{"title":"Delay Pedals","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDelay effect pedals are essential tools for creating expansive soundscapes, rhythmic echoes, and lush textures in music. At Chicago Music Exchange, our collection of delay pedals for sale online offers a diverse range of analog and digital options to suit any musician's needs. Perfect for both recording and live performance, these pedals allow you to craft everything from subtle ambient layers to bold, repeating patterns. Whether you're a beginner or a seasoned pro, you'll find the best new and used delay pedals in our selection. Explore our offerings to find the perfect delay pedal to elevate your sound and enhance your musical creativity.\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"boss-dd-3-digital-delay-9636","title":"Boss DD-3 Digital Delay","description":"\u003cp\u003eThis compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCompact delay pedal with superb BOSS sound quality\u003c\/li\u003e\n\u003cli\u003eProvides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms - 800ms\u003c\/li\u003e\n\u003cli\u003eHold function repeats delay sound indefinitely for interesting effects\u003c\/li\u003e\n\u003cli\u003eBOSS 5-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":33922030141575,"sku":"DD3","price":102.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/boss-effects-and-pedals-delay-boss-dd-3-digital-delay-dd3-28186661945479.jpg?v=1647029286"},{"product_id":"boss-te-2-tera-echo-9698","title":"Boss TE-2 Tera Echo","description":"\u003ci\u003eFrom Boss:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003ePowered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eNext-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP\u003c\/li\u003e\n\u003cli\u003eRich, spacious echo and ambience effects\u003c\/li\u003e\n\u003cli\u003eDramatically enhances the direct tone, but never overwhelms it\u003c\/li\u003e\n\u003cli\u003eFreeze function holds the ambient sound for lead backing and sound effects\u003c\/li\u003e\n\u003cli\u003eUltra-responsive to volume changes and playing dynamics\u003c\/li\u003e\n\u003cli\u003eWide range of sound adjustment with simple controls\u003c\/li\u003e\n\u003cli\u003eMono\/stereo input and output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNominal Input Level:\u003c\/b\u003e 20 dBu\u003cbr\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e 1 M ohm\u003cbr\u003e\u003cb\u003eNominal Output Level:\u003c\/b\u003e 20 dBu\u003cbr\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e 1 k ohm\u003cbr\u003e\u003cb\u003eRecommended Load Impedance: \u003c\/b\u003e10 k ohms or greater\u003cbr\u003e\u003cb\u003eControls: \u003c\/b\u003ePedal switch, E. 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It provides lush reverb and other essential vocal tools magically packaged in a compact and user-friendly unit, allowing you to easily create a great ambient vocal sound every time you perform. What’s really cool about the VE-1 is that you don’t have to be a pro sound engineer to make your voice sound sweet. Everything is right at your fingertips to get great-sounding vocals anytime and anywhere. Whether you’re a newcomer to the world of audio effects processing or a highly trained PA engineer, the VE-1 provides high-quality processing for any singer to take their voice over the top with that extra luster and polish.\u003c\/p\u003e\u003cp\u003eWith the VE-1, there’s no need to worry about complicated parameter settings to achieve rich results. Simply dial up a sound from one of the seven available professionally designed presets, and then twist the knobs to easily and intuitively control the effect level and depth. And if you’re a more advanced user, additional detailed parameters are available to fine-tune sounds even further. Along with the top-quality reverbs, dedicated controls are right at your fingertips for applying Double, Pitch Correct, and Enhance features to your vocals to put the finishing touch to your sound. Pitch Correct helps you to stay in tune, and also allows you to obtain that characteristic “electronic voice” sound. With the convenient Memory feature, you can store and recall up to four favorite settings, including your current live setting. The built-in USB audio port enables you to record your polished vocal sound directly to a DAW or create a studio-quality sound for a YouTube performance. 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They share almost identical input and output circuit topologies, including the passive unbuffered mixer circuit of the EP-3. However, we tuned it to have a lower output impedance than the EP-3 to not load down the output as much while still retaining the open non-buffered output interface. A buffer does just what the name implies - it isolates one circuit from the next and can create a \"disconnected\" feeling that is subtle but a player who relies on touch-sensitive dynamics in his rig will appreciate the difference of not having the buffer. Having said that, the Belle Epoch will perform great in almost any pedal stacking situation. But for the most authentic Echoplex-like experience, we recommend that you run it before any foundation overdrive type pedals and after fuzzes, treble boosters, and the like. 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This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream II is ready to transform anything you throw at it.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMaster:\u003c\/strong\u003e Sets the overall volume.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFuzz:\u003c\/strong\u003e Sets the amount of gain, from clean to fuzzed-out bliss.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDelay:\u003c\/strong\u003e Sets the volume of the delayed signal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eD Time:\u003c\/strong\u003e Controls the delay time (numbers shown in milliseconds) between 20 ms and 1 second. 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Combine these controls with the Obscura’s Repeat\/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem.  In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs\/Outputs, a Delay Tails On\/Off Switch and True Bypass circuitry.With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech’s evolution in pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Obscura uses a 9V DC power supply to easily integrate into your existing pedalboard.\u003c\/p\u003e Included Items: \u003cul\u003e\n\u003cli\u003eObscura Altered Delay Pedal\u003c\/li\u003e\n\u003cli\u003eStompLock™ - This unique new device fits snugly over the Obscura's control knobs to protect your finely-tuned settings from drops, bumps and kicks that inevitably take place when you perform.\u003c\/li\u003e\n\u003cli\u003eDie cut Hook-and-loop Pedalboard Pad - This is a high-density mounting pad for stick and stay, semi-permanent mounting of the Obscura on pedalboards. 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A quick push of the Volume knob lets you “age” the sound of your repeats, darkening the tone, upping the tape saturation (distortion), and increasing modulation and tape distress as you turn the knob clockwise. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe EP103’s delay signal gets the same tonal conditioning that the EP101 Echoplex Preamp provides, while the dry path is left untouched. For the full EP-3 experience, put that secret sauce on your dry signal by running the EP101 in front of the EP103. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Echoplex Delay also features tap tempo functionality, for up to 4 seconds of delay time, when you hook up an M199 MXR Tap Tempo Switch. The dry path is all analog with Constant Headroom Technology™—providing a full 20 volts of headroom—and a choice of true relay or trails bypass. The EP103 can be set for 100% wet mode along with stereo input and output modes. 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Containing 16 models based* on legendary echo and delay boxes from the storied Maestro® EP-1 Echoplex to the awesome T.C. Electronic® 2290, the DL4 has in turn become a classic in its own right, as popular with guitarists as it is with singers, drummers, bassists, keyboardists, and anyone who wants a pure 24-bit true stereo signal path in the service of delays that run the gamut from gritty and psychedelic to pristine and heavenly.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou'd be insane to pack an original Roland® RE-101 Space Echo or Electro-Harmonix® Deluxe Memory Man into the back of your van for a club tour, but the DL4 packs models of those sounds and many more into a rugged, road-tested steel housing that can run for up to 30 hours on four \"C\" batteries or with the optional PX-2G power adaptor. 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What's more, with its onboard 14-second looper, the DL4 is both the perfect practice tool and the ultimate creative canvas for crafting overdubs and creating textures, with its ½ speed and reverse modes ideal for sonic adventurers and arrangement-minded recordists alike.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike all Line 6 stompbox Modelers, the DL4 boasts a simple and sturdy front panel design, with four footswitches for saving and recalling your sounds, and six knobs for selecting models and tweaking parameters, with distinct assignments for each knob depending on the delay model you've chosen. 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These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eYet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eWhile there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. 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Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay- made possible only by old-school analog bucket brigade technology. 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Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers low-noise, high-headroom delay processing with any amp, mixer or DAW rig.\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eEcholution 2 uses a 24-bit, variable clock, multi-tap delay line where both the read and write heads are simultaneously modulated by a multi-waveform LFO. Changing the delay time results in the smooth pitch bending of an analog delay system but with a Pigtronix twist that allows drastic delay time changes to create musically related octave intervals. The resulting echoes are then processed through an array of filters and special effects, which can be manipulated via assignable expression pedal routing as well as envelope control for each knob. Every feature and algorithm on the E2 can be run simultaneously, in any combination, and all functions of the Echolution 2 are MIDI controllable.\u003c\/p\u003e\u003cp\u003eAccessing and navigating the vast palette of sounds available within the Echolution 2 is easy. Since the pedal is completely programmable, any sound that has been designed using the Echolution 2 or Echolution 2 Deluxe pedal can be saved to the unit itself and exported for sharing with friends and other musicians. A dedicated PC\/MAC application handles preset management as well as firmware upgrades and also provides Echolution 2 users with real time access to the sounds and advanced editing functionality of the Echolution 2 Deluxe\u003c\/p\u003e","brand":"Pigtronix","offers":[{"title":"Default Title","offer_id":33923175284871,"sku":"PIGE2B","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/pigtronix-effects-and-pedals-delay-pigtronix-echolution-2-delay-pige2b-17155685843079.jpg?v=1648982826"},{"product_id":"skreddy-echo-16685","title":"Skreddy Echo","description":"\u003cp\u003eThe Skreddy Pedals Echo offers up lush, tape-like delays that are saturated with adjustable \"warble\" to give an audio illusion of an old tape echo machine.\u003c\/p\u003e \u003cp\u003e \u003cspan\u003eThe repeats degrade very gradually into a musical, harmonic soup if you turn them up high enough. Self oscillation is possible (though not in a touchy or unpredictable way) without the bothersome runaway volume some old analog delays have.\u003c\/span\u003e\u003c\/p\u003e \u003cp\u003e \u003cstrong\u003e  \u003cspan\u003eFeatures:\u003c\/span\u003e \u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003cspan\u003e50ms - 600ms Delay Time\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eOnboard Effects Loop\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eHand Wired\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan\u003eSwitchcraft Jacks\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e","brand":"Skreddy Pedals","offers":[{"title":"Default Title","offer_id":33923351150727,"sku":"SKRDYECHO","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/skreddy-pedals-effects-and-pedals-delay-skreddy-echo-skrdyecho-17214535204999.jpg?v=1648906502"},{"product_id":"source-audio-one-series-nemesis-delay-17195","title":"Source Audio One Series Nemesis Delay","description":"\u003cp\u003eThe Nemesis Delay is the culmination of three years of intense research, listening, and engineering. Driven by a passion for greatness, our goal was to create a compact, powerful, and easy-to-use delay pedal with unrivaled tone, flexibility and style. We feel that our goals were achieved - Nemesis offers 24 distinct effect engines ranging from vintage tape and analog delays to highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays. It also features 128 presets, multiple delay taps, a hold function, tap tempo, full MIDI control, deep editing functionality with the Neuro Mobile App, and much more.\u003c\/p\u003e\u003cp\u003eNemesis captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. The Nemesis’s Tape, Noise Tape and Slapback delays capture all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm. The Analog delay engine beautifully achieves the resonant peaks combined with high and low frequency decay that typifies classic bucket brigade delay pedals. The pedal’s Digital delay manufactures pristine, high definition repeats with or without filtering effects for a classic rack-system tone. The Nemesis features a 56-bit signal path with a 24-bit delay line that gives the Digital engine its immaculate, clean delays.\u003c\/p\u003e\u003cp\u003eAt the opposite side of the spectrum, you’ll find an advanced collection of sophisticated and specialized delay effects. The Shifter delay generates perfect polyphonic pitch intervals with repeats jumping to either an octave (up or down), major or minor third, 4th, or 5th. Sweeper applies modulating filter effects to repeats for a unique delay\/wah hybrid tone. Backwards effects like Helix and Reverse provide a perfect blend of chaos and control with multi-tap reverse patterns and angelic pitch shifting effects. A Rhythmic delay features an engaging and musical collection of non-standard multi-tap delay patterns.\u003c\/p\u003e\u003cp\u003eNemesis also features a full range of highly progressive features including full MIDI control and additional deep editing capabilities via the Neuro Mobile App (a free download for iOS or Android devices). Stereo input and output jacks provide dramatic stereo ping-pong and stereo phase inversion effects. The stereo jacks can also be rerouted to create an external effects loop either pre or post effect. The tap tempo switch features quarter note, dotted eighth, and triplet beat divisions and also doubles as a hold control, which freezes a small portion of the delay in a continuous loop. Assign expression control to any combination of knobs and program the depth and direction of each.\u003c\/p\u003e","brand":"Source Audio","offers":[{"title":"Default Title","offer_id":33923418062983,"sku":"SA260","price":246.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/source-audio-effects-and-pedals-delay-source-audio-one-series-nemesis-delay-sa260-17214559846535.jpg?v=1649226739"},{"product_id":"tc-electronic-flashback-mini-delay-17548","title":"TC Electronic Flashback Mini Delay","description":"\u003cp\u003eFrom TC Electronic:\u003c\/p\u003e\u003cp\u003eWe've taken all that you know and love about our TC Electronic delay sounds and poured it into a footprint too good to be true. There's more magic per square inch In Flashback Mini Delay than you'd find in a Smurf. The industry standard, most revered TC Electronic delay tones, plus TonePrint - the greatest innovation to guitar since guitar strings!\u003c\/p\u003e\u003cp\u003eThe TonePrint functionality allows you to use tones customized by your favorite artists, including guitar legends such as Steve Morse, Lee Ritenour and Joe Perry.\u003c\/p\u003e\u003cp\u003eTrue Bypass and an Analog-Dry-Through guarantee no tone coloration, zero latency and no conversion of the dry signal for absolute tonal transparency.\u003c\/p\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eIncredible sound in an ultra-small footprint.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003c\/span\u003eTonePrint-enabled. Load custom-tuned signature sounds from the best guitar players in the world.\u003c\/li\u003e\n\u003cli\u003eFree TonePrint Editor - create your own custom delay pedal.\u003c\/li\u003e\n\u003cli\u003eBeam enabled - Send TonePrints to Flashback Mini Delay through our free TonePrint app for iPhone and Android.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e","brand":"TC Electronic","offers":[{"title":"Default Title","offer_id":33923487858823,"sku":"960806001","price":118.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/tc-electronic-effects-and-pedals-delay-tc-electronic-flashback-mini-delay-960806001-17214583734407.jpg?v=1648815065"},{"product_id":"visual-sound-v3-h2o-chorus-echo-17858","title":"Visual Sound V3 H2O Chorus \u0026 Echo","description":"\u003cp\u003e \u003cstrong\u003eFrom Visual Sound:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe V3 H2O is more than a mere re-boot of one of the finest dual pedals of all time; it is a carefully thought out complete redesign. It has all the classic tones from its storied past, yet the capability to give the user the otherworldly tones of what is yet to come. To make the V3 H2O more pedal board friendly and rugged, the housing and footswitches have been updated. To give the chorus circuit more versatility, knobs for chorus\/vibrato, and tone, along with switches for detune have been added. The Echo keeps its stellar warmth, yet now has the trance inducing ability to go into controlled oscillation. The V3 H2O is truly the finest echo and analog modulation pedal available.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAnalog voiced Echo channel\u003c\/li\u003e\n\u003cli\u003eExtremely versatile fully analog Stereo Chorus capable of true pitch vibrato\u003c\/li\u003e\n\u003cli\u003eLight, lush, Leslie, or pulsating out-of-this-world effects\u003c\/li\u003e\n\u003cli\u003ePure Tone buffer on\/off and separate Input and Output for each channel\u003c\/li\u003e\n\u003cli\u003eChange order of effects, patch in a loop, or use a switching system\u003c\/li\u003e\n\u003cli\u003eReliable and silent True Bypass switching with the custom designed Forever Footswitch™ rated for 10 million hits.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Visual Sound","offers":[{"title":"Default Title","offer_id":33923548545159,"sku":"VSV3H2O","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/visual-sound-effects-and-pedals-delay-visual-sound-v3-h2o-chorus-echo-vsv3h2o-17214601855111.jpg?v=1648896434"},{"product_id":"way-huge-whe702s-echo-puss-analog-delay-18100","title":"Way Huge WHE702S Echo-Puss Analog Delay","description":"\u003cp\u003eThe Way Huge Echo-Puss was designed by delay expert Jeorge Tripps for players who want an organic analog delay pedal that allows them to fine-tune their delay sound with a simple user interface. It serves up 600ms of delay with a pair of gravelly-voiced bucket-brigade chips. 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With the Tap Tempo switch, you can program in real time up to three full seconds of delay time for ethereal ambience. The Subdivision control allows you to set how your repeats are subdivided, and by switching to the unique Chase mode, you can set your repeats to cycle through each of the Subdivision values in different ways for maximum freak-out effects. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn addition to standard Delay and Feedback controls, Tripps included several controls for fine-tuning the sound of your repeats: Tone for shaping color, Gain for adding grit, and Speed and Depth controls for adding shimmering, liquid textures with the Supa-Puss' LFO modulation circuit. For even further tweakability, Tripps added a true Mix control so you can set your desired blend of wet and dry signals. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFinally, the Supa-Puss has anexpression pedal jack so you hook up an expression pedal for continuous, real-time control over the Supa-Puss' delay time.\u003c\/span\u003e","brand":"Way Huge","offers":[{"title":"Default Title","offer_id":33923607855239,"sku":"WHE707","price":285.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/way-huge-effects-and-pedals-delay-way-huge-whe707-supa-puss-analog-delay-w-tap-tempo-whe707-17214619025543.jpg?v=1647006252"},{"product_id":"eventide-timefactor-20590","title":"Eventide Timefactor","description":"\u003ci\u003eFrom Eventide:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eNine dual delays with dedicated mix, time and feedback controls for the two independent A and B lines. 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One day a guy came in with a 70's Echoplex EP-3 tape delay asking $30 for it!. The owner of the store said he didn't want it so I bought it and thus was born a life-long love affair with tape echo. I used that solid-state Echoplex all through the 80's and early 90's. Everyone else showed up for auditions with a refrigerator rack full of cold, thin sounding gear, and more often than not I'd steal the gig using a pair of Blackface Fenders, a Plexi Marshall Half stack, a couple of homemade pedals and that trusty early version EP-3.\u003c\/p\u003e\u003cp\u003eWhy do Page, early Van Halen, Brian may, Steve Stevens, etc seem to favor those early EP-3's? Because of the sound and feel of the preamp. It's that TIS58 JFET running on 22 volts, but not just that. The first version EP-3's cut a bit of Bass and boost the highs a little, creating a beautiful sound and feel that no other delay, nor any of the \"EP-3 preamp pedals\" can accurately create when running on anything less than 22 volts. That's just what a loud 4x12 Marshall amp needs....less bass, and more clarity.\u003c\/p\u003e\u003cp\u003eWhat is the downside to using an old Echoplex? No one knows how to adjust, optimize, or repair them, AND they produce a massive amount of hum that you just have to get used to. Nowadays no one will put up with that ever-present hum. Back then they had inferior recording-head technology, crappy tape, and didn’t have a clue how to lay out a circuit. There I said it. With all those wires strewn about, all up in the air, acting like antennas, and too many grounding points, instead of tying them all together to one…no wonder Echoplexes are so damned noisy!\u003c\/p\u003e \u003cb\u003eFeatures:\u003c\/b\u003e \u003cp\u003e\u003cb\u003e1\/3 smaller than the original Echoplex.\u003c\/b\u003e Handmade and bullet-proof.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e1\/4\" tape for FAT sounding delay\u003c\/b\u003e, using the ball-bearing equipped Fulltone ETC-1 Tape Cartridge.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNone of the Hiss and Hum\u003c\/b\u003e found in vintage Echoplexes.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOptimal 1.1 mega ohm Input impedance and super-low 10K output impedance …SSTE has none of the issues that Echoplexes have driving long cables and is not affected by devices coming before or after, either. EP-3’s have a 200K-350K output impedance and no output buffer…that causes interaction issues!\u003c\/li\u003e\n\u003cli\u003eTrue-Bypass toggle switch, which you won’t use much because of the SSTE’s low output impedance, but it’s nice to be able to bypass to check your levels.\u003c\/li\u003e\n\u003cli\u003e2 Tape speeds with a moveable Playback head to achieve everything from super-quick Plate Reverb emulations, to Rockabilly slapbacks, to a full 1 second delays. 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The SSTE’s Instrument Volume knob has a center detente at 12 o’clock denoting “unity gain” and up to 10dB of clean boost available as you turn clockwise.\u003c\/li\u003e\n\u003cli\u003eEcho Repeats - turn clockwise to add repeats, and easily go into self-oscillation around 1 o’clock depending on Record Level knob setting.\u003c\/li\u003e\n\u003cli\u003eEcho Highs tone switch: affects only the Echo Repeats, not your guitar tone.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eVintage\u003c\/b\u003e - look, Echoplexes hissed a lot, so instead of fixing the problem, they slapped a capacitor to ground to kill the highs where the hiss resides…primitive but effective. It’s part of the “EP-3 sound” and Vintage mode gets that sound.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eBrilliant\u003c\/b\u003e - allows more overtones and highs on the repeats…a subtle difference, not trebly, but (no joke) I find myself checking to see if the reverb is on due to the intoxicating psycho-acoustic imagery this mode imparts. Who needs drugs? A little Green Dot or Maker’s Mark over ice and I’m good for 3 hours on the SSTE.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRecord Level\u003c\/b\u003e - small mini-knob adjusts how much signal smacks the tape. 3 o’clock is normal, above that and the Echoes get THICKER.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRelay-activated footswitchable Echo Cancel\u003c\/b\u003e - unlike Echoplexes, the SSTE doesn't route the Echo signal through the echo cancel footswitch…which absolutely kills the delay sound if you use a cable over 6 feet in length. 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Pretty slick, eh?\u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":33923952803975,"sku":"SSTE","price":1954.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/fulltone-effects-and-pedals-delay-fulltone-custom-shop-solid-state-tape-echo-sste-17214782963847.jpg?v=1652694246"},{"product_id":"fulltone-custom-shop-tube-tape-echo-black-on-black-22442","title":"Fulltone Custom Shop Tube Tape Echo Black on Black","description":"\u003cp\u003e\u003ci\u003e\u003cb\u003ePlease Note:\u003c\/b\u003e This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFrom Fulltone:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThere is nothing funnier (to me) than the makers of this new wave of digital and chip-based delays claiming to \"sound like a tape echo.\" One after another they pop out the same old digital delays with a few new bells and whistles that supposedly \"emulate the warble and tape head saturation of a tape echo\" ...Bull$#^%. That only flies with someone who has never played a good tape echo. For those of us who know and care, there's no substitute... so settle for an approximation if you must, there's nothing wrong with that... but please spare me the rhetoric.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003cb\u003eInternational customers:\u003c\/b\u003e In accordance with our authorized dealer agreement with Fulltone Musical Products, Inc. we are not able to ship Fulltone products to customers using an address, billing or shipping, in any country outside of the United States that also has Fulltone distribution in place. 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The Vapor Trail gives you those classic tones but with a TRS insert jack that lets you process the repeats through additional effects to unlock your creativity and redefine what you can do with analog delay.\u003c\/p\u003e\n\u003cp\u003eThe Vapor Trail’s natural compression and treble-smoothing characteristics support rather than overpower the dry note… at least until you want to max out the controls to make ray-gun and spaceship noises. A flashing LED in the Delay knob gives you a visual readout of the tempo of your repeats (which range from 15ms to 600ms), and the Mix knob gives you everything from the gentlest hint of a repeat up to a 3dB boost. The Vapor Trail also has modulation controls to add shimmer and movement to your echoed signal.\u003cbr\u003eUse the TRS insert jack to send the wet signal through any other pedal or effect, such as distortion flanger, chorus, envelope filter or reverb – or use a volume pedal to vary the level of the delayed signal. 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The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMore Details\u003c\/p\u003e\u003cp\u003eDouble footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send\/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year. The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path. 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The concept is simple; a single pedal that offers up an echo\/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost\/echo 2-in-1 that fits into any style players rig with ease. Let's look at the controls. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo\/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay. The controls are simple and it sounds good in every setting. \u003cbr\u003eThe \"Slap\" knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The \"Mix\" knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet\/effect. The \"Repeat\" knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. \"Repeat\" knob lets you fine tune how many delays you will get. Lastly is the \"EQ\" knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine. \u003cbr\u003eThe footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together. 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Push the delay past its limits by increasing the delay time to a full second, introducing lofi chirps and noise as the circuit protests. Additionally, a gain stage on the delay line makes the Micro Dream perfect for pseudo looping or just an incredible slapback. Set the internal trimpot to adjust the feedback point so that it can stay mellow or scream into self-oscillation. 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If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. 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Knobs, switches, sliders…It’s often SO hard and frustrating to find a usable tone on those things quickly... 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These units emphasized a chorus-like modulation on the repeats of the effect signal as well as a beautiful and warm repeat cycle.\u003c\/p\u003e\u003cp\u003eThe Modern mode emulates the classic long delay \"oil can\" units such as the Morley EDL, Tel-Ray Model 10 and Fender Echo-Reverb. The Time and Repeat controls mimic the functions of the vintage units, while the Fluid control introduces modulation based on the characteristic \"wobble\" of the electrostatic delay platter. The Vintage mode is similar in function to the Modern mode, but has a grittier and gainier feel to the repeats. Both the Modern and Vintage mode have a delay time of 800 milliseconds.\u003c\/p\u003e\u003cp\u003eThe Organ Tone mode is based on the Tel-Ray Deluxe Organ Tone, Fender Dimension IV and other short-delay \"oil can\" units. 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The Quadrant Audio Mirror, the ultimate compact delay from Alexander Pedals.  What began as the History Lesson V3 slowly morphed into this NEO pedal that became too powerful and too expansive to be constricted as just a 3rd version title.  The Quadrant includes the familiar tape (MAG), analog (BBD) and digital (DIGI) modes while adding a \"LOFI\" mode to the mix! All knobs on the Quadrant now have secondary functions that can tweak each mode to perfection.  Most of these new control additions are pretty self explanatory but the \"Glide\" control is something special as it controls how the device reacts to tempo changes.  The user can now select whether they want the pitch to react to these changes or not. Of course, the Quadrant boasts all of the standard NEO platform features like 4 internal presets, 16 via more Midi, EXP control over all parameters for \"morphing\" between two fully controllable settings, USB control, and a lot more.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eScroll down for specs and additional information on the pedal's myriad of technical functions. \u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBrand:\u003c\/b\u003e Alexander Pedals\u003cbr\u003e\u003cb\u003eModel:\u003c\/b\u003e Quadrant Audio Mirror\u003cbr\u003e\u003cb\u003eType:\u003c\/b\u003e Delay\u003cbr\u003e\u003cb\u003eOutputs:\u003c\/b\u003e 1 1\/4\"\u003cbr\u003e\u003cb\u003eInputs:\u003c\/b\u003e 1 1\/4\", 1 1\/4\" MIDI\/EXP\u003cbr\u003e\u003cb\u003eMIDI\/EXP: \u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eExpression Pedal:\u003c\/b\u003e Set the expression pedal to the heel down position, then adjust the knobs to your preferred setting. Sweep the pedal to the toe position and set the knobs to a different setting. Now the Quadrant will allow you to seamlessly morph between the two settings!\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFoot Switch:\u003c\/b\u003e The Neo Footswitch (sold separately) allows for preset select, tap tempo, or ramp morph control - all with LED indication. The Quadrant will also work with a standard tap tempo footswitch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMIDI:\u003c\/b\u003e The Neo Series pedals can connect to a compatible MIDI controller to control all of the pedal functions plus access 12 extra presets, for a total of 16. The USB port may also be used as a MIDI interface to your computer or mobile device.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eTrue Bypass: \u003c\/b\u003eBuffered Bypass with Soft-touch Footswitch\u003cbr\u003e\u003cb\u003eControls: \u003c\/b\u003eControls in parentheses () are accessed by holding down the Select button and turning the indicated knob.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eRate:\u003c\/b\u003e Controls the delay time from 0-915ms. If Glide is disabled, the time will adjust seamlessly. If Glide is enabled, the time will pitch-shift and get all \"rubberbandy\" (technical term.)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e(Tone):\u003c\/b\u003e Controls the tone of the delay engine. Controls the grunge and grit of the Lo-Fi mode.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFeedback:\u003c\/b\u003e Controls the repeat level of the delay. The BBD mode will go into infinite \/ runaway feedback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e(Glide):\u003c\/b\u003e Controls the delay time change method. If Glide is set to less than 12 o'clock, the delay time will adjust seamlessly when tapped or adjusted with the Time knob. If Glide is set to greater than 12 o'clock, the delay time will pitch shift when adjusted.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMix:\u003c\/b\u003e Controls the blend between the dry and delay signal. Equal mix is at 12 o'clock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e(Level):\u003c\/b\u003e Controls the overall output level of the pedal, from -20dB to +10dB. Unity gain is near 1 o'clock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMod:\u003c\/b\u003e Adjusts the depth of the delay modulation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e(Rate):\u003c\/b\u003e Adjusts the rate of the delay modulation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eModes: \u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eMAG\u003c\/b\u003e - Magnetic tape echo, warm and rich. The MAG mode captures the frequency response of the tape heads and preamp of a vintage tape delay. The Mod knob controls the \"wow\" or \"flutter\" of the tape. Each delay repeat loses both treble and bass, for a warm and compressed sound. The Tone knob controls the age of the tape, making the echo brighter or darker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBBD\u003c\/b\u003e - Analog delay, murky and wet. The BBD mode is based on a classic solid-state analog echo. This mode is capable of infinite repeats for the classic analog delay \"spaceship\" tone. The Mod knob adds analog chorus or vibrato. The Tone knob controls the analog delay filter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDIG\u003c\/b\u003e - Digital delay, bright and present. The DIG mode captures the sheen and clarity of the early digital delays. Each repeat sounds just like what you put in, with the classic digital \"clang\" you will either love or hate. The Mod knob adds wide-ranging pitch modulation, be careful! The Tone control sweeps the delay between low-pass and highpass filtering for a wide range of delay tones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eLOFI\u003c\/b\u003e - How can we put this? This mode sounds terrible. Don't use it. It's all dirty and grungy and sounds like you're playing through a payphone. The Tone knob might make things a little bit cleaner, but it's never gonna be hi-fi.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alexander Pedals","offers":[{"title":"Default Title","offer_id":33925037031559,"sku":"ALEXQUAD","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/alexander-pedals-effects-and-pedals-delay-alexander-pedals-quadrant-audio-mirror-alexquad-28198871236743.jpg?v=1652441699"},{"product_id":"earthquaker-devices-space-spiral-modulated-delay-v2-297069","title":"Earthquaker Devices Space Spiral Modulated Delay v2","description":"\u003ci\u003eFrom EarthQuaker Devices:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe year is 2018 and you can digitally model any amplifier under the sun on a clock radio-type apparatus. You can order a hot dog sandwich on the internet and have it delivered straight to your face. A reality television star is President. Literally anything is possible. What do we do? We decide to build a lo-fi delay based on a processor meant for a cheap karaoke machine. Why? Because it sounds awesome and we are in the business of making things that sound awesome, that’s why.\u003cbr\u003e\u003cbr\u003eWhat up, cosmonauts? Welcome to the Space Spiral™! The Space Spiral is a dark and dreamy modulated delay designed to take you across the highways of fantasy. While the delay may be designed around a “dawn of digital” echo processor, the sound is out of this world, man. If you are a fan of the dreary echoes produced by old oil can delays or the ethereal sound of a well-loved tape delay, the Space Spiral is totally going to tickle your tone bone.\u003cbr\u003e\u003cbr\u003eThe Space Spiral’s delay time ranges from a tight 30 ms to a fast and loose 600 ms. Can you imagine having 600 ms of delay time at your fingertips? Out of this world! With all of this adjustable delay time, you create anything from a classic slapback to a rhythmic wash of cosmic proportions. You want to take it even further? Maybe to an astral plane? Crank up the repeats and let the infinite oscillation of the Space Spiral take you to the other side.\u003cbr\u003e\u003cbr\u003eThe Space Spiral also comes equipped with a powerful on-board modulation engine to take your tones to new zones. Feeling dangerous? Crank up the Depth and let that signal stretch into wild new dimensions! Wanna go further out on the edge with hotter intensity? Use the Shape control to morph the waveform from triangle to square and the Space Spiral will be spreading out her wings, jumpin’ off the track and shovin’ into overdrive. Is it moving too slowly for you? Can you feel the Space Spiral beggin’ you to touch and go? Use the Rate control to adjust the speed to your taste. Get those classic Leslie tones you crave. Get those wild pitch bends you dream about. Make the rate a subdivision of the delay time and fly away to the bright side of the moon.\u003cbr\u003e\u003cbr\u003eThe Space Spiral has a completely analog dry signal path, totally digital delay path and electronic relay-based true-bypass switching. It is powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel and has a current draw of 50ma.\u003cbr\u003e\u003cbr\u003eEach and every Space Spiral is built by the hands of cadets on the red line overload through the starry skies of Akron, Ohio.\u003cbr\u003e\u003cbr\u003eSpace Spiral™… It’ll get you through the night.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMeasures: \u003c\/b\u003e4.75″ x 2.50″ x. 2.25″with knobs\u003cbr\u003e\u003cb\u003eCurrent Draw:\u003c\/b\u003e 50ma\u003cbr\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e 1M\u003cbr\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e \u0026lt;1K\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eWARNING:\u003c\/b\u003e This product can expose you to chemicals including Cobalt, which is known to the State of California to cause cancer and birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.\u003c\/i\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":33925044043911,"sku":"EQDSSV2","price":169.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/earthquaker-devices-effects-and-pedals-delay-earthquaker-devices-space-spiral-modulated-delay-v2-eqdssv2-17179147436167.jpg?v=1649485033"},{"product_id":"chase-bliss-audio-thermae-analog-delay-pitch-shifter-308204","title":"Chase Bliss Audio Thermae Analog Delay Pitch Shifter","description":"\u003ci\u003eFrom ChaseBliss:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThermae represents a radically new approach to analog delay and harmonization. The pedal digitally manipulates the analog signal path created by 4 re-issued versions of the legendary MN3005 bucket-brigade delay chips. This creates the ability to change delay time in musically interesting intervals which allows for innumerable options for harmonizing and other sonic madness. These intervals can be sequenced through automatically or triggered manually for ultimate usability in a musical context. Thermae can also be used as a more standard analog delay with unprecedented analog modulation options. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog and never gets digitally processed.","brand":"Chase Bliss","offers":[{"title":"Default Title","offer_id":33925197955207,"sku":"CBTHERMAE","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/chase-bliss-effects-and-pedals-delay-chase-bliss-audio-thermae-analog-delay-pitch-shifter-cbthermae-28233864183943.jpg?v=1652688498"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/collections\/06.18.19_-_MXr_Analog_Delay.jpg?v=1711744377","url":"https:\/\/www.chicagomusicexchange.com\/en-gb\/collections\/effects-pedals-delay.oembed?page=63","provider":"Chicago Music Exchange","version":"1.0","type":"link"}