{"title":"Staff Picks","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe're the luckiest musicians in the world! We have our hands on the GREATEST GEAR that has ever existed. We build it, we buy it, we play it, and of course, we sell it. We all have our favorites and good reasons why. We'd love to keep it a secret and have all of the magical tones to ourselves but that would be CRAZY! Staff Picks is where each of our experts share their FAVORITE GEAR! It's always changing, always updating with the latest and greatest. Enjoy CME Staff PIcks!\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"korg-microkorg-s-synthvocoder-1090","title":"Korg MicroKorg-S Synth\/Vocoder","description":"\u003cstrong\u003eKorg MicroKorg-S Synth\/Vocoder\u003c\/strong\u003e \u003cp\u003eThe legendary microKORG – nearly 15 years strong - with a built-in 2.1 speaker system, a killer new look and 64 additional sounds on board. Sold alongside microKORG, not in replacement of. The user who already gravitates to the microKORG can now choose a version that needs no additional speakers, monitors, or other such connections to play.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in 2.1 system – with no unsightly speaker holes\u003c\/li\u003e\n\u003cli\u003e Fantastic new look with white panel and light wood ends\u003c\/li\u003e\n\u003cli\u003eFour banks (as opposed to two) with an additional 64 new sounds for a total of 192 sounds\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Korg","offers":[{"title":"Default Title","offer_id":33920383189127,"sku":"MICROKORGS","price":749.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/korg-keyboards-and-synths-synths-digital-synths-korg-microkorg-s-synth-vocoder-microkorgs-17213413490823.jpg?v=1646874665"},{"product_id":"dw-65x14-brass-polished-snare-drum-w-gold-hdw-2264","title":"DW 6.5X14 Brass Polished Snare Drum w\/ Gold Hdw","description":"\u003cspan\u003eRolled from heavy-gauge brass alloy, this is heavier shell than most beaded-style brass snares. The sound is distinctively brass, but with more body and fatness at low mid range frequencies and a beautiful high end crack. Available in a polished brass finish. The drum can be customized in any of five Custom Shop drum hardware color options. Every drummer should own a brass snare for recording and live applications\u003c\/span\u003e","brand":"DW","offers":[{"title":"Default Title","offer_id":33920615514247,"sku":"DRVN6514SPG","price":934.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/dw-drums-and-percussion-acoustic-drums-snare-dw-6-5x14-brass-polished-snare-drum-w-gold-hdw-drvn6514spg-28512127385735.jpg?v=1651537199"},{"product_id":"evans-14-genera-dry-snare-batter-drumhead-2557","title":"Evans 14\" Genera Dry Snare Batter Drumhead","description":"\u003cp\u003eEvans Genera Dry snare heads feature a single ply of 10mil film in combination with a 2mil overtone control ring on the underside that \"floats\" with the head, eliminating excessive overtones and controlling sustain. Precision-drilled dry vents around the perimeter of the head further reduce overtones and sustain. Evans Level 360 technology is incorporated to extend the level playing surface of the drumhead, 360 degrees around the drum. The vertically enhanced collar design guarantees even contact with the critical bearing edge of the drum shell, resulting in: ease of tuning, extended pitch range and optimum quality of sound. Evans Level 360 technology resolves the age-old dilemma of traditional synthetic heads consistently not fitting the drum shell without using considerable force.\u003c\/p\u003e","brand":"Evans","offers":[{"title":"Default Title","offer_id":33920705069191,"sku":"B14DRY","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/evans-drums-and-percussion-parts-and-accessories-heads-evans-14-genera-dry-snare-batter-drumhead-b14dry-28326375915655.jpg?v=1652364492"},{"product_id":"lp-salsa-timbale-cowbell-3563","title":"LP Salsa Timbale Cowbell","description":"\u003cp\u003eLP Salsa Cowbells are hand crafted in the LP tradition and are specifically designed to produce a lively sound for use in Latin music. They are great additions to any percussion or drum kit, adding new colors to any style of music.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e7.5\" mountable, brushed Steel\u003c\/li\u003e\n\u003cli\u003eDesigned specifically to complement the timbales with a bright, cutting tone\u003c\/li\u003e\n\u003cli\u003eLP forged eye-bolt assembly provides a sure grip to any 3\/8\" diameter rod.\u003c\/li\u003e\n\u003cli\u003eMade in USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Latin Percussion","offers":[{"title":"Default Title","offer_id":33920927334535,"sku":"ES5","price":74.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/latin-percussion-drums-and-percussion-auxiliary-percussion-lp-salsa-timbale-cowbell-es5-28086870605959.jpg?v=1652356916"},{"product_id":"fulltone-69-mkii-fuzz-pedal-12705","title":"Fulltone 69 mkII Fuzz Pedal","description":"\u003cp\u003eThis is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.\u003c\/p\u003e\u003cp\u003eIf you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the \"woofiness\" and gives great Overdrive\/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.\u003c\/p\u003e\u003cp\u003eSpecifications subject to change at any given moment due to availability... and whimsy.\u003c\/p\u003e\u003cp\u003eTrue-Bypass w\/LED is standard equipment to preserve tone when the pedal is off!\u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":33922631139463,"sku":"69MKII","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/fulltone-effects-and-pedals-fuzz-fulltone-69-mkii-fuzz-pedal-fulltone-69-mkii-fuzz-pedal-69mkii-1079249047.jpg?v=1768281413"},{"product_id":"walrus-audio-janus-tremolo-fuzz-18001","title":"Walrus Audio Janus Tremolo \u0026 Fuzz","description":"\u003cp\u003eThe Janus is a true bypass, dual joystick controlled Tremolo\/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick has a separate X and Y axis that has designated controls. The Tremolo joystick controls the rate and depth while the Fuzz joystick controls the amount of fuzz and the tone. There are individual Volume controls for both effects and a Blend control for the Fuzz that allows the user to mix unaffected signal with the effected fuzz signal. \u003c\/p\u003e\u003cp\u003eThe joystick controls make the Janus a great option for guitars, vocals, keys, or tracks.\u003c\/p\u003e","brand":"Walrus","offers":[{"title":"Default Title","offer_id":33923590258823,"sku":"WLRSJANUS","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/walrus-effects-and-pedals-fuzz-walrus-audio-janus-tremolo-fuzz-wlrsjanus-17214618108039.jpg?v=1646988066"},{"product_id":"gruv-gear-fretwraps-guitar-string-muter-black-1-pack-383528","title":"Gruv Gear FretWraps Guitar String Muter Black 1-Pack Large","description":"\u003ci\u003eFrom Gruv Gear:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eFinally, a professional string dampener \/ muting accessory that every studio, session player, and tapping aficionado should have! Slide on a FretWrap to effectively cut overtones and sympathetic resonance during recording, live performance, two-hand tapping, or any creative situation where you need that extra muting hand for cleaner takes without the unwanted string noise or ringing.\u003cbr\u003e\u003cbr\u003eThe adjustable strap lets you fine-tune the pressure and dampening of the strings. Quickly slides over the headstock when not in use. No special guitar modification, installation, or tools required - Yet amazingly effective!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSM - Fits 4-string basses, 6-string electric and acoustic guitars, and ukeleles\u003c\/li\u003e\n\u003cli\u003eMD - Fits 5-string basses \u0026amp; 6-string classical guitars\u003c\/li\u003e\n\u003cli\u003eLG - Fits 6-string basses \u0026amp; 7- to 8-string guitars\u003c\/li\u003e\n\u003cli\u003eXL - Fits 7- to 12-string basses, Chapman Sticks, double basses \u0026amp; other extended range guitars\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gruv Gear","offers":[{"title":"Default Title","offer_id":33925713657991,"sku":"FW-1PK-LG","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/gruv-gear-accessories-capos-gruv-gear-fretwraps-guitar-string-muter-black-1-pack-large-fw-1pk-lg-17215686967431.jpg?v=1648809496"},{"product_id":"earthquaker-devices-dispatch-master-delay-reverb-544089","title":"Earthquaker Devices Dispatch Master Delay \u0026 Reverb V3","description":"\u003ci\u003eFrom Earthquaker:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eCan you hold on a sec? The phone's ringing. Hello? Yeah, they're right next to me. It's for you. Oh, I dunno. Something about a delay and reverb pedal with 1.5 seconds of delay time and a dynamic reverb that goes from natural and roomy to cavernous and deep. All in one pedal, yeah. It’s called the Dispatch Master. What's that? Sure, I can ask. Does the Repeats control self-oscillate when it's all the way up? It doesn't? Oh, that's great! Wait, though –what’s this Flexi-Switch™ business all about?\u003cbr\u003e\u003cbr\u003eThe best-selling EarthQuaker Devices pedal just got bester with new Flexi-Switch™ Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.  \u003cbr\u003e\u003cbr\u003eThe Dispatch Master is a hi-fi digital Delay \u0026amp; Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial. To use both effects at the same time, simply adjust all controls to taste.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe Mix (1) control is a wet\/dry blend that adjusts the overall level of the affected signal.\u003c\/li\u003e\n\u003cli\u003eTime (2) sets the delay time from 0ms to 1500ms (1.5 seconds).\u003c\/li\u003e\n\u003cli\u003eReverb (3) controls the amount of reverb. Counter clock wise is less reverb, clock wise is more reverb.\u003c\/li\u003e\n\u003cli\u003eRepeats (4) controls the regeneration of the delay signal. When the reverb control is set to maximum, you’ll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eCurrent Draw:\u003c\/b\u003e 60mA\u003cbr\u003e\u003cb\u003eInput Impedance: \u003c\/b\u003e1M \u003cbr\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e \u0026lt;1K\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003eWARNING:\u003c\/b\u003e This product can expose you to chemicals including Cobalt, which is known to the State of California to cause cancer and birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.\u003c\/i\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":33926616121479,"sku":"EQDDMV3","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/earthquaker-devices-effects-and-pedals-delay-earthquaker-devices-dispatch-master-delay-reverb-v3-eqddmv3-28282478755975.jpg?v=1652501283"},{"product_id":"vic-firth-american-concept-freestyle-5a-wood-tip-drum-630563","title":"Vic Firth American Concept Freestyle 5A Wood Tip Drum Sticks","description":"\u003ci\u003eFrom Vic Firth:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eFreestyle is a new series of sticks from Vic Firth that draws inspiration from the dynamic world of freestyle longboard skateboards. For freestyle riders, it’s about expression, flow, and style. They have the versatility to move up and down the board without losing control, using every inch of their deck.\u003cbr\u003e\u003cbr\u003eVic’s Freestyle series of drumsticks combine a massive overall length of 17” with extra long tapers. This combination of length and taper length more than doubles the area where a drummer can place their fulcrum – offering a humongous array of responses and feels out of the same pair of sticks.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDiameter: \u003c\/b\u003e.570″ | 1.45cm\u003cbr\u003e\u003cb\u003eLength:\u003c\/b\u003e 17″ | 43.18cm","brand":"Vic Firth","offers":[{"title":"Default Title","offer_id":33927241334919,"sku":"FS5A","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/vic-firth-drums-and-percussion-parts-and-accessories-drum-sticks-and-mallets-vic-firth-american-concept-freestyle-5a-wood-tip-drum-sticks-fs5a-28337318592647.jpg?v=1652523955"},{"product_id":"sequential-prophet-rev2-16-voice-keyboard-synthesizer-665881","title":"Sequential Prophet Rev2 16-Voice Keyboard Synthesizer","description":"\u003ci\u003eFrom Dave Smith:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA Modern Classic Reinvented\u003c\/b\u003e\u003cbr\u003eThe Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.”\u003cbr\u003e\u003cbr\u003eThe Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003cbr\u003e\u003cbr\u003eBest of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e16-Voice Polyphony\u003c\/b\u003e\u003cbr\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments. An 8-voice version is also available, which can later be expanded to 16-voices with the Expander Kit if desired.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBold Sound\u003c\/b\u003e\u003cbr\u003eThe Prophet Rev2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWaveshape Modulation\u003c\/b\u003e\u003cbr\u003eA powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEffects Per Layer\u003c\/b\u003e\u003cbr\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExtended Mod Matrix\u003c\/b\u003e\u003cbr\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePoly Step Sequencing\u003c\/b\u003e\u003cbr\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePer-Knob Programmability\u003c\/b\u003e\u003cbr\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEminently Playable\u003c\/b\u003e\u003cbr\u003eAll of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOSCILLATORS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw\/triangle mix, and pulse waves (with pulse-width modulation)\u003c\/li\u003e\n\u003cli\u003eGlide (portamento): separate rates per oscillator\u003c\/li\u003e\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\n\u003cli\u003eAnalog VCAs\u003c\/li\u003e\n\u003cli\u003eHard sync\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFILTERS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode)\u003c\/li\u003e\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eENVELOPES\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.\u003c\/li\u003e\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eSEQUENCER\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence.\u003c\/li\u003e\n\u003cli\u003eLFOS\u003c\/li\u003e\n\u003cli\u003e4 LFO’s with key sync per LFO\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMODULATION\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e8-slot modulation matrix\u003c\/li\u003e\n\u003cli\u003e22 sources\u003c\/li\u003e\n\u003cli\u003e53 destinations\u003c\/li\u003e\n\u003cli\u003e5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eARPEGGIATOR\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eProgrammable arpeggiator with up, down, up+down, random, assign modes\u003c\/li\u003e\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\n\u003cli\u003eNote repeat\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eCONTROLS \u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e5-octave keyboard with semi-weighted action, velocity, and aftertouch\u003c\/li\u003e\n\u003cli\u003e55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving.\u003c\/li\u003e\n\u003cli\u003eSpring-loaded pitch wheel and assignable mod wheel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMEMORY\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program\u003c\/li\u003e\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eIN\/OUT\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMIDI In, Out, Thru\u003c\/li\u003e\n\u003cli\u003eMain stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\n\u003cli\u003eOutput B stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\n\u003cli\u003eSustain pedal input: accepts normally on or normally off momentary footswitch.\u003c\/li\u003e\n\u003cli\u003ePedal\/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).\u003c\/li\u003e\n\u003cli\u003eHeadphone output: 1\/4″ stereo phone jack.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePOWER\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz\u003c\/li\u003e\n\u003cli\u003ePower consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePHYSICAL SPECS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eOiled African mahogany wood end panels\u003c\/li\u003e\n\u003cli\u003eDimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height)\u003c\/li\u003e\n\u003cli\u003eWeight: 20.5 lbs. (9.3 kg)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sequential Circuits","offers":[{"title":"Default Title","offer_id":33927703330951,"sku":"DSI-2816","price":2999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/sequential-circuits-keyboards-and-synths-synths-analog-synths-sequential-prophet-rev2-16-voice-keyboard-synthesizer-dsi-2816-17216808550535.jpg?v=1646982126"},{"product_id":"dreadbox-komorebi-analog-chorusflanger-pedal-691622","title":"Dreadbox Komorebi Analog Chorus\/Flanger Pedal","description":"\u003ci\u003eFrom Dreadbox:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eKomorebi is a japanese, untranslatable word, which eloquently captures the effect of sunlight streaming through the leaves of the trees.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFull Analog BBD Chorus-Flanger with 3 LFO Waves\u003c\/li\u003e\n\u003cli\u003eDesigned to accept from guitar to modular signal levels\u003c\/li\u003e\n\u003cli\u003e3 patch points for modular fans\u003c\/li\u003e\n\u003cli\u003eWorks with the  dedicated 15VDC power supply, so as to apply the maximum available headroom\u003c\/li\u003e\n\u003cli\u003eGreat for Static Comb Filters\u003c\/li\u003e\n\u003cli\u003eBBD Time pushed from 2ms up to 30ms\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dreadbox","offers":[{"title":"Default Title","offer_id":33928017477767,"sku":"DBX-KOMO","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/dreadbox-effects-and-pedals-chorus-and-vibrato-dreadbox-komorebi-analog-chorus-flanger-pedal-dbx-komo-28178084135047.jpg?v=1646725994"},{"product_id":"heritage-artisan-aged-collection-h-535-antique-natural-810077","title":"Heritage Artisan Aged Collection H-535 Antique Natural","description":"\u003ci\u003eFrom Heritage:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Artisan Aged Collection pays homage to instruments that have been well traveled and played through the years. Each American-made guitar is meticulously relic’d by skilled artisans using custom techniques, resulting in a beautifully aged finish that’s truly authentic.\u003cbr\u003e\u003cbr\u003eIncluded in this collection is the semi-hollow H-535. This versatile workhorse features a solid center block and laminated figured maple construction to help control any unwanted feedback issues.\u003cbr\u003e\u003cbr\u003eTwo Seymour Duncan Seth Lover Humbuckers provide authentic tones which harken back to the late 1950s and make this timeless guitar the perfect companion for everything from rock to jazz and beyond.\u003cbr\u003e\u003cbr\u003eThe H-535 is made to perform well in any setting, and musicians will find it to be a guitar that suits their playing style.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSerial #: \u003c\/b\u003eAI08514\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 7lbs 13.3oz\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eBody Material: \u003c\/b\u003eLaminated Curly Maple (Top \u0026amp; Back)\u003cbr\u003e\u003cb\u003eBody Color:\u003c\/b\u003e Antique Natural\u003cbr\u003e\u003cb\u003eBody Finish:\u003c\/b\u003e Nitrocellulose\u003cbr\u003e\u003cb\u003eRim Wood: \u003c\/b\u003eSolid Curly Maple\u003cbr\u003e\u003cb\u003eFretboard Material: \u003c\/b\u003eRosewood\u003cbr\u003e\u003cb\u003eFretboard Radius:\u003c\/b\u003e 12\"\u003cbr\u003e\u003cb\u003eFret Size: \u003c\/b\u003eJescar Medium\/Jumbo\u003cbr\u003e\u003cb\u003eNut Material: \u003c\/b\u003eCorian\u003cbr\u003e\u003cb\u003eNeck Profile:\u003c\/b\u003e Standard\u003cbr\u003e\u003cb\u003eNeck Wood:\u003c\/b\u003e Genuine Mahogany\u003cbr\u003e\u003cb\u003eScale Length: \u003c\/b\u003e24-3\/4\"\u003cbr\u003e\u003cb\u003eNo. of Frets:\u003c\/b\u003e 22\u003cbr\u003e\u003cb\u003eFretboard Inlays:\u003c\/b\u003e Dots\u003cbr\u003e\u003cb\u003ePickup: \u003c\/b\u003eSeymour Duncan Seth Lover (Neck \u0026amp; Bridge)\u003cbr\u003e\u003cb\u003eControls:\u003c\/b\u003e 2 x Volume, 2 x Tone, 3-Way Toggle\u003cbr\u003e\u003cb\u003eElectronics: \u003c\/b\u003eCTS 500K Potentiometers, Vishay .022uF Capacitors, Switchcraft Toggle Switch and Pure Tone Input Jack\u003cbr\u003e\u003cb\u003eBridge:\u003c\/b\u003e Locking Bridge and Tailpiece\u003cbr\u003e\u003cb\u003ePickguard: \u003c\/b\u003ePlastic\u003cbr\u003e\u003cb\u003eStrings: \u003c\/b\u003eGHS Boomers 10-46\u003cbr\u003e\u003cb\u003eTuning Machines:\u003c\/b\u003e Grover\u003cbr\u003e\u003cb\u003eHardware Finish:\u003c\/b\u003e Nickel\u003cbr\u003e\u003cb\u003eControl Knobs:\u003c\/b\u003e Black Top Hat\u003cbr\u003e\u003cb\u003eSwitch Tip: \u003c\/b\u003eBlack\u003cbr\u003e\u003cb\u003eCase:\u003c\/b\u003e TKL","brand":"Heritage","offers":[{"title":"Default Title","offer_id":33928853651591,"sku":"HRT-012200104-AA-AI08514","price":2799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/heritage-electric-guitars-semi-hollow-heritage-artisan-aged-collection-h-535-antique-natural-hrt-012200104-aa-ai08514-17217301905543.jpg?v=1647637158"},{"product_id":"moog-subsequent-25-analog-synthesizer-878750","title":"Moog Subsequent 25 Analog Synthesizer","description":"\u003ci\u003eFrom Reverend:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eSubsequent 25 is a 2-note paraphonic analog synthesizer that melds the hands-on analog soul of classic Moog instruments with the convenience and workflow of a modern sound-design machine. Moog’s most compact keyboard synthesizer, the Subsequent 25 delivers all of the rich sonic density that Moog synthesizers are known for.\u003cbr\u003e\u003cbr\u003eAttain instant gratification with immediate access to expertly programmed preset patches that will have you creating right away, then explore the knob-per-function front panel to create something completely unique. Set yourself apart by designing your own library of signature analog sounds then save and recall an infinite number of patches with the free Subsequent 25 Editor\/Librarian Software.\u003cbr\u003e\u003cbr\u003eDial-up ground-shaking analog bass by stacking all 3 Oscillators in Unison Mode, or engage the new Duo Mode to split Oscillators 1 \u0026amp; 2, opening new doors of musicality by playing 2 different notes at once. Trigger the Subsequent 25’s analog sound engine any way you like – by integrating with other voltage controlled analog gear via 4 onboard CV inputs, by interfacing with your favorite DAW using DIN \u0026amp; USB MIDI, or go fully manual with the ultra playable fast-action keybed.\u003cbr\u003e\u003cbr\u003eSubsequent 25’s analog filter section contains the transformative Multidrive circuit, a unique combination of OTA distortion and FET drive – a key sparkplug for the compact synthesizer’s powerful sound. Through the creative use of the Mixer Section (with expanded headroom), Ladder Filter, and Multidrive circuit, a wide range of classic analog colors and aggressive modern tones can be achieved.\u003cbr\u003e\u003cbr\u003eDesigned for portability, Subsequent 25 is the most agile full-size Moog synthesizer, equally reliable moving from stage to studio and every stop in between. 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The moment your hand grabs this neck, it just feels right. Like the tuners, the steel tremolo takes a classic design and incorporates PRS’s trem arm and Gen III knife-edge screws. The bridge on the Silver Sky is setup flush to the body in the neutral position so that the tremolo bridge only goes down in pitch. By keeping the bridge in contact with the body, the guitar itself is acoustically louder, which improves the signal to noise ratio of the single-coil pickups. 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This free update doubles the amount of preset storage and introduces 256 brand new patches created by some of the world's leading sound designers. The update also includes wild new synthesis features and effects such as Envelope Repeats, LFO Slew and a tape emulating Lo-Fi effect, overflowing with character. Get Take 5 v2.0 and expand your sonic palette today!\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eA full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. 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Plentiful presets — totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) — professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M’s myriad new features — from true hard Sync (when working in its Modern Microwave II\/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator). \u003cbr\u003e\u003cbr\u003eBut beating at M’s musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER — as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage — are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II\/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II\/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators — OSC 1 and OSC 2 — offer the same panel parameters. \u003cbr\u003e\u003cbr\u003eTwo LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M’s modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave. \u003cbr\u003e\u003cbr\u003eBack in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations. \u003cbr\u003e\u003cbr\u003eMusically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs — arranged as MAIN OUT (L\/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M’s firmware, importing\/saving sound patches, and importing\/saving M-specific data, such as user wavetables); and — last but not least — a Kensington® compatible security lock slot.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eOscillators: 2 Wavetable oscillators with independent wavetables and two different tone generation models - classic Waldorf Microwave I model and modern Waldorf Microwave II model. 96 Factory Wavetables + 32 slots for User Wavetables \u003c\/li\u003e\n\u003cli\u003eFilter: Analog low-pass 24 dB\/Oct VCF (SSI 2144 Improved Ladder Type) with saturation\u003c\/li\u003e\n\u003cli\u003eAmplifier: Analog stereo VCA for each voice\u003c\/li\u003e\n\u003cli\u003eEnvelopes: 4 Envelope Generators; 8 point loopable time\/level Wave envelope generator, VCF \u003c\/li\u003e\n\u003cli\u003eand VCA ADSR envelopes and a free assignable loopable 4 points time\/level envelope\u003c\/li\u003e\n\u003cli\u003eLFOs: 2 LFOs with different waveforms\u003c\/li\u003e\n\u003cli\u003eArpeggiator with 16 preset patterns, chord mode and the ability to synchronise to MIDI clock\u003c\/li\u003e\n\u003cli\u003eSound storage: 2048 Sound programs + 128 Multi programs \u003c\/li\u003e\n\u003cli\u003ePolyphony: 8\/16 voices polyphony (16 voices available with the expansion board installed)\u003c\/li\u003e\n\u003cli\u003eMultitimbrality: 4 Parts (4 parts can be assigned to 4 individual stereo outputs)\u003c\/li\u003e\n\u003cli\u003eMIDI: USB 2.0 and DIN (5-pin DIN connector with In\/Out\/Thru) \u003c\/li\u003e\n\u003cli\u003eCompatible with classic Waldorf Microwave I sysex messages (sound bank transfer\/sound transfer)\u003c\/li\u003e\n\u003cli\u003eSD Card for loading \/ storing user content as soundbanks and wavetables \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Waldorf","offers":[{"title":"Default Title","offer_id":39558995771527,"sku":"WALDORFM","price":2599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/waldorf-keyboards-and-synths-synths-analog-synths-waldorf-m-microwave-inspired-wavetable-desktop-synth-waldorfm-28575808651399.jpg?v=1645959744"},{"product_id":"kay-jazz-special-black-1960s-1301475","title":"Kay Jazz Special Black 1960s","description":"\u003ci\u003eThe following specs were carefully collected and recorded by a skilled technician. For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our experts.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSummary\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFinish Details: \u003c\/b\u003eOriginal\u003cbr\u003e\u003cb\u003eTop Material: \u003c\/b\u003eMaple Top\u003cbr\u003e\u003cb\u003eBody Material: \u003c\/b\u003eMaple Body\u003cbr\u003e\u003cb\u003eBody Details: \u003c\/b\u003eHollow body with maple back, sides, and top. A jack plate has been added to reinforce a repaired crack.\u003cbr\u003e\u003cb\u003eNeck Material: \u003c\/b\u003eMaple Neck\u003cbr\u003e\u003cb\u003eFingerboard Material: \u003c\/b\u003eBrazilian Rosewood\u003cbr\u003e\u003cb\u003eNeck Profile: \u003c\/b\u003e\"U\" profile\u003cbr\u003e\u003cb\u003eNeck Thickness (IN): \u003c\/b\u003e1.15\" (1st fret), 1.31\" (12th fret)\u003cbr\u003e\u003cb\u003eFingerboard Radius: \u003c\/b\u003e12.00\" to \u003cbr\u003e\u003cb\u003eNut Width: \u003c\/b\u003e1-3\/8\"\u003cbr\u003e\u003cb\u003eScale Length: \u003c\/b\u003e30 7\/8\"\u003cbr\u003e\u003cb\u003eNeck Details: \u003c\/b\u003eSet-in maple neck with unbound Brazilian rosewood fretboard and non-adjustable neck reinforcement. The neck has been reset and refretted.\u003cbr\u003e\u003cb\u003eElectronics: \u003c\/b\u003eOriginal single coil neck pickup and wiring harness, with volume \u0026amp; tone controls. A string ground wire has been added, connecting to a tab underneath the pickup. The pot codes date to 1960.\u003cbr\u003e\u003cb\u003ePickup Measurements: \u003c\/b\u003e5.3k\u003cbr\u003e\u003cb\u003eHardware: \u003c\/b\u003eA jack plate has been added, and the endpin is missing.\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e8lbs\u003cbr\u003e\u003cb\u003eModifications\/Repairs: \u003c\/b\u003e-The neck has been reset and refretted -A ground wire for the strings has been added -There is a repaired crack in the body at the output jack; a plate has been added to reinforce this area.\u003cbr\u003e\u003cb\u003eCase Details: \u003c\/b\u003eFlight case with foam interior\u003cbr\u003e\u003cb\u003eCosmetic Condition: \u003c\/b\u003eThe bass shows plenty of nice aging, with finish checking throughout the body and neck, and areas of wear around the edges of the body. The back of the body has buckle rash and additional finish wear, and there is some finish chipping around the neck heel from the reset. The back of the neck has some minor dings as well.\u003cbr\u003e\u003cb\u003eTech Notes: \u003c\/b\u003eThe bass plays well with low action and light neck relief; it is currently strung with flatwound strings. The frets are low with minor wear. The pot codes date to 1960, and the model dates to the 1960s.","brand":"Kay","offers":[{"title":"Default Title","offer_id":39575142498439,"sku":"U3435629301","price":3995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/kay-bass-guitars-short-scale-kay-jazz-special-black-1960s-u3435629301-28539218624647.jpg?v=1646451856"},{"product_id":"fender-player-jazzmaster-sonic-blue-wolympic-white-1235564","title":"Fender Player Jazzmaster Sonic Blue w\/Olympic White Headcap, Pure Vintage '65 Pickups, \u0026 Series\/Parallel 4-Way","description":"With a fat, thick sound all its own and sleek, elegant style, the Player Jazzmaster stands out under the spotlight. It's an inspiring instrument with a flexible, authentic Fender tone--a voice that works with any kind of music. The Jazzmaster keeps turning up in the hands of musical visionaries and rebels; it's the ideal foundation for your sound. Rugged, raw and powerful, this guitar is ready to throw down.","brand":"Fender","offers":[{"title":"Default Title","offer_id":39603373834375,"sku":"0146902572","price":949.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/fender-fender-player-jazzmaster-sonic-blue-w-olympic-white-headcap-pure-vintage-65-pickups-series-parallel-4-way-0146902572-28609013842055.jpg?v=1645702699"},{"product_id":"dunlop-justin-chancellor-cry-baby-wah-1350343","title":"Dunlop Justin Chancellor Cry Baby Wah","description":"The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It’s the perfect complement to bass player Justin Chancellor’s multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band’s multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTwo different voices: U.K. Filter and Cry Baby Wah.\u003c\/b\u003e\u003cbr\u003eThe Justin Chancellor Cry Baby Wah features U.K. Filter and Wah modes, two tone-warpingly distinct variations on a theme.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eU.K. Filter: Thick \u0026amp; throaty.\u003c\/b\u003e\u003cbr\u003eThe U.K. Filter mode uses a custom solid-state circuit designed to emulate the unique envelope-like filtering of the tone control on Justin’s own instrument—thick and throaty with very pronounced peaks. This mode absolutely nails his melodic, voice-like phrasing from the Tool track “The Patient.”\u003cbr\u003e\u003cbr\u003eWhen combined with the build-in fuzz mode, the U.K. Filter generates incredibly smooth, synth-line tones.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWah: Brilliant. Aggressive. Lush.\u003c\/b\u003e\u003cbr\u003eIf you prefer a more traditional wah sound, the Wah mode employs the classic red Fasel® Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics.\u003cbr\u003e\u003cbr\u003eCombined with the built-in fuzz circuit, the Wah mode cuts through with electric fire.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eShape your voice. Hold down the low end.\u003c\/b\u003e\u003cbr\u003eCustomize each mode with separate Volume and Q controls, and move between the two at any time by stomping on the Wah Select footswitch. In both modes, this pedal’s custom circuitry maintains the thickness and heft of your low end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker’s sweep.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVintage fuzz.\u003c\/b\u003e\u003cbr\u003eThis pedal features Justin’s go-to fuzz, based on a ferocious device of vintage UK origin. It cuts through the mix with a tighter focus than most fuzzes of its type while retaining much of a bass signal’s thunderous heft. Think Justin’s monstrous tones on portions of the Tool track “Jambi.”\u003cbr\u003e\u003cbr\u003eBy default, you’ll only hear the fuzz when using the rocker pedal–it gives the U.K. Filter and Wah modes just the right amount of harmonic content to grab hold of for the crushing yet musical passages that Justin is known for.\u003cbr\u003e\u003cbr\u003eWant to use the fuzz by itself? Just kick the switch on the side, and it’ll run independently.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCombine U.K. Filter or Wah modes with the fuzz, or use them separately. The choice is yours.\u003c\/b\u003e\u003cbr\u003eJustin uses the U.K. Filter mode by itself, and he likes to combine the Wah mode with the fuzz—which he can engage with a single motion thanks to the optional Dunlop Pedal Topper, which provides a larger surface area for your foot to make contact with.\u003cbr\u003e\u003cbr\u003eEmulate Justin’s tried and true formula for killer sounds, or experiment with all the different configurations available to unlock the hard-rocking and soundscaping potential of your own rig. In all scenarios, the Justin Chancellor Cry Baby Wah is a must for the tonecrafting bass player.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCombines three of Justin Chancellor’s epic effects into a single pedal\u003c\/li\u003e\n\u003cli\u003eU.K. Filter, inspired by his bass’ tone circuit, sounds thick and voice-like\u003c\/li\u003e\n\u003cli\u003eModified Cry Baby Wah sounds lush and aggressive\u003c\/li\u003e\n\u003cli\u003eVintage U.K.-style fuzz that can be paired with either mode or operated independently\u003c\/li\u003e\n\u003cli\u003eCustomize the two rocker modes with Volume and Q controls\u003c\/li\u003e\n\u003cli\u003eCustomize intensity, level, and EQ of fuzz mode\u003c\/li\u003e\n\u003cli\u003eIncludes Pedal Topper to allow for simultaneous engagement of rocker and fuzz modes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":39620383244423,"sku":"JCT95","price":315.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/dunlop-effects-and-pedals-wahs-and-filters-dunlop-justin-chancellor-cry-baby-wah-jct95-28956147384455.jpg?v=1650030256"},{"product_id":"fender-player-telecaster-pacific-peach-cme-exclusive-1123663","title":"Fender Player Telecaster Pacific Peach","description":"A no-frills classic made for players of all levels, the Fender Player Telecaster is a true workhorse guitar. Fender keeps the specs stock across the board with an alder body, two Player Series single-coils, 9.5\"-radius fingerboard, and string-through bridge with bent-steel saddles, updating only the neck profile to a very playable \"Modern C\" shape. Rugged and ready, this it the Telecaster. Simple but never plain. \u003cbr\u003e\u003cbr\u003eFounded by Leo Fender in 1938 as Fender's Radio Service, what is now the Fender Musical Instruments Corporation began making electric guitars and amplifiers in 1945. The rest, as they say, is history. Creator of the world's first mass-produced, and by far most popular, solid-bodied electric, Fender is now the world's leading guitar manufacturer. Replacing the now-discontinued Standard series, the Fender Player Series honors the core Fender classics with quality construction, vintage-inspired finishes, select modern updates, and friendly price points that appeal to a range of aspiring and experienced players.","brand":"Fender","offers":[{"title":"Default Title","offer_id":39666307072135,"sku":"0144581579","price":849.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/fender-electric-guitars-solid-body-fender-player-telecaster-pacific-peach-fender-player-telecaster-pacific-peach-0144581579-1030769996.jpg?v=1768015252"},{"product_id":"asm-hydrasynth-explorer-37-key-digital-polyphonic-synthesizer-1372362","title":"ASM Hydrasynth Explorer 37-Key Digital Polyphonic Synthesizer","description":"\u003ci\u003e\u003cb\u003ePlease Note:  \u003c\/b\u003eThis item is covered by a 2 year limited factory warranty. This warranty is also retroactive, for any customer that purchased a new ASM Hydrasynth 2 from CME. The ASM warranty does not include “b-stock”, “demo”, “open box”, or any other designation that limits the term “new”. The customer needs to provide the original receipt to us, as per usual, and the ASM warranty is non-transferrable.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe HYDRASYNTH EXPLORER is the ultimate in power and portability, offering the powerful Hydrasynth sound engine together with battery powered operation and a new ASM PolyTouch polyphonic aftertouch mid-sized keybed. The greatest attention has been put to its user interface, making sound creation a breeze. This is the ultimate companion for a portable setup, where a smaller footprint in needed.\u003cbr\u003e\u003cbr\u003eUtilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.\u003cbr\u003e\u003cbr\u003eAs for the performance capabilities, The HYDRASYNTH EXPLORER has our proprietary 37-note mid-sized Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePolytouch Keybed\u003c\/b\u003e\u003cbr\u003eThe HYDRASYNTH DELUXE features the ASM Polytouch 73-note semi-weighted keybed, allowing both ON\/OFF velocity and aftertouch as well as full polyphonic aftertouch.\u003cbr\u003e\u003cbr\u003eIn recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.\u003cbr\u003e\u003cbr\u003eThe Polytouch 73-note keybed features high quality, standard sized keys, so you can start playing it instantly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePortability\u003c\/b\u003e\u003cbr\u003eThe HYDRASYNTH EXPLORER can be powered by it's included power supply or by 8 x AA batteries, not included.\u003cbr\u003e\u003cbr\u003eThe expected life for battery operation is around 3-4 hours depending on type, make, and model.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOscillators\u003c\/b\u003e\u003cbr\u003eThe tone generation capability is the heart of any synthesizer.\u003cbr\u003e\u003cbr\u003eThe 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.\u003cbr\u003e\u003cbr\u003eWavemorphing is a feature usually found on synths with preset wavetables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, our oscillators 1 \u0026amp; 2 have our WAVELIST mode. This mode allows you to pick and choose 8 waves, from our bank of 219, arrange them in the order you want, and then morph from one to another.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMutators\u003c\/b\u003e\u003cbr\u003eOscillators 1 \u0026amp; 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.\u003cbr\u003e\u003cbr\u003eEach MUTANT allows you to choose from the following processes:\u003cul\u003e\n\u003cli\u003eFM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.\u003c\/li\u003e\n\u003cli\u003eWavestack - creates 5 copies of the incoming sound and allows you to set a detune amount.\u003c\/li\u003e\n\u003cli\u003eHard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.\u003c\/li\u003e\n\u003cli\u003ePulse Width - This will pulse width modulate ANY input sound. \u003c\/li\u003e\n\u003cli\u003ePW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.\u003c\/li\u003e\n\u003cli\u003ePW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.\u003c\/li\u003e\n\u003cli\u003eHarmonic Sweep - this will sweep the harmonics of the incoming sound.\u003c\/li\u003e\n\u003cli\u003ePhazDiff - this takes the input signal, shifts the phase and then creates a difference result with the original signal\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThe Mutants can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator... Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMixer\/ filter routing\u003c\/b\u003e\u003cbr\u003eThe 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.\u003cbr\u003e\u003cbr\u003eThe Mixer allows you to mix levels as well as pan the input source.\u003cbr\u003e\u003cbr\u003eThere is a balance control that allows you to choose how much signal of each source is routed to filters1 and 2.\u003cbr\u003e\u003cbr\u003eThe filters can be set to be parallel or series for ultimate flexibility.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFilters\u003c\/b\u003e\u003cbr\u003eIf oscillators and tone generators are the heart of a synthesizer, the filters are the soul.\u003cbr\u003e\u003cbr\u003eThe Hydrasynth has two filters that can be configured in series or parallel.\u003cbr\u003e\u003cbr\u003eThe first filter has 16 different filter models, giving you multiple options for tailoring your sound. The second filter is a 12db per octave has a continuous sweep from either low pass \u0026gt; bandpass \u0026gt;high pass or low pass \u0026gt; notch \u0026gt; high pass, similar to the way the classic SEM filter worked.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLFO's\u003c\/b\u003e\u003cbr\u003e5 Low-Frequency Oscillators…YES, 5. \u003cbr\u003e\u003cbr\u003eMuch like our sound engine, the LFO’s are not ordinary by any means.\u003cbr\u003e\u003cbr\u003eThe Hydrasynth LFO’s feature a STEP mode that allows you to create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing amount of possibilities for further shaping your sound. Of course, there are also 10 standard waveforms to choose from.\u003cbr\u003e\u003cbr\u003eThe LFO's all have delay, fade in, 3 triggering modes, smoothing, start phase, one-shot mode so that they can act as envelopes and BPM sync. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEnvelopes\u003c\/b\u003e\u003cbr\u003e5 DAHDSR Envelopes……YES 5. \u003cbr\u003e\u003cbr\u003eAn advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.\u003cbr\u003e\u003cbr\u003eThe time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in sync to your song. \u003cbr\u003e\u003cbr\u003eYou can also loop the envelopes to create LFO’s whose shape can be voltage controlled in the modulation matrix.\u003cbr\u003e\u003cbr\u003eThe envelopes have the added ability to be triggered from multiple sources as of the 1.5 update.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eModulation Matrix\u003c\/b\u003e\u003cbr\u003eThe modulation capabilities on the Hydrasynth are endless.\u003cbr\u003e\u003cbr\u003eWith 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.\u003cbr\u003e\u003cbr\u003eAlmost everything in the synth engine can be a modulation destination including the effects and arpeggiator.\u003cbr\u003e\u003cbr\u003eThe Modulation matrix points themselves can also become modulation destinations.\u003cbr\u003e\u003cbr\u003eModulation sources \u0026amp; destinations include the CV Mod In \u0026amp; Out jacks as well as MIDI CC’s.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eArpeggiator\u003c\/b\u003e\u003cbr\u003eThe arpeggiator allows for standard note arpeggiations but also has a phrase arpeggio built-in. Parameters like RATCHET and CHANCE will generate other rhythmic patterns with some randomness to add life and spontaneity to your performance.\u003cbr\u003e\u003cbr\u003eYou can also modulate most of the parameters in the arpeggiator so imagine using LFO’s, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCV\/GATE - MIDI - USB\u003c\/b\u003e\u003cbr\u003eThere is the standard MIDI and USB\/MIDI interfaces on the synth but we go deeper and allow the use of CV\/GATE interfaces for connecting to the modular world.\u003cbr\u003e\u003cbr\u003eIt supports the standard voltages for Eurorack modulars, the 1.2V per octave Buchla standard, as well as some of the Japanese Volts\u0026gt;HZ products. The MOD in and outs allow for modulation from DC to full audio ranges, expanding your modulation capabilities.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMain Controls\u003c\/b\u003e\u003cbr\u003eThe Main system controls are where you navigate your patches, configure system settings and see parameters like the envelopes, waveforms, filters in the OLED screen.\u003cbr\u003e\u003cbr\u003eInit and Random buttons will allow you to initialize or randomize a complete patch or specific modules with a press \u0026amp; hold + module select button.\u003cbr\u003e\u003cbr\u003ePressing the HOME button returns you to navigating patches in a simple and easy way.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMaster Controls\u003c\/b\u003e\u003cbr\u003eThe Master Control section is where all parameter editing, patch naming, and Macro performing is done.\u003cbr\u003e\u003cbr\u003eUsing OLED screens, high-resolution encoders with LED rings, and 8 buttons, this section is designed to give you good feedback on what is going on. \u003cbr\u003e\u003cbr\u003eThe VOICE parameters give you access to play modes, analog feel, voice panning and many other features.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMacros\u003c\/b\u003e\u003cbr\u003eThe patch MACROS are designed to allow the user deep control over the engine in live performance. \u003cbr\u003e\u003cbr\u003eThe 8 assignable encoders and buttons can each be routed to 8 destinations. Complete sound transformations can take place with the press of a button or turn of a knob. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePatches\u003c\/b\u003e\u003cbr\u003eThe Hydrasynth comes with 5 banks of 128 patches in total. We hired some of the best patch designers around to create the 256 factory patches. \u003cbr\u003e\u003cbr\u003eFinding the patch you want and searching the library is made easy with our BROWSER. Our PC\/MAC based Patch Manager plug-in also allows easy moving of patches to create your favorite order as well as load in new patch libraries in the future.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEffects\u003c\/b\u003e\u003cbr\u003eThe effects chain goes beyond the typical ones found in other synths. 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On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a ’no-more-cold-metal-on-your-lap’ experience, they enfolded the aluminum body in a warm, soft touch, hard cover.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eintroducing the field system.\u003c\/b\u003e\u003cbr\u003eOP–1 field is the second addition to the field system. Together with the TX–6 portable mixer you get an incredibly powerful and ultra portable sound recording and performance system. 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For a more detailed description and questions regarding sound, feel, or cosmetic condition, please call to speak to one of our experts.\u003c\/i\u003e\u003cbr\u003e\u003cb\u003eSummary\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFinish Details: \u003c\/b\u003eOriginal\u003cbr\u003e\u003cb\u003eTop Material: \u003c\/b\u003eMaple Top\u003cbr\u003e\u003cb\u003eBody Material: \u003c\/b\u003eMaple Body\u003cbr\u003e\u003cb\u003eBody Details: \u003c\/b\u003eSemi-hollow body with laminated maple\/poplar\/maple back, sides, and top. There is a shadow on the bass horn from previously applied stickers, which reads \"rebel.\" The interior orange factory label is intact. There are a few open screw holes around the bottom strap button from a previously installed Bigsby as well.\u003cbr\u003e\u003cb\u003eNeck Material: \u003c\/b\u003eMahogany Neck\u003cbr\u003e\u003cb\u003eFingerboard Material: \u003c\/b\u003eBrazilian Rosewood\u003cbr\u003e\u003cb\u003eNeck Profile: \u003c\/b\u003e\"C\" profile\u003cbr\u003e\u003cb\u003eNeck Thickness (IN): \u003c\/b\u003e.79\" (1st fret), .88\" (12th fret)\u003cbr\u003e\u003cb\u003eFingerboard Radius: \u003c\/b\u003e12.00\"\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNut Width: \u003c\/b\u003e1-5\/8\"\u003cbr\u003e\u003cb\u003eScale Length: \u003c\/b\u003e24 3\/4\"\u003cbr\u003e\u003cb\u003eNeck Details: \u003c\/b\u003eSet-in mahogany neck with bound Brazilian rosewood fretboard, dot inlays, and headstock truss rod adjustment. The neck has been refretted, and the tuners replaced with Grovers. There are some open holes on the back of the headstock from the original Kluson tuners. There is also a repaired crack along the bass side of the neck from the 6th to 7th frets, along with a small crack in the fretboard at the same spot.\u003cbr\u003e\u003cb\u003eElectronics: \u003c\/b\u003eOriginal Gibson humbucker pickups with \"Patent Applied For\" decals, and original wiring harness with 3-way toggle selector switch and volume\/tone controls for each pickup. The visible pot codes date to 1959.\u003cbr\u003e\u003cb\u003ePickup Measurements: \u003c\/b\u003e8.4k (1st fret), 8.4k (bridge)\u003cbr\u003e\u003cb\u003eHardware: \u003c\/b\u003eThe tuners have been replaced with Grover tuners. The tailpiece is a 1960 wraparound bridge, which is not original to the instrument.\u003cbr\u003e\u003cb\u003eWeight: \u003c\/b\u003e8lbs 6oz\u003cbr\u003e\u003cb\u003eModifications\/Repairs: \u003c\/b\u003e-The neck has been refretted -The tuners have been replaced with Grovers -The tailpiece has been replaced with a 1960 wraparound bridge -A Bigsby was previously installed, with a few open screw holes around the strap button -Repaired crack along the bass side of the neck at the 6th and 7th frets\u003cbr\u003e\u003cb\u003eCase Details: \u003c\/b\u003eOriginal hardshell case\u003cbr\u003e\u003cb\u003eCosmetic Condition: \u003c\/b\u003eThe guitar has aged nicely, with consistent finish checking and minor blemishes throughout. There is a shadow of previously applied stickers on the bass horn which reads \"rebel.\" The neck has some small chips and patches of wear along the back, as do the edges of the headstock. The body has a few open screw holes around the bottom strap button from a previously installed Bigsby, along with a small shadow on the front from the Bigsby's felt pad. The fifth fret side dot is missing, and there is a small repair on the bass side of the neck from the 6th to 7th frets, along with a small crack in the fretboard at this spot.\u003cbr\u003e\u003cb\u003eSerial Number: \u003c\/b\u003eA33545\u003cbr\u003e\u003cb\u003eTech Notes: \u003c\/b\u003eThe guitar plays well with low action and optimal neck relief, and is currently set up with 10s. The frets are wide and tall with minor wear. The pot codes date to 1959, while the serial number dates to 1960.\u003cbr\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":39889216110727,"sku":"U3715775401","price":64995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/gibson-electric-guitars-semi-hollow-gibson-es-335-sunburst-1960-u3715775401-29237229846663.jpg?v=1652815943"},{"product_id":"gibson-artist-lzzy-hale-signature-explorerbird-cardinal-1462812","title":"Gibson Artist Lzzy Hale Signature Explorerbird Cardinal Red","description":"Lzzy Hale, Gibson’s first female Brand Ambassador, is known for her explosive live performances with her band Halestorm. Her new Explorerbird is a hard-rocking, great-looking guitar that is built for heavy music. 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