing (a groundbreaking recording technique for the time), and versatile guitar playing that seamlessly blended country, jazz, and pop. In 1951, Mary and Les influenced the design of the ES-295 hollowbody with a custom order, which Mary often used. In 1958, it is believed that one Les Paul Goldtop model with an ES-295-style floral pickguard and matching armrest was made at the request of Mary Ford. Now, Gibson is proud to release the Mary Ford Les Paul Standard, based on that one-of-a-kind original. The Goldtop finish is accented by a Vintage Cherry back—a rarity for a Goldtop model. In addition to the cream and gold floral pickguard and armrest, it also features a mahogany body with a maple cap, a mahogany neck with a rosewood fretboard and SlimTaper profile, and is powered by a pair of Burstbucker pickups, with a Burstbucker 2 in the neck position and a Burstbucker 3 in the bridge position. A hardshell case completes this offering that honors one of the most beloved and innovative artists of the 20th century.\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":42060341608583,"sku":"LPSMF00GCNH1-221340385-U1","price":1973.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/gibson-electric-guitars-solid-body-gibson-artist-mary-ford-les-paul-standard-gold-top-w-cherry-back-gibson-artist-mary-ford-les-paul-standard-gold-top-w-cherry-back-lpsmf00gcnh1-221340385-u1-1093840590.jpg?v=1768512634"},{"product_id":"eastman-limited-edition-t64-truetone-vintage-black-2186841","title":"Eastman Limited Edition T64 Truetone Vintage Black w\/Bigsby","description":null,"brand":"Eastman","offers":[{"title":"Default Title","offer_id":42083585163399,"sku":"T64-TV-BK-LTD","price":2249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/eastman-electric-guitars-semi-hollow-eastman-limited-edition-t64-truetone-vintage-black-w-bigsby-eastman-limited-edition-t64-truetone-vintage-black-w-bigsby-t64-tv-bk-ltd-1103897245.jpg?v=1768558521"},{"product_id":"fender-jazz-bass-sunburst-1969-2201162","title":"Fender Jazz Bass Sunburst 1969","description":"\u003ci\u003eThe following specs were carefully collected and recorded by a skilled technician. For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our experts.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSummary\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFinish: \u003c\/b\u003eThere are some black finish touchups on the sides of the body, mostly near the treble bout as well as a few on the bass horn.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBody Material: \u003c\/b\u003eAlder\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNeck Material: \u003c\/b\u003eMaple\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNeck Profile: \u003c\/b\u003e\"C\" profile\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNeck Thickness (IN): \u003c\/b\u003e.86\" (1st fret), .98\" (12th fret)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFingerboard Radius: \u003c\/b\u003e7.25\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNut Width: \u003c\/b\u003e1-1\/2\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eScale Length: \u003c\/b\u003e34\u003cbr\u003e\u003cbr\u003e\u003cb\u003eElectronics: \u003c\/b\u003eOriginal single coil pickups with grey fiberboard bobbins, and mostly original wiring harness with neck\/bridge volume controls and master tone control. A ground wire has been run from the neck pickup volume pot to the sleeve of the output jack. The pot codes date to 1966.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePickup Measurements: \u003c\/b\u003e6.6k (neck), 7.0k (bridge)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHardware: \u003c\/b\u003eOriginal\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e8 lbs 14 oz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCosmetic Condition: \u003c\/b\u003eThis vintage Fender bass shows moderate aging, with finish chipping, checking, small dings, and other blemishes on the glossy finish. The sides of the body have black touchups in a few scattered areas, and there is a large patch of finish wear on the back of the body just under the neck plate. The neck is glossy with moderate checking.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eModifications\/Repairs: \u003c\/b\u003eExtra ground wire added to wiring harness.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSerial Number: \u003c\/b\u003e259531\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTech Notes: \u003c\/b\u003eThe bass plays well with medium-low action and mild neck relief; the truss rod is functional, but has a limited range of adjustability. The neck stamp and serial number date the bass to 1969.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCase Details: \u003c\/b\u003eOriginal Hardshell Case\u003cbr\u003e\u003cbr\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":42233147326599,"sku":"U6788011301","price":6830.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/fender-bass-guitars-5-string-or-more-fender-jazz-bass-sunburst-1969-fender-jazz-bass-sunburst-1969-u6788011301-1103713618.jpg?v=1769129443"}],"url":"https:\/\/www.chicagomusicexchange.com\/collections\/video-featured-gear.oembed","provider":"Chicago Music Exchange","version":"1.0","type":"link"}