{"title":"Newest arrivals","description":"","products":[{"product_id":"fulltone-ocd-v2-81879","title":"Fulltone OCD v2","description":"\u003cp\u003e\u003cstrong\u003eFulltone OCD V2\u003c\/strong\u003e\u003cbr\u003eThe OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as “version 2, Version 3, Version 4.” In reality there has always been only one version…Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. All OCDs serial 205811 and higher are the new, less compressed versions some refer to as \"v2.01\"\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat's stayed the same\u003c\/strong\u003e\u003cbr\u003eThe OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as \"hard clippers connected to v-ref\" instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity...why they react so well when the strings are hit hard or soft, and why they sound \u0026amp; feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer.\u003c\/p\u003e\u003cp\u003eNEW FEATURE output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. 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Using a high-performance 100-watt digital power amp to achieve the headroom and dynamic range of a real vintage Deluxe tube amp, paired with the pronounced sparkle and clarity of a single Jensen® N-12K neodymium speaker and a resonant pine cabinet, the result is tubeless Deluxe Reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the Tone Master Deluxe Reverb is in fact about only half the weight of an all-tube Deluxe.\u003cbr\u003e\u003cbr\u003eFront panel features give guitarists a playing experience identical to the tube version, including Fender’s world-standard reverb and tremolo effects. 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Each of the Prophet’s twelve voices is composed of a brand new hybrid digital\/analog architecture that sounds different than any other DSI synth, yet retains the true Prophet vibe. With a humongous twelve voice polyphony, streamlined design, and sophisticated architecture, the Prophet 12 is ready to handle any sound you can dream up!\u003c\/p\u003e The Prophet Sings \u003cp\u003eThe Prophet 12’s brand new hybrid voice has a digital front end followed by an all analog signal path output. Each voice has four high resolution digital oscillators (plus a sub oscillator), a digital character effects section, a resonant Curtis low-pass filter, a high-pass filter, a tune-able feedback circuit, a four-tap delay line with feedback per line, four loopable five-stage envelope generators, four syncable LFOs with slew and phase offset, a sophisticated arpeggiator, and a sixteen slot modulation matrix with 26 mod sources and 97 modulation destinations. 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