{"product_id":"melbourne-instruments-nina-12-voice-analog-polyphonic-2048000","title":"Melbourne Instruments Nina 12 Voice Analog Polyphonic Desktop Synthesizer","description":"\u003cp\u003e\u003cstrong\u003eThe Synthesizer Revolution begins here\u003c\/strong\u003e\u003cbr\u003eNINA is a 12-voice Analog Polyphonic and Multi-timbral Synthesizer featuring revolutionary motorised controls and patch recall that finally enables real-time control surface display and automation that synth players have dreamt of for decades.\u003c\/p\u003e\u003cp\u003eNINA combines the lush thick sound qualities and hands-on tactility of classic analog synths with the versatility, advanced functionality and MIDI compatibility usually only found on modern digital equipment. The result is an intelligent, yet unique sounding analog synth you can seamlessly integrate into your creative workflow and live performance to enjoy modern soft synth functionality from a real, physical instrument.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNINA’s motorised control surface\u003c\/strong\u003e\u003cbr\u003eThe introduction of motorised knobs overcomes the mismatch that conventional synthesizers present when changing patches. NINA’s knobs instantly update to pre-defined positions anytime you change patch, and adjust automatically during console operation, patch morphing and modulation to accurately display current settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMotorized, recallable, automatable, assignable, and robust high resolution control panel.\u003c\/li\u003e\n\u003cli\u003e2 Analog VCOs \u0026amp; 1 Wavetable Oscillator per voice.\u003c\/li\u003e\n\u003cli\u003eFully analog signal path.\u003c\/li\u003e\n\u003cli\u003e12-voice polyphony.\u003c\/li\u003e\n\u003cli\u003eExtensive quick-edit modulation matrix.\u003c\/li\u003e\n\u003cli\u003eA\/B Patch morphing, and ability to modulate Morph\u003c\/li\u003e\n\u003cli\u003eClassic onboard effects including chorus and delay, as well as high quality algorithmic reverb with shimmer.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eNINA’s motorised knobs feel exactly like conventional analog potentiometers, but with the ability to instantly switch between a rotary dial and a multiple position switch to better cater for what you’re controlling and the amount of variance required. NINA’s ‘tune’ controls use this feature to switch between ‘coarse’ step detuning, which works like a rotary switch, and fine detuning, which feels just like a standard potentiometer. NINA’s motors can also change the amount of resistance that you feel, creating a tighter feel, or change positions to add end stops, zero detents and notched effects.\u003c\/p\u003e\u003cp\u003eNINA’s controllers are incredibly precise with more than 16,000 steps of stable accuracy across a single rotation. This level of control allows for super-accurate recall and precise tuning adjustments, giving you the ability to finesse the sound exactly as you desire.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOscillators\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e3 Oscillators per voice.\u003c\/li\u003e\n\u003cli\u003e2 Analog VCOs, 1 Digital Wavetable.\u003c\/li\u003e\n\u003cli\u003eOscillator 1 \u0026amp; 2 waveforms morphable between triangle, sawtooth and blend with the pulse wave.\u003c\/li\u003e\n\u003cli\u003eSuboctave mode for VCO 1 square wave.\u003c\/li\u003e\n\u003cli\u003eHard Sync Oscillator 2 from VCO 1.\u003c\/li\u003e\n\u003cli\u003eFine \u0026amp; Course tune control with up to 8 octave range. 96kHz 24bit wavetable oscillator resolution.\u003c\/li\u003e\n\u003cli\u003eUser loadable wavetables.\u003c\/li\u003e\n\u003cli\u003eSelectable Fuzz \u0026amp; Noise sources Pink, White,\u003c\/li\u003e\n\u003cli\u003eOscillator 1 \u0026amp; 2 XOR (Fuzz) or external input.\u003c\/li\u003e\n\u003cli\u003eLFO with selectable shapes, modulatable rate \u0026amp; level controls.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eClassic 4 pole transistor ladder VCF.\u003c\/li\u003e\n\u003cli\u003eModulatable resonance, available as a matrix destination.\u003c\/li\u003e\n\u003cli\u003eExtremely overdrivable, or perfectly smooth low noise modes.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTraditional ADSR envelope with ultra-fast slopes possible. Melbourne Instruments designed four-quadrant VCA.\u003c\/li\u003e\n\u003cli\u003eStereo: 2 VCAs per voice.\u003c\/li\u003e\n\u003cli\u003eInfinite panning.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eModulation Matrix\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eExtensive modulation matrix. 16 sources to 28 destinations. No bus count limitation.\u003c\/li\u003e\n\u003cli\u003eMorphable modulation settings, plus ability to modulate Morph. Quick to edit MOD mode. Select a source and dial in amounts instantly on control panel.\u003c\/li\u003e\n\u003cli\u003eAll MOD amounts are through zero (bipolar).\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003ePatch Morphing\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMorph between patches to create unique, evolving timbres. \u003c\/li\u003e\n\u003cli\u003eMorph entire patches including both modulation matrices.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eADSR Envelope Generators\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e2 x ADSR envelopes available as mod sources.\u003c\/li\u003e\n\u003cli\u003eModulate Attack, Decay, Sustain, Release, and Level using velocity or any other mod source.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eMulti-timbral layers\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUp to 4 layers for 4 timbres controllable via MIDI ch. and note ranges.\u003c\/li\u003e\n\u003cli\u003eUser selectable number of assigned voices per layer.\u003c\/li\u003e\n\u003cli\u003eAssignable keyboard splits.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eOnboard computer and powerful OS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eHackable open source software built on a powerful Raspberry Pi 4 computer running Elk Audio OS.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUpgradeable VST3 effects algorithms.\u003c\/li\u003e\n\u003cli\u003eParallel or Series mix modes. Parallel mode retains analog sound. \u003c\/li\u003e\n\u003cli\u003e96kHz 24bit resolution.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAudio Out\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4 assignable line level outputs.\u003c\/li\u003e\n\u003cli\u003eStereo main outputs with effects. Aux outputs (3 \u0026amp; 4).\u003c\/li\u003e\n\u003cli\u003eHeadphone output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAudio In\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e3 TRS Balanced Line or CV Inputs.\u003c\/li\u003e\n\u003cli\u003e1 TRS\/XLR Combo. Mic for line\/CV input.\u003c\/li\u003e\n\u003cli\u003eCV +\/-10V max. Analog gain and offset trim.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Melbourne Instruments","offers":[{"title":"Default Title","offer_id":41496098340999,"sku":"MINNA001","price":2499.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/files\/melbourne-instruments-keyboards-and-synths-synths-digital-synths-melbourne-instruments-nina-12-voice-analog-polyphonic-desktop-synthesizer-melbourne-instruments-nina-12-voice-analog-polyphonic-desktop-synthesizer-minna001-1050745725.jpg?v=1768938083","url":"https:\/\/www.chicagomusicexchange.com\/en-gb\/products\/melbourne-instruments-nina-12-voice-analog-polyphonic-2048000","provider":"Chicago Music Exchange","version":"1.0","type":"link"}