{"title":"Warm Audio","description":"\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWarm Audio relies on the “Warm Formula” of design to produce well-engineered equipment with accessible price points. The award-winning Texas brand sources premier components from today’s top manufacturers to make preamps, microphones, pedals, direct boxes, compressors, and equalizers that are great go-to choices for any home or commercial studio. \u003c\/span\u003e","products":[{"product_id":"warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-798140","title":"Warm Audio WA273-EQ 2-Channel 1073-Style Mic Preamp w\/ EQ","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":33928739717255,"sku":"WA273-EQ","price":1599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-w-eq-wa273-eq-17217234010247.jpg?v=1652558894"},{"product_id":"warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-1062829","title":"Warm Audio WA273-EQ 2-Channel 1073-Style Mic Preamp w\/ EQ","description":"\u003cb style=\"\"\u003eCondition:\u003c\/b\u003e Item is subject to minor wear from use.\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34532410065031,"sku":"WA273-EQ-U1","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-w-eq-wa273-eq-u1-17539282141319.jpg?v=1646169434"},{"product_id":"warm-audio-wa-87-r2-large-diaphragm-condenser-microphone-1081353","title":"Warm Audio WA-87 R2 Large Diaphragm Condenser Microphone Nickel","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century.\u003cbr\u003e\u003cbr\u003eAs is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.\u003cbr\u003e\u003cbr\u003eThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.\u003cbr\u003e\u003cbr\u003eThe WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate\/dual diaphragm capsule found in the early ‘87 microphones.\u003cbr\u003e\u003cbr\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003cbr\u003e\u003cbr\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eLARGE CONDENSER STUDIO MICROPHONE BASED ON THE CLASSIC “87-STYLE” CIRCUIT.\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: CARDIOID, FIGURE OF EIGHT, AND OMNIDIRECTIONAL.\u003c\/li\u003e\n\u003cli\u003eWA-87-B-50V CAPSULE. REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR WIRE TERMINATION) K87 CAPSULE.\u003c\/li\u003e\n\u003cli\u003e-10DB PAD.\u003c\/li\u003e\n\u003cli\u003eCINEMAG USA OUTPUT TRANSFORMER.\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 20HZ - 20KHZ.\u003c\/li\u003e\n\u003cli\u003eSPL: .5% THD @ 125DB (WITHOUT PAD),132DB.\u003c\/li\u003e\n\u003cli\u003eDIAPHRAGM: 6 MICRON THICKNESS, 1 INCH DIAMETER, GOLD SPUTTERED MEMBRANE, NOS MYLAR (PET FILM).\u003c\/li\u003e\n\u003cli\u003eOUTPUT: 150 OHMS, 24K GOLD PLATED, 3 PIN XLR.\u003c\/li\u003e\n\u003cli\u003eHIGH PASS FILTER: 80HZ.\u003c\/li\u003e\n\u003cli\u003eNOISE: -117DB.\u003c\/li\u003e\n\u003cli\u003eMICROPHONE INCLUDES SHOCK MOUNT, HARD MOUNT AND WOOD BOX.\u003c\/li\u003e\n\u003cli\u003eCOLOR: NICKEL.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34606453489799,"sku":"WA-87-R2","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-87-r2-large-diaphragm-condenser-microphone-nickel-wa-87-r2-17437132914823.jpg?v=1646116700"},{"product_id":"warm-audio-wa-87-r2-large-diaphragm-condenser-microphone-1081355","title":"Warm Audio WA-87 R2 Large Diaphragm Condenser Microphone Black","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century.\u003cbr\u003e\u003cbr\u003eAs is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.\u003cbr\u003e\u003cbr\u003eThe WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.\u003cbr\u003e\u003cbr\u003eThe WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate\/dual diaphragm capsule found in the early ‘87 microphones.\u003cbr\u003e\u003cbr\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003cbr\u003e\u003cbr\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eLARGE CONDENSER STUDIO MICROPHONE BASED ON THE CLASSIC “87-STYLE” CIRCUIT.\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: CARDIOID, FIGURE OF EIGHT, AND OMNIDIRECTIONAL.\u003c\/li\u003e\n\u003cli\u003eWA-87-B-50V CAPSULE. REPRODUCTION OF CLASSIC DUAL BACKPLATE (FOUR WIRE TERMINATION) K87 CAPSULE.\u003c\/li\u003e\n\u003cli\u003e-10DB PAD.\u003c\/li\u003e\n\u003cli\u003eCINEMAG USA OUTPUT TRANSFORMER.\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 20HZ - 20KHZ.\u003c\/li\u003e\n\u003cli\u003eSPL: .5% THD @ 125DB (WITHOUT PAD),132DB.\u003c\/li\u003e\n\u003cli\u003eDIAPHRAGM: 6 MICRON THICKNESS, 1 INCH DIAMETER, GOLD SPUTTERED MEMBRANE, NOS MYLAR (PET FILM).\u003c\/li\u003e\n\u003cli\u003eOUTPUT: 150 OHMS, 24K GOLD PLATED, 3 PIN XLR.\u003c\/li\u003e\n\u003cli\u003eHIGH PASS FILTER: 80HZ.\u003c\/li\u003e\n\u003cli\u003eNOISE: -117DB.\u003c\/li\u003e\n\u003cli\u003eMICROPHONE INCLUDES SHOCK MOUNT, HARD MOUNT AND WOOD BOX.\u003c\/li\u003e\n\u003cli\u003eCOLOR: NICKEL.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34606482587783,"sku":"WA-87-R2B-DUPLICATE","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-87-r2-large-diaphragm-condenser-microphone-black-wa-87-r2b-17440103628935.jpg?v=1646108041"},{"product_id":"warm-audio-wa12-mkii-discrete-mic-pre-wdi-black-1081372","title":"Warm Audio WA12 MKII Discrete Mic Pre W\/DI Black","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eA lot of preamps on the market do a good job of raising the volume of microphones and instruments, but many pres today are doing only that: raising the volume. These “super clean” designs often leave the signal exiting the preamp sounding much the same as it did entering it, which ends up requiring a lot of work in post-production to get instruments to wake up and sound big in a mix.\u003cbr\u003e\u003cbr\u003eIf you’re looking for a preamp to actually improve and shape your signal instead, you will most definitely love the WA12 MKII Black. This preamp is designed to transform the tone of plain instruments and vocals into exciting sounds that can stand on their own - so if your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, the the WA12 MKII Black is the affordable answer.\u003cbr\u003e\u003cbr\u003eThe WA12 MKII Black is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and exciting sonic performance – which makes it an ideal choice for all types of recording applications. A high-quality mic preamp is one of the most critical pieces needed to achieve that elusive ‘larger than life’ sound, and the WA12 MKII Black delivers on that promise every single time.\u003cbr\u003e\u003cbr\u003eThe WA12 MKII Black is based around the X731 discrete op-amp, which is our own reproduction of the classic Melcor 1731 - considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones, but it can also be driven into mild saturation at much higher gain levels. While the effects of that saturation can range from subtle to obvious, they always remain very pleasing to the ear, and because it was designed around the X731 the WA12 MKII Black can accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.\u003cbr\u003e\u003cbr\u003eOur ears played a big part in the process of designing the WA12 MKII Black, and we didn’t stop tweaking until anything we ran through it sounded better. Using CineMag USA transformers and an all-discrete signal path, we ensured that this preamp would have the building blocks to compete with the best-sounding preamps on the market, and we’re very proud to offer such a robust and professional design in a small and affordable package.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM-GRADE INPUT AND OUTPUT TRANSFORMERS FROM CINEMAG USA\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eUTILIZES A DISCRETE 6-PIN SOCKETED 1731-STYLE OPAMP, WHICH CAN BE SWAPPED WITH OTHER DESIGNS THAT CONFORM TO THE 6-PIN, 2520 FOOTPRINT +\/- 16VDC STANDARD FOR VARYING TONE AND FLAVOR\u003c\/li\u003e\n\u003cli\u003e20DB PAD.\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - SWITCHES THE INPUT IMPEDANCE FROM 150 TO 600 OHMS AND CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS\u003c\/li\u003e\n\u003cli\u003eMIC LEVEL BALANCED INPUT: XLR\u003c\/li\u003e\n\u003cli\u003e2 MEGOHM TRUE HI-Z INPUT ON THE FRONT PANEL WHICH SENDS THE SIGNAL THROUGH THE ENTIRE CIRCUIT, INCLUDING BOTH CINEMAG TRANSFORMERS AND THE X731 OPAMP - GREAT FOR GUITARS, BASS, KEYS, KEYBOARDS AND ANY INSTRUMENT WITH A 1\/4” OUTPUT JACK\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUTS: XLR AND 1\/4″\/TRS\u003c\/li\u003e\n\u003cli\u003e48 VOLT PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLED METER GAIN INDICATION\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION CONTROL (POSITIONED AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34606482620551,"sku":"WA12 MKII Black","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa12-mkii-discrete-mic-pre-w-di-black-wa12-mkii-black-17429474345095.jpg?v=1647988145"},{"product_id":"warm-audio-bus-comp-stereo-vca-bus-compressor-1081363","title":"Warm Audio BUS-COMP Stereo VCA Bus Compressor","description":"The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades.  Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.  \u003cbr\u003e\u003cbr\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources.  The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003cbr\u003e\u003cbr\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development.  One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!\u003cbr\u003e\u003cbr\u003eAs with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind.  With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen.  More studios than ever before will now have access to analog quality VCA bus compression. Our desire is for all musicians to be heard the way they want to be heard and we feel the BUS-COMP is the perfect tool to perfect any mix!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR\u003c\/li\u003e\n\u003cli\u003eBASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY\u003c\/li\u003e\n\u003cli\u003eSELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eEXTERNAL SIDE CHAIN SOURCE SELECT\u003c\/li\u003e\n\u003cli\u003eSELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ\u003c\/li\u003e\n\u003cli\u003eCOMPRESSOR ENGAGE SWITCH FOR EASY A\/B COMPRESS VS. 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'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, intense research and countless hours of auditioning, the WA73-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003cbr\u003e\u003cbr\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003cbr\u003e\u003cbr\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003e\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003cbr\u003e\u003cbr\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003cbr\u003e\u003cbr\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. The WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSINGLE CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eINDUCTOR BASED 3 BAND EQ\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACK MOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34608262807687,"sku":"WA73-EQ","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa73-eq-1073-style-microphone-preamp-w-eq-wa73-eq-17432543658119.jpg?v=1646108231"},{"product_id":"warm-audio-wa-2a-tube-optical-compressor-1081370","title":"Warm Audio WA-2A Tube Optical Compressor","description":"Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003cbr\u003e\u003cbr\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have striven to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003cbr\u003e\u003cbr\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilizing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cbr\u003e\u003cbr\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6aq5 (or 6P1J). We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e2A STYLE, TRANSFORMER BALANCED, HIGH VOLTAGE, OPTO TUBE COMPRESSOR​.\u003c\/li\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eUSA MADE KENETEK OPTO-CELL ATTENUATOR T4' STYLE MODULE. 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The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003cbr\u003e\u003cbr\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable. \u003cbr\u003e\u003cbr\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.\u003cbr\u003e\u003cbr\u003eAll-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.\u003cbr\u003e\u003cbr\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. 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Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003cbr\u003e\u003cbr\u003eOur goal was to make a equalizer affordable for the first time, without compromising the quality and design parameters that make this type of equalizer so desirable.\u003cbr\u003e\u003cbr\u003eThe EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.\u003cbr\u003e\u003cbr\u003eThe EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and 'open' sound. These 2 tubes are socketed for easy swapping and replacement.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTUBE EQUALIZER BASED ON THE CLASSIC “PULTEC” EQP-1A.\u003c\/li\u003e\n\u003cli\u003ePREMIUM HIGH VOLTAGE 12AX7 AND 12AU7 TUBES.\u003c\/li\u003e\n\u003cli\u003eCINEMAG INDUCTOR EQ SECTION.\u003c\/li\u003e\n\u003cli\u003eEQ SECTION IS BYPASSABLE - SIGNAL STILL PASSES THROUGH TUBES AND TRANSFORMERS FOR WARMING EFFECT.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED OUTPUTS.\u003c\/li\u003e\n\u003cli\u003eFLAT FREQUENCY RESPONSE FROM 20 HZ - 50 KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED INPUTS.\u003c\/li\u003e\n\u003cli\u003eNO INSERTION LOSS - LOSS RESTORED BY TUBE AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003e5 ADDED FREQUENCY POINTS FOR GREATER FLEXIBILITY.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eDIMENSIONS: 19 X 3.5 X 6 INCHES - 2RU RACK MOUNTABLE.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY BOOST - 20, 30, 60, 100, 200, 400, 800 HZ - 12 DB.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY CUT - 20, 30, 60, 100, 200, 400, 800 HZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY BOOST - 3, 4, 5, 8, 10, 12, 16 KHZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY CUT - 3, 4, 5, 10, 20 KHZ - 14 DB.\u003c\/li\u003e\n\u003cli\u003eBOOST AND CUT CONTROLS CAN BE USED SIMULTANEOUSLY FOR PHASE EFFECT.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34608426057863,"sku":"EQP-WA","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-eqp-wa-pultec-tube-equalizer-eqp-wa-28045895532679.jpg?v=1652617743"},{"product_id":"warm-audio-wa-47jr-large-diaphragm-condenser-microphone-1081359","title":"Warm Audio WA-47jr Large Diaphragm Condenser Microphone Nickel","description":"The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources.\u003cbr\u003e\u003cbr\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.\u003cbr\u003e\u003cbr\u003eThe WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors.  The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.\u003cbr\u003e\u003cbr\u003eWe at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price.  We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.\u003cbr\u003e\u003cbr\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is assembled with precision by an Australian capsule manufacturer.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.\u003cbr\u003e\u003cbr\u003eThe Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.\u003cbr\u003e\u003cbr\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003cbr\u003e\u003cbr\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFET Transformerless '47 Style Condenser Microphone.\u003c\/li\u003e\n\u003cli\u003eCustom True '47 Capsule Reproduction (K47 Style) \u003c\/li\u003e\n\u003cli\u003eModel# WA-47-B-80v.\u003c\/li\u003e\n\u003cli\u003eCapsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6 Microns NOS Mylar (PET Film).\u003c\/li\u003e\n\u003cli\u003ePolar Patterns: Cardioid, Figure-Of-Eight, And Omnidirectional.\u003c\/li\u003e\n\u003cli\u003ePad: -10db\u003c\/li\u003e\n\u003cli\u003eHigh-Pass Filter: 70Hz\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: 9dBA\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 138dBA\u003c\/li\u003e\n\u003cli\u003eFully Discrete Signal Path, Toshiba FET’s, Wima Film Capacitors, Panasonic Electrolytic Capacitors\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 147\/157dB (@1kHz 1kOhms 0.5% THD, 0\/-10dB)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz~20 KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 10mV\/Pa Or -40dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ohms\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: ≥1kOhms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise: 10dBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eTotal Weight: 1.1 Lbs\u003c\/li\u003e\n\u003cli\u003eMic Diameter: 52mm\u003c\/li\u003e\n\u003cli\u003eMic Length: 210mm\u003c\/li\u003e\n\u003cli\u003eIncludes: Shockmount, Hard Mount, Zipper Storage Pouch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34608715235463,"sku":"WA-47JR","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-47jr-large-diaphragm-condenser-microphone-nickel-wa-47jr-17433161597063.jpg?v=1646115788"},{"product_id":"warm-audio-wa-di-a-active-direct-box-1081364","title":"Warm Audio WA-DI-A Active Direct Box","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eWhether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Active from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio.\u003cbr\u003e\u003cbr\u003eEvery aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active.\u003cbr\u003e\u003cbr\u003eWarm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source.\u003cbr\u003e\u003cbr\u003eOur Direct Boxes offer a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box.\u003cbr\u003e\u003cbr\u003eConnecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and\/or eliminates connections which could cause tonal shifts and distortion.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePOWER: 48V PHANTOM OR TWO 9V BATTERIES.  CAN ALSO BE USED PASSIVELY\u003c\/li\u003e\n\u003cli\u003eCUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eCONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION\u003c\/li\u003e\n\u003cli\u003eIDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE\u003c\/li\u003e\n\u003cli\u003eTOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD\u003c\/li\u003e\n\u003cli\u003eRUGGED ALUMINUM CONSTRUCTION\u003c\/li\u003e\n\u003cli\u003ePAD: VARIABLE FROM -3 TO -30DB\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUT: 600 OHMS, MIC LEVEL\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE: 1 MEG OHMS\u003c\/li\u003e\n\u003cli\u003eTHD: .01% FROM 20HZ TO 50HZ. LESS THAN .003% FROM 50HZ TO 20KHZ\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 10HZ TO 90KHZ +\/- 0.5DB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34608715366535,"sku":"WA-DI-A","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-di-boxes-warm-audio-wa-di-a-active-direct-box-wa-di-a-17433161826439.jpg?v=1646108061"},{"product_id":"warm-audio-wa-251-large-diaphragm-tube-condenser-microphone-1081351","title":"Warm Audio WA-251 Large Diaphragm Tube Condenser Microphone","description":"The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. We spent a great deal of time listening to different ‘251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.\u003cbr\u003e\u003cbr\u003eThe WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic ‘251 that has been used on countless hit records for the last 50+ years.  The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources. \u003cbr\u003e\u003cbr\u003eThe classic ‘251 became extremely popular as a vocal microphone in the 1960’s and is now considered to be one of the greatest condenser microphones ever created.  The classic ‘251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire.\u003cbr\u003e \u003cbr\u003eDesigning our WA-251 to sound like the classic ‘251 was no easy task, especially since some of the vintage components are no longer manufactured or available.  We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before.\u003cbr\u003e\u003cbr\u003eA Slovak Republic JJ 12AY7 vacuum tube is used in the WA-251.  We auditioned 3 tube brands and fell in love with the JJ 12AY7.  The frequency response of the JJ tube, and the way it contributes to the circuit is tonally smooth and vintage in nature.\u003cbr\u003e\u003cbr\u003eThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.  \u003cbr\u003e\u003cbr\u003eThe WA-251 utilizes an American made CineMag USA transformer.  This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone.\u003cbr\u003e\u003cbr\u003eThe WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output.\u003cbr\u003e\u003cbr\u003eOne component of a tube microphone that is often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-251 and other tube microphones we learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  We have partnered with Gotham Audio in Switzerland to use their very carefully built high-end 7 pin “GAC-7 cable”.  Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables.  Gotham Cabling is very expensive and boutique in nature and shouldn’t be considered a small addition to the WA-251 package.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCUSTOM WA-12-B-60V EDGE TERMINATED, DUAL-BACKPLATE,    \u003c\/li\u003e\n\u003cli\u003eALL-BRASS VINTAGE CK12-STYLE CAPSULE\u003c\/li\u003e\n\u003cli\u003eCINEMAG USA OUTPUT TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eJJ SLOVAK 12AY7 VACUUM TUBE\u003c\/li\u003e\n\u003cli\u003eGOTHAM 5 METER GAC-7, 7-PIN TUBE MICROPHONE CABLE\u003c\/li\u003e\n\u003cli\u003eWIMA, SOLEN FRENCH, AND POLYSTYRENE CAPACITORS\u003c\/li\u003e\n\u003cli\u003ePOLAR PATTERNS: 3 PATTERNS - CARDIOID, OMNI, FIGURE-OF-EIGHT\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RANGE: 20 HZ~20 KHZ\u003c\/li\u003e\n\u003cli\u003eOUTPUT IMPEDANCE: 200 OHMS\u003c\/li\u003e\n\u003cli\u003eMAXIMUM SPL: 132DB  (\u0026lt;0.5% THD)\u003c\/li\u003e\n\u003cli\u003eRATED LOAD IMPEDANCE: ≥2KOHMS\u003c\/li\u003e\n\u003cli\u003eS\/N RATIO: 80DBA\u003c\/li\u003e\n\u003cli\u003eEQUIVALENT NOISE: 12DBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eEXTERNAL IEC GROUNDED PSU\u003c\/li\u003e\n\u003cli\u003eTOTAL WEIGHT (MIC, PSU, SHOCKMOUNT, CABLES) - 12 LBS\u003c\/li\u003e\n\u003cli\u003eMIC DIMENSIONS: 247MM X 46MM\u003c\/li\u003e\n\u003cli\u003eDYNAMIC RANGE: 125DBA\u003c\/li\u003e\n\u003cli\u003eINCLUDES: MICROPHONE, WOOD BOX, PSU, SHOCK-MOUNT AND GOTHAM CABLE.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34609875648647,"sku":"WA-251","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-251-large-diaphragm-tube-condenser-microphone-wa-251-28045917454471.jpg?v=1652619188"},{"product_id":"warm-audio-wa-di-p-passive-direct-box-1081366","title":"Warm Audio WA-DI-P Passive Direct Box","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eWhether you play guitar, bass, keyboards or another stringed instrument, you'll need a direct box that won't diminish your instrument's tone, like the Direct Box Passive from Warm Audio.  Built around world-famous CineMag USA Transformer topology and engineering, like no other DI Boxes in the world. Constructed with top-tier discrete components housed in rugged aluminum chassis' that include switches, knobs and connectors that are all designed to withstand heavy abuse on the road or in the studio.\u003cbr\u003e\u003cbr\u003eEvery aspect of our direct boxes are designed for maximum sonic integrity, from the custom-wound CineMag USA transformer to the rugged metal knob and switches.  You can expect warm, rich tone even after long cable runs, and the extruded aluminum enclosure ensures a long life span.  When you need to convert an instrument-level signal to mic-level, with sonic quality as your top priority, you'll be well-served with the Direct Box Active and Direct Box Passive from Warm Audio.\u003cbr\u003e\u003cbr\u003eWarm Audio DI boxes offer the rare versatility of having an onboard variable pad knob which attenuates your input signal all the way from -3dB to -30dB, which will easily tame any instrument input source.\u003cbr\u003e\u003cbr\u003eThis Direct Box offers a Thru-put jack that is jumpered to the input jack. It is a convenience jack allowing you to send your instrument's signal to a second place in addition to the live mixer or recording device. Our Direct Boxes can also take a recorded signal at line level and send it to another line input while simultaneously sending signal out of the XLR mic level output of the Direct Box.\u003cbr\u003e\u003cbr\u003eConnecting electronic instruments such as guitar, bass, keyboard, or drum machines directly to a PA or recording system. Simply put, a DI box converts the high impedance, unbalanced output signals to low impedance, balanced output signals. By doing so, the instrument signals are now converted to the proper voltage level for the PA or recording system - which greatly reduces and\/or eliminates connections which could cause tonal shifts and distortion.\u003cbr\u003e\u003cbr\u003eDirect Box Passive is best for balancing the signal of instruments with active electronics, but still performs extremely well on passive pickups by producing a frequency range that exceeds the bandwidth of most passive DI boxes on the market.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCUSTOM-WOUND CINEMAG USA OUTPUT TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eCONVERTS INSTRUMENTS TO MIC-LEVEL SIGNALS WITHOUT SIGNAL DEGRADATION\u003c\/li\u003e\n\u003cli\u003eIDEAL SOLUTION FOR PLUGGING YOUR INSTRUMENT DIRECT INTO ANY MIC PRE\u003c\/li\u003e\n\u003cli\u003eTOP-QUALITY CLASS A COMPONENTS WITH GOLD-PLATED TRACES ON CIRCUIT BOARD\u003c\/li\u003e\n\u003cli\u003eRUGGED ALUMINUM CONSTRUCTION\u003c\/li\u003e\n\u003cli\u003ePAD: VARIABLE FROM -3DB TO -30DB\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUTS: 600 OHMS, MIC LEVEL\u003c\/li\u003e\n\u003cli\u003eINPUT IMPEDANCE: 1 MEG OHMS\u003c\/li\u003e\n\u003cli\u003eTHD: .01% FROM 20HZ TO 100HZ. LESS THAN .004% FROM 100HZ TO 20KHZ\u003c\/li\u003e\n\u003cli\u003eFREQUENCY RESPONSE: 20HZ TO 70KHZ +\/- 0.5DB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34610388369543,"sku":"WA-DI-P","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-di-boxes-warm-audio-wa-di-p-passive-direct-box-wa-di-p-28045932462215.jpg?v=1651633683"},{"product_id":"warm-audio-wa-47-large-diaphragm-tube-condenser-microphone-1081349","title":"Warm Audio WA-47 Large Diaphragm Tube Condenser Microphone","description":"The WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic ‘47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources. The classic ‘47 became extremely popular in the 1960’s and is now considered one of the greatest microphones ever made. The classic ‘47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.\u003cbr\u003e\u003cbr\u003eDesigning the WA-47 to sound like the classic ‘47 was no easy task, especially considering that some of the vintage components are no longer available. We compared and listened to 2 different vintage ‘47 mics and found that they both sounded amazing but also sounded a little different from each other. These comparison tests became the benchmark for tailoring our WA-47 sonics to sit right in with these 2 vintage ‘47 mics. We are pleased to release such a gorgeous sounding classic to the market at a price that’s reachable to more people than ever before. We are also proud to mention that the WA-47 sounds legitimately indistinguishable to the vintage ‘47’s we auditioned on several sources.\u003cbr\u003e\u003cbr\u003eAs with all Warm Audio products, we focus heavily on quality components to ensure we release the best sounding product possible.  The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.\u003cbr\u003e\u003cbr\u003eThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic ‘47 microphone - designed with the same hole pattern and frequency response. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Each capsule is visually inspected and electrically tested for imperfections.\u003cbr\u003e\u003cbr\u003eA large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones.  We are proud to be using such a faithful recreation of this classic part in an affordably priced '47 style microphone.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCustom True '47 Capsule Reproduction (K47 Style) - Model# WA-47-B-80v\u003c\/li\u003e\n\u003cli\u003eCapsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6 Microns NOS Mylar (PET Film)\u003c\/li\u003e\n\u003cli\u003eTAB-Funkenwerk (AMI) USA Output Transformer\u003c\/li\u003e\n\u003cli\u003ePremium 5751 Vacuum Tube\u003c\/li\u003e\n\u003cli\u003eGotham 3 meter GAC-7, 7-pin tube microphone cable\u003c\/li\u003e\n\u003cli\u003eWima, Solen French, And Polystyrene Capacitors\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: 11dBA\u003c\/li\u003e\n\u003cli\u003ePolar Patterns: 9 Patterns - Cardioid, Omni, Figure-Of-Eight + 6 Mixed Patterns\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 130dBA\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 140dB (\u0026lt;0.5% THD)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz~20 KHz\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: ≥2kOhms\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: 82dBA\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise: 10dBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eExternal IEC Grounded PSU\u003c\/li\u003e\n\u003cli\u003eTotal Weight - 9 Lbs\u003c\/li\u003e\n\u003cli\u003eMic Diameter: 60mm\u003c\/li\u003e\n\u003cli\u003eMic Length: 254mm\u003c\/li\u003e\n\u003cli\u003eIncludes: Microphone, Wood Box, Power Supply Unit, Shockmount, Gotham 7 Pin GAC-7 Cable, IEC Power Cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34617306185863,"sku":"WA-47","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-47-large-diaphragm-tube-condenser-microphone-wa-47-28045876166791.jpg?v=1652629086"},{"product_id":"warm-audio-jet-phaser-pedal-1081376","title":"Warm Audio Jet Phaser Pedal","description":"The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound.\u003cbr\u003e\u003cbr\u003eOf all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station.\u003cbr\u003e\u003cbr\u003eThe Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units!\u003cbr\u003e\u003cbr\u003eThe Jet Phaser contains six modes, with two labeled \"PHASE\" and four labeled \"JET\". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results.\u003cbr\u003e\u003cbr\u003eHowever, the similarities to normal phase pedals end there. The four JET modes engage the \"jet\" (or fuzz) effect, and that's when things get seriously fun!\u003cbr\u003e\u003cbr\u003eThere are four fuzz\/phase combinations:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBright fuzz\/shallow phase\u003c\/li\u003e\n\u003cli\u003eBright fuzz\/deep phase\u003c\/li\u003e\n\u003cli\u003eDark fuzz\/shallow phase\u003c\/li\u003e\n\u003cli\u003eDark fuzz\/deep phase\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eWhen the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos!\u003cbr\u003e\u003cbr\u003eThe Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST\/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST\/SLOW foot switch like organ players do!\u003cbr\u003e\u003cbr\u003eThe Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT\u003c\/li\u003e\n\u003cli\u003eUSES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS\u003c\/li\u003e\n\u003cli\u003eTRUE BYPASS OPERATION\u003c\/li\u003e\n\u003cli\u003eSIX MODES: JET (1–4), PHASE (1–2)\u003c\/li\u003e\n\u003cli\u003eEFFECT\/NORMAL AND FAST\/SLOW FOOT SWITCHES\u003c\/li\u003e\n\u003cli\u003eJET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS\u003c\/li\u003e\n\u003cli\u003eGRADUAL RATE CHANGE WHEN FAST\/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB\u003c\/li\u003e\n\u003cli\u003e1\/4\" INPUT (INST) AND OUTPUT (AMP) JACKS\u003c\/li\u003e\n\u003cli\u003eDC ADAPTER\/BATTERY SWITCH\u003c\/li\u003e\n\u003cli\u003eRUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS\u003c\/li\u003e\n\u003cli\u003ePOWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED)\u003c\/li\u003e\n\u003cli\u003ePOWER CONSUMPTION: 9MA\u003c\/li\u003e\n\u003cli\u003eWIDTH: 10.25\"\u003c\/li\u003e\n\u003cli\u003eDEPTH: 6.5\"\u003c\/li\u003e\n\u003cli\u003eHEIGHT: 2.25\"\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 4.6 LBS\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34617306218631,"sku":"WA-JP","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-effects-and-pedals-phase-shifters-warm-audio-jet-phaser-pedal-wa-jp-17447973093511.jpg?v=1646118140"},{"product_id":"warm-audio-foxy-tone-box-fuzz-pedal-1081374","title":"Warm Audio Foxy Tone Box Fuzz Pedal","description":"The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices!\u003cbr\u003e\u003cbr\u003eThe specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth!\u003cbr\u003e\u003cbr\u003eJust like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet!\u003cbr\u003e\u003cbr\u003eTo get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite\", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic\/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFAITHFUL RECREATION OF THE ORIGINAL “FOXY” FUZZ CIRCUIT WITH 100% ANALOG, FULLY DISCRETE SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003ePREMIUM COMPONENTS USED THROUGHOUT, INCLUDING THE NOS 2N3565 FAIRCHILD TRANSISTORS FOUND IN THE ORIGINAL CIRCUIT\u003c\/li\u003e\n\u003cli\u003eUSES CARBON RESISTORS, GERMANIUM 1N34A DIODES, AND PREMIUM FILM CAPACITORS\u003c\/li\u003e\n\u003cli\u003eTRUE BYPASS OPERATION\u003c\/li\u003e\n\u003cli\u003eGOLD-PLATED PCB PADS\u003c\/li\u003e\n\u003cli\u003eVOLUME, SUSTAIN, AND FUZZ KNOBS\u003c\/li\u003e\n\u003cli\u003eOCTAVE SUSTAIN SWITCH FOR ENGAGING THE OCTAVE-UP EFFECT\u003c\/li\u003e\n\u003cli\u003e1\/4\" INPUT (INST) AND OUTPUT (AMP) JACKS\u003c\/li\u003e\n\u003cli\u003eRED LED POWER INDICATOR\u003c\/li\u003e\n\u003cli\u003eGROOVY VINTAGE ENCLOSURE COVERED IN ORANGE VELVET\u003c\/li\u003e\n\u003cli\u003ePOWERED BY 9V BATTERY OR STANDARD 9V DC PEDAL ADAPTER (2.1MM, CENTER NEGATIVE DC ADAPTER INCLUDED)\u003c\/li\u003e\n\u003cli\u003ePOWER CONSUMPTION: 1.5MA\u003c\/li\u003e\n\u003cli\u003eWIDTH: 6.5\"\u003c\/li\u003e\n\u003cli\u003eDEPTH: 3.75\"\u003c\/li\u003e\n\u003cli\u003eHEIGHT: 1.5\"\u003c\/li\u003e\n\u003cli\u003eWEIGHT: 1.4 LBS\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34617306251399,"sku":"WA-FTB","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-effects-and-pedals-fuzz-warm-audio-foxy-tone-box-fuzz-pedal-wa-ftb-17447973159047.jpg?v=1646115794"},{"product_id":"warm-audio-wa-14-large-diaphragm-condenser-microphone-1081357","title":"Warm Audio WA-14 Large Diaphragm Condenser Microphone","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe WA-14 is a classic condenser microphone based on the early 1970's microphone used on countless hit records. The WA-14 utilizes a custom all-brass CK12-style capsule, CineMag USA transformer, and a fully discrete signal path.  The WA-14 can be used on an array of sources, such as; punchy\/warm intimate lead vocals, acoustic\/electric guitars, bass, drums\/percussion, strings\/orchestral material, and many other sources. The WA-14 provides a realism and thickness that is true to the vintage microphone, but now at an affordable price.\u003cbr\u003e\u003cbr\u003eThe WA-12-B-60V is an all-brass, edge-terminated capsule that captures all the smoothness, rich top end, and warm vintage sonics of the original CK12 capsule. The WA-12-B-60V uses a variant CEK-12 back plate as a basis, which overcomes manufacturing limitations of the original CK12 capsule. The o-ring and housing of the WA-12-B-60V are all made from brass (no teflon parts), and the diaphragm is 24k gold sputtered 6 micron, NOS PET film (mylar). The end result is a very consistent, reliable capsule which matches the frequency response and tonality of the classic 1970's classic capsule.\u003cbr\u003e\u003cbr\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003cbr\u003e\u003cbr\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eLarge Diaphragm Condenser Microphone With Variable Pad And Three Polar Patterns (Cardioid, Figure Of Eight, Omnidirectional)\u003c\/li\u003e\n\u003cli\u003eCustom CineMag USA Transformer\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20Hz To 20kHz\u003c\/li\u003e\n\u003cli\u003eOutput Pad: 0dB, -10dB, -20dB\u003c\/li\u003e\n\u003cli\u003ePolar Patterns: Cardioid, Figure Of Eight And Omnidirectional\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 150 Ohms\u003c\/li\u003e\n\u003cli\u003eFeatures Custom WA-12-B-60V Edge-Terminated, Dual-Backplate, All-Brass Vintage CK12-Style Capsule\u003c\/li\u003e\n\u003cli\u003e3-Pin Gold Plated XLR\u003c\/li\u003e\n\u003cli\u003eSelf Noise: -115dB\u003c\/li\u003e\n\u003cli\u003eRequires +48V Phantom Power\u003c\/li\u003e\n\u003cli\u003eColor: Black\u003c\/li\u003e\n\u003cli\u003eIncludes Shock Mount, Hard Mount, And Protective Pouch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34660637835399,"sku":"WA-14","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-14-large-diaphragm-condenser-microphone-wa-14-17519803629703.jpg?v=1646108228"},{"product_id":"warm-audio-wa-67-large-diaphragm-condenser-microphone-1081373","title":"Warm Audio WA-67 Large Diaphragm Condenser Microphone","description":"The original ’67 became one of the most sought-after and widely-used studio microphones of its time, recording a massive collection of some of the most memorable songs of the last 50 years - we’re talking about classic tracks from artists as varied as The Beatles, Led Zeppelin, The Temptations and Nirvana! \u003cbr\u003e\u003cbr\u003eThankfully, Warm Audio has now changed that scenario with the release of the new WA-67! Based around an EF86 pentode tube and having the same smooth and creamy tone of the original, the WA-67 excels at recording just about anything that you put it in front of, and it may immediately become your go-to choice for vocals, guitars, drum toms and overheads, pianos, brass and strings.\u003cbr\u003e\u003cbr\u003eAt Warm, we’re passionate about killer studio tools and we take our responsibility to our customers seriously. That means that we don’t make “look-alike” gear that doesn’t deliver, and we take considerable time and effort to get as close as possible to both the heart and the soul of an original design. We went to great lengths to recreate the discrete circuit of the original microphone, using boutique components throughout to ensure that nothing got in the way of pure tube magic. The sound and vibe of the original ’67 is recreated in our WA-67, and we take great pride in being able to make such a high-quality microphone available to everyone at an unheard of price.\u003cbr\u003e\u003cbr\u003eEven if you stuff a microphone full of premium components, if the capsule isn’t right, nothing is - it’s that critical. Knowing this we went to great lengths to recreate the capsule from the original ’67, making sure that ours performs the same way, has the same frequency response and contributes to the same chewy character as the original. That meant not only ensuring that the hole pattern was identical, but we also made sure to craft the entire assembly out of brass (including the mounting rings) just like the original design. It takes more time and it’s more expensive than using multiple types of material, but we felt that it was critical to go the extra mile on this microphone. The results speak for themselves - the WA-67 sounds absolutely stellar!\u003cbr\u003e\u003cbr\u003eThe EF-86 tube is well-known in the industry for having characteristics that are consistently flattering to audio sources, and it’s one of the reasons why the original ’67 microphone remains sought after (and why some modern audio manufacturers use it in their own hyper-expensive microphones and preamps). We knew that it was critical to get absolutely right in the WA-67, and we’re thrilled with the results. \u003cbr\u003e\u003cbr\u003eGoing even further, in order to accentuate and complement the custom capsule and EF86 tube, we used top-shelf components to complete our version of the original circuit. We used high-bandwidth polystyrene capacitors, as well as boutique polypropylene caps from Wima and a large output capacitor from Solen. Just as important in a tube design, we also used a custom large-core transformer from Lundahl in Sweden, which plays a significant role in the buttery smooth high frequency response and huge three-dimensional sound of the WA-67. The microphone is also encased in a beautiful nickel-plated brass body and headbasket, which provides strength, additional shielding from extraneous handling noise and the ultimate in audio performance. \u003cbr\u003e\u003cbr\u003eLast but not certainly not least, the quality of the 7-pin cable that connects a tube mic to its power supply is also of paramount importance - it carries both audio signals and voltage for the tube on different pins, which means that it plays an integral role in the performance of the microphone. That’s why we’ve partnered with high-end manufacturer Gotham Audio of Switzerland to use their high-end GAC-7 cable with the WA-67. This special cable is integral to the sound and performance of the microphone, and adds the finishing touch to the WA-67 system. \u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eLarge diaphragm studio condenser microphone\u003c\/li\u003e\n\u003cli\u003eFaithful re-creation of the classic ’67-style pentode tube circuit\u003c\/li\u003e\n\u003cli\u003eEF86 pentode tube for creamy smooth clarity and brilliance\u003c\/li\u003e\n\u003cli\u003eCustom large-core Swedish Lundahl transformer\u003c\/li\u003e\n\u003cli\u003eCustom all-brass large K67-style vintage capsule re-creation\u003c\/li\u003e\n\u003cli\u003eGold-sputtered Mylar diaphragm, 6 microns thick\u003c\/li\u003e\n\u003cli\u003eHigh-bandwidth polystyrene capacitors\u003c\/li\u003e\n\u003cli\u003eBoutique capacitors from Wima and Solen\u003c\/li\u003e\n\u003cli\u003eNickel-plated brass microphone body and headbasket for ultimate acoustic performance\u003c\/li\u003e\n\u003cli\u003ePremium Swiss Gotham 7-pin tube cable  \u003c\/li\u003e\n\u003cli\u003ePolar Patterns: Cardioid, Omni, Figure-of-Eight\u003c\/li\u003e\n\u003cli\u003eSwitchable hi-pass filter \u003c\/li\u003e\n\u003cli\u003eSwitchable -10 db pad\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eRated impedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eRated load impedance: 1kilohms\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level (A-weighted): 17 dB-A\u003c\/li\u003e\n\u003cli\u003eMaximum SPL for THD 0.5%: 138 dB\u003c\/li\u003e\n\u003cli\u003eSignal to noise ratio (A-weighted): 78 dB\u003c\/li\u003e\n\u003cli\u003eMicrophone includes: wood box, shockmount, hardmount, power supply, 7-pin mic cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34682987741319,"sku":"WA-67","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-67-large-diaphragm-condenser-microphone-wa-67-17630318854279.jpg?v=1649764028"},{"product_id":"warm-audio-wa-47jr-large-diaphragm-condenser-microphone-1081361","title":"Warm Audio WA-47jr Large Diaphragm Condenser Microphone Black","description":"The WA-47jr is an FET transformerless version of the highly renowned classic ‘47 microphone that has been used on countless hit records for the last 50+ years. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources.\u003cbr\u003e\u003cbr\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design.  Our version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr.  The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47 style capsule, allows it to obtain a very similar tone to the classic ‘47 microphone, but at a much lower price tag.  The WA-47jr utilizes the same k47 style capsule found in our flagship WA-47 tube condenser microphone.\u003cbr\u003e\u003cbr\u003eThe WA-47jr circuit uses high quality Toshiba FET’s, Wima film capacitors and Panasonic electrolytic capacitors.  The circuit is modernized and more simple than the classic ‘47 tube microphone, but the components and circuitry are top-notch, and have a sound quality and tone that punches far above anything we’ve ever heard in this price range.\u003cbr\u003e\u003cbr\u003eWe at Warm Audio are very excited to bring this ‘47 style FET condenser microphone and classic tone to the market at such an affordable price.  We feel confident that you will enjoy a lifetime of beautiful recordings with the WA-47jr.\u003cbr\u003e\u003cbr\u003eThe WA-47jr proudly utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage part.  Our version of this capsule (model# WA-47-B-80v) is assembled with precision by an Australian capsule manufacturer.  The WA47jr's low-noise and discrete signal path then paired with an excellent true '47 style capsule allows this mic to obtain a very similar tone to the classic ‘47 microphone at a much lower price tag.\u003cbr\u003e\u003cbr\u003eThe Warm Audio WA-47-B-80v capsule is also used in our flagship WA-47 tube condenser microphone.\u003cbr\u003e\u003cbr\u003eWhen designing our first microphone we knew that the single greatest challenge would be to offer a capsule that was built to a high standard and priced in a range that every-day musicians and engineers could afford. We already knew where to find great microphone transformers, precision resistors, polystyrene, tantalum and WIMA film capacitors; but we came to realize that a quality affordable microphone capsule that met our specifications simply wasn’t out there. We knew we would have to develop our own line of capsules.\u003cbr\u003e\u003cbr\u003eThe WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality\/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with our microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFET Transformerless '47 Style Condenser Microphone.\u003c\/li\u003e\n\u003cli\u003eCustom True '47 Capsule Reproduction (K47 Style) \u003c\/li\u003e\n\u003cli\u003eModel# WA-47-B-80v.\u003c\/li\u003e\n\u003cli\u003eCapsule Makeup: Gold Sputtered, Dual Large Diaphragm, Single Backplate, 6 Microns NOS Mylar (PET Film).\u003c\/li\u003e\n\u003cli\u003ePolar Patterns: Cardioid, Figure-Of-Eight, And Omnidirectional.\u003c\/li\u003e\n\u003cli\u003ePad: -10db\u003c\/li\u003e\n\u003cli\u003eHigh-Pass Filter: 70Hz\u003c\/li\u003e\n\u003cli\u003eSelf-Noise: 9dBA\u003c\/li\u003e\n\u003cli\u003eDynamic Range: 138dBA\u003c\/li\u003e\n\u003cli\u003eFully Discrete Signal Path, Toshiba FET’s, Wima Film Capacitors, Panasonic Electrolytic Capacitors\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 147\/157dB (@1kHz 1kOhms 0.5% THD, 0\/-10dB)\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 20 Hz~20 KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 10mV\/Pa Or -40dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ohms\u003c\/li\u003e\n\u003cli\u003eRated Load Impedance: ≥1kOhms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise: 10dBA (IEC651)\u003c\/li\u003e\n\u003cli\u003eTotal Weight: 1.1 Lbs\u003c\/li\u003e\n\u003cli\u003eMic Diameter: 52mm\u003c\/li\u003e\n\u003cli\u003eMic Length: 210mm\u003c\/li\u003e\n\u003cli\u003eIncludes: Shockmount, Hard Mount, Zipper Storage Pouch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34754015527047,"sku":"WA-47JRBLK","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-microphones-warm-audio-wa-47jr-large-diaphragm-condenser-microphone-black-wa-47jrblk-28045974241415.jpg?v=1652616299"},{"product_id":"warm-audio-tb12-b-tone-beast-tone-shaping-microphone-1290994","title":"Warm Audio TB12-B Tone Beast Tone Shaping Microphone Preamp Black","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.\u003cbr\u003e\u003cbr\u003eThe Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003cbr\u003e\u003cbr\u003eWhen designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003cbr\u003e\u003cbr\u003eThe TB12 \"Tone Beast Black\" is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. \u003cbr\u003e\u003cbr\u003eThe different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. 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