{"title":"Pro Audio - Outboard Gear","description":"","products":[{"product_id":"jhs-kodiak-500-series-analog-tremolo-28981","title":"JHS Kodiak 500 Series Analog Tremolo","description":"\u003ci\u003eFrom JHS:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eKodiak 500 is the first full analog circuit tap tempo tremolo in the 500 series. Old school tremolo with various controls such as tap tempo and expression pedal function can be used as a studio effect both in mixing and tracking.\u003cbr\u003e\u003cbr\u003ePlease check with yourself what kind of effect can be produced by analog tremolo which is suitable for all kinds of musical instruments and vocals.","brand":"JHS","offers":[{"title":"Default Title","offer_id":33924176871559,"sku":"JHS500KODIAK","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/jhs-effects-and-pedals-tremolo-and-vibrato-jhs-kodiak-500-series-analog-tremolo-jhs500kodiak-28558540439687.jpg?v=1650586086"},{"product_id":"black-lion-audio-micro-clock-mkii-451443","title":"Black Lion Audio Micro Clock MKII","description":"\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eWhen we introduced the Micro Clock MKII, we didn’t anticipate the amount of demand and controversy that managed to accompany it. External clocking is certainly a hot button issue. Some folks maintain that there’s no basis for it; that it’s a sort of modern “emperor’s new clothes.” The reasoning behind this is that the device being clocked externally will simply filter the incoming clock signal through its phase locked loop, thereby eliminating any sort of benefit associated with the superior clock. In addition, the simple act of accepting the incoming signal and creating a new signal that’s in phase will add some jitter.\u003cbr\u003e\u003cbr\u003eThe biggest problem with this theory is that we know nothing about the PLL filter in question; it’s completely hypothetical. Many PLL’s in pro audio are designed to filter out unwanted signals that are outside of the desired bandwidth, although some are configured to filter out unwanted harmonics that lie within the signal’s frequency band. It’s incredibly rare to find one that does both at the same time. In the case of the Micro Clock MKII, it outputs a high bandwidth signal that is rare to find in internal clocks. Whether or not an external word clock can improve the sound quality of a receiving device is completely dependent on how the receiving device accepts an external word clock signal, and is dependant on the quality of the receiving device’s internal clock. It’s best to do an A\/B listening comparison to know whether the external clock is making a positive impact on the sound or not.\u003cbr\u003e\u003cbr\u003eThe Micro Clock MKII is simple and probably even boring looking by most standards. It’s housed in a rugged 3” x 4” chassis that provides optimum RF shielding. It has no lights, no frequency display, and none of the usual visual candy that your friends might envy. However, for a modest black box, it does its job incredibly well and at a price that’s unheard of for this level of performance!\u003cbr\u003e\u003cbr\u003eIt features six selectable output frequencies from 44.1 kHz on up to 192 kHz. The output level is approximately 5 volts peak to peak. Jitter at the crystal oscillator is approximately 1 picosecond RMS, and just under 10 picoseconds RMS at the output. The power supply is a 9 volt DC wall wart that’s capable of accepting both 120 and 240 volts AC. The clock is compatible with all modern digital devices that have 75 ohm BNC word clock inputs.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutput: \u003c\/b\u003e3 BNC with fixed 75 ohm terminations @ 5 volts peak to peak\u003cbr\u003e\u003cb\u003ePower:\u003c\/b\u003e 9 volts DC\u003cbr\u003e\u003cb\u003eSampling rates:\u003c\/b\u003e Six selectable rates, 44.1 kHz-192 kHz (44.1, 48, 88.2, 96, 176.4, 192)\u003cbr\u003e\u003cb\u003eJitter:\u003c\/b\u003e Less than 10 picoseconds of accumulated jitter measured using a delta sigma averaging method","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33926147735687,"sku":"MICROCLOCKMK2","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-micro-clock-mkii-microclockmk2-28214211739783.jpg?v=1646880970"},{"product_id":"black-lion-audio-micro-clock-mkiii-451444","title":"Black Lion Audio Micro Clock MKIII","description":"\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Micro Clock MKIII is a significant redesign of its predecessor, the Micro Clock MKII. Core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit. All of this results in a more robust, lower-jitter clock signal than the Micro Clock MKII, with even more desirable harmonics in the clock’s spectral band that impart an undeniable musical quality to the conversion process. The feature set has expanded to include an LED frequency display, six BNC outputs capable of up to 384kHz, AES and RCA S\/PDIF outputs capable of up to 192kHz, an optical S\/PDIF output capable of up to 96kHz, and removable rack ears.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUltra-low jitter, harmonically-enhanced word clock signal generation\u003c\/li\u003e\n\u003cli\u003eDimmable frequency display\u003c\/li\u003e\n\u003cli\u003e8 selectable sample rates (44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 352.8kHz, and 384kHz)\u003c\/li\u003e\n\u003cli\u003e6 BNC outputs with dedicated output drivers for maximum isolation\u003c\/li\u003e\n\u003cli\u003eRCA S\/PDIF output\u003c\/li\u003e\n\u003cli\u003eOptical S\/PDIF output\u003c\/li\u003e\n\u003cli\u003eAES output\u003c\/li\u003e\n\u003cli\u003eFull \u0026amp; 1\/2 rack removable rack ears\u003c\/li\u003e\n\u003cli\u003eLocking frequency selector knob\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eJitter:\u003c\/b\u003e 1.92pS RMS (BNC outputs)\u003cbr\u003e\u003cb\u003eOutputs:\u003c\/b\u003e 6 BNC, 1 XLR AES, 1 RCA S\/PDIF, 1 Optical S\/PDIF (recommended max. cable length = 1,000ft of high quality, 75Ω coaxial cable)\u003cbr\u003e\u003cb\u003eBNC: \u003c\/b\u003e75 Ω, 5V unterminated\u003cbr\u003e\u003cb\u003eRCA S\/PDIF:\u003c\/b\u003e 75 Ω, unbalanced\u003cbr\u003e\u003cb\u003eAES XLR: \u003c\/b\u003e110 Ω, balanced\u003cbr\u003e\u003cb\u003eClock Frequencies:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBNC (kHz) – 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/li\u003e\n\u003cli\u003eRCA S\/PDIF \u0026amp; AES (kHz) – 44.1, 48, 88.2, 96, 176.4, 192\u003c\/li\u003e\n\u003cli\u003eOptical S\/PDIF (kHz) – 44.1, 48, 88.2, 96\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower: \u003c\/b\u003e9VDC (6W power consumption)\u003cbr\u003e\u003cb\u003ePower connector:\u003c\/b\u003e 2.1mm barrel connector with 5.5mm outer diameter (center pin positive)\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.2lbs\u003cbr\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 6.5”L x 6”W x 1.75”H (without rack ears installed)\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13x13x5\u003cbr\u003e\u003cb\u003eShipping weight: \u003c\/b\u003e4lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33926148292743,"sku":"MICROCLOCKMK3","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-micro-clock-mkiii-microclockmk3-28214218555527.jpg?v=1652490845"},{"product_id":"black-lion-audio-b173-mic-preampdi-451446","title":"Black Lion Audio B173 Mic Preamp\/DI","description":"\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIntroducing Black Lion Audio’s own 1073-style microphone preamp, the B173! Don’t let the price tag fool you. This is not only a serious contender for the most “bang for your buck” preamp in existence, but sonically stands on its own at any price point. Our goal was to capture the essence of the original 1073 at a price anyone can afford, and we’re proud to say that we’ve accomplished our goal! Tape Op gave it a run, and couldn’t agree more. Give the B173 a try and prepare to be blown away!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\u003cli\u003e80dB Gain\u003c\/li\u003e\n\u003cli\u003eD.I. Input (active, unbalanced)\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\u003cli\u003eOutput Attenuator\u003c\/li\u003e\n\u003cli\u003eXLR Microphone Input\u003c\/li\u003e\n\u003cli\u003eTRS Line Output (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOutput Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax Output Level: +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e 24VAC, 500mA External Supply\u003cbr\u003e\u003cb\u003eProduct Dimensions: \u003c\/b\u003e9.5” x 6.5” x 1.75”\u003cbr\u003e\u003cb\u003eProduct Weight:\u003c\/b\u003e 3.2 lbs\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13” x 13” x 5”\u003cbr\u003e\u003cb\u003eShipping Weight: \u003c\/b\u003e6 lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33926149275783,"sku":"B173","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-b173-mic-preamp-di-b173-28187886321799.jpg?v=1652491015"},{"product_id":"black-lion-audio-seventeen-compressor-451447","title":"Black Lion Audio Seventeen Compressor","description":"\u003ci\u003eFrom Black Lion Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been. Designed in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor. This new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely. We also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available.\u003cbr\u003e\u003cbr\u003eNever the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet\/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":33926150160519,"sku":"SEVENTEEN","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-seventeen-compressor-seventeen-28214223470727.jpg?v=1652491737"},{"product_id":"elektron-analog-heat-mkii-stereo-analog-sound-processor-710186","title":"Elektron Analog Heat MKII Stereo Analog Sound Processor","description":"\u003ci\u003eFrom Elektron:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eAdd sparkly brilliance, or grimy roughness, to any sound source. Samplers, drum machines, synths, the master bus, you name it. Analog Heat MKII is a fiery furnace destined to make your music glow.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSound better\u003c\/b\u003e\u003cbr\u003eTake a sound, any sound. Send it through the Analog Heat MKII, try out the eight different stereo analog distortion circuits, add stereo analog filtering and EQ, and hear beautiful things unfold. New life for your existing gear.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAll analog, all yours\u003c\/b\u003e\u003cbr\u003eThe eight stereo analog circuits are designed to quickly access varied and powerful sound shaping. Each circuit has a distinctive way of processing sound. Clean boost, tape-like saturation, tube amp-like enhancement, overdrive, crunch, distortion, harmonic fuzz or high gain? You’ll find your favorite flavor with ease.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBrighter and better\u003c\/b\u003e\u003cbr\u003eThe MKII version of the Analog Heat features improved durability and precision encoders, new tough back-lit keys and a crisp OLED screen. The display is bigger, sharper and brighter: perfect for performing in the dark. There is also additional visual feedback on the Amp, Filter, Envelope and LFO pages that makes overview and understanding of sound processing and modulation a whole lot easier.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSound processing\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e8 × Stereo analog distortion circuits\u003c\/li\u003e\n\u003cli\u003e1 × Stereo analog multi-mode filter (7 filter types)\u003c\/li\u003e\n\u003cli\u003e1 × 2 band adaptable stereo analog EQ\u003c\/li\u003e\n\u003cli\u003e1 × Assignable envelope generator\/envelope follower\u003c\/li\u003e\n\u003cli\u003e1 × Assignable LFO\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eStorage\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e128 user preset slots\u003c\/li\u003e\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eHardware\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e128×64 pixel OLED screen\u003c\/li\u003e\n\u003cli\u003eMIDI In\/Out\/Thru with DIN Sync out\u003c\/li\u003e\n\u003cli\u003e2 × ¼″ balanced audio out jacks\u003c\/li\u003e\n\u003cli\u003e2 × ¼″ balanced audio in jacks\u003c\/li\u003e\n\u003cli\u003e1 × ¼″ stereo headphones jack\u003c\/li\u003e\n\u003cli\u003e2 × ¼″ CV\/Expression pedal input jacks\u003c\/li\u003e\n\u003cli\u003e48 kHz, 24-bit D\/A and A\/D converters\u003c\/li\u003e\n\u003cli\u003eFlash-EEPROM upgradable OS\u003c\/li\u003e\n\u003cli\u003eHi-speed USB 2.0 port\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAudio outputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eHeadphones out level: +19 dBu peak\u003c\/li\u003e\n\u003cli\u003eHeadphones output impedance: 36 Ω\u003c\/li\u003e\n\u003cli\u003eImpedance balanced main outputs level: +19 dBu peak\u003c\/li\u003e\n\u003cli\u003eMain outputs impedance: 440 Ω unbalanced\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAudio inputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBalanced audio input level: +19 dBu peak\u003c\/li\u003e\n\u003cli\u003eAudio input impedance: 39 kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eControl inputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput level: -5 V – +5 V\u003c\/li\u003e\n\u003cli\u003eAccepts CV, Expression pedals, Foot switches\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePhysical specifications\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSturdy steel casing\u003c\/li\u003e\n\u003cli\u003eDimensions: W215×D184×H63 mm (8.5×7.2×2.5″) (including audio outputs, knobs and rubber feet)\u003c\/li\u003e\n\u003cli\u003eWeight: approximately 1.5 kg (3.3 lbs)\u003c\/li\u003e\n\u003cli\u003e100×100 mm VESA mounting holes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eIncluded in the box\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003ePower Supply PSU-3b\u003c\/li\u003e\n\u003cli\u003eElektron USB cable\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAnalog Heat MKII and Overbridge\u003c\/b\u003e\u003cbr\u003eAny DAW user will love Analog Heat. It is perfect for adding analog warmth and grit to digital audio. Suitable on individual tracks as well as on the master bus. It can also double as a sound card, making it perfect for the nimble studio.\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eControl your Analog Heat with audio and sync using a dedicated VST\/AU\u003c\/li\u003e\n\u003cli\u003eplugin\u003c\/li\u003e\n\u003cli\u003eProcess DAW audio with beautiful analog stereo filtering and distortion\u003c\/li\u003e\n\u003cli\u003eMid\/Side mode lets you expand audio processing possibilities \u003c\/li\u003e\n\u003cli\u003eAnalog Heat MKII can be used as a 2 in\/2 out sound card\u003c\/li\u003e\n\u003cli\u003e(CoreAudio\/ASIO\/WDM) \u003c\/li\u003e\n\u003cli\u003eUse Analog Heat as a separate sound card, all while using the other features\u003c\/li\u003e\n\u003cli\u003eof the instrument\u003c\/li\u003e\n\u003cli\u003eTotal Recall remembers all Analog Heat settings when loading a DAW project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elektron","offers":[{"title":"Default Title","offer_id":33928134590599,"sku":"114003","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/elektron-pro-audio-interfaces-elektron-analog-heat-mkii-stereo-analog-sound-processor-114003-28288405471367.jpg?v=1646724017"},{"product_id":"korg-mini-kaoss-pad-s2-788351","title":"Korg Mini Kaoss Pad S2","description":"\u003ci\u003eFrom Korg:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eA powered-up mini kaoss pad 2, the mini kaoss pad 2S (“S” for sampler) is a powerful DJ effect unit that fits in the palm of your hand. It includes the familiar KORG touchpad, which allows you to intuitively control 100 different effects, and a sampler function that makes it easy to load and trigger a variety of sounds. Whether you are playing or performing, you'll have more fun than ever with the powerful mini kaoss pad 2S.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePrograms:\u003c\/b\u003e 100 \u003cbr\u003e\u003cb\u003eProgram Categories:\u003c\/b\u003e Filter (15), Modulation (15), LFO (20), Delay (10), Reverb (5), Looper (20), Vocoder (5), Synthesizer (10) \u003cbr\u003e\u003cb\u003eAudio Demo Sample:\u003c\/b\u003e 6 preset loops (House, HipHop, Electro, Breaks, Dubstep, D\u0026amp;B)\u003cbr\u003e\u003cb\u003eSampling Frequency:\u003c\/b\u003e 48kHz \u003cbr\u003e\u003cb\u003eAD\/DA Conversion: \u003c\/b\u003e24-bit linear \u003cbr\u003e\u003cb\u003eInput Connectors: \u003c\/b\u003eLine Input (stereo mini jack type) \u003cbr\u003e\u003cb\u003eOutput Connectors: \u003c\/b\u003eHeadphone Output (stereo mini jack type) \u003cbr\u003e\u003cb\u003eData Storage:\u003c\/b\u003e microSD card (512MB - 2GB), microSDHC card ( - 16GB)\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e AA batteries, Optional AC adapter (DC 4.5V) \u003cbr\u003e\u003cb\u003eBattery Life: \u003c\/b\u003eApprox. 5 hours (with POWER SAVING: ON, with Nickel-Metal Hydride battery) \u003cbr\u003e\u003cb\u003eDimensions (W x D x H):\u003c\/b\u003e 76 mm x 128 mm x 25 mm \/ 2.99” x 5.04” x 0.98” \u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 100 g \/ 3.53 oz. (without batteries) \u003cbr\u003e\u003cb\u003eAccessories: \u003c\/b\u003eAA batteries x2 (for verifying operation) \u003cbr\u003e\u003cb\u003eOptions:\u003c\/b\u003e AC adapter (DC 4.5V)","brand":"Korg","offers":[{"title":"Default Title","offer_id":33928625979527,"sku":"MINIKP2S","price":199.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/korg-dj-and-lighting-gear-dj-controllers-korg-mini-kaoss-pad-s2-minikp2s-17217222213767.jpg?v=1646840285"},{"product_id":"warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-798140","title":"Warm Audio WA273-EQ 2-Channel 1073-Style Mic Preamp w\/ EQ","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. 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The Auteur preamp has become a studio staple over the last decade and is know for its fast, transparent IC based front end while also providing a fat, colorful back end via edcor transformers. This mixture of vintage and modern design approaches has led the Auteur to be known as the “Swiss army knife of preamps” that sounds great on everything. It especially shines on sources that require detail but also benefit from some thickness such as drums or vocals. Some of the major additions to the Quad over the 2 channel half rack unit would be the all new meters on all four channels as well as borrowing the loved DI circuit from our 500 series Auteur on the first 2 channels. 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Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax D.I. 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Samplers, drum machines, synths, the master bus, you name it. Analog Heat MKII is a fiery furnace destined to make your music glow.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSound better\u003c\/b\u003e\u003cbr\u003eTake a sound, any sound. Send it through the Analog Heat MKII, try out the eight different stereo analog distortion circuits, add stereo analog filtering and EQ, and hear beautiful things unfold. New life for your existing gear.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAll analog, all yours\u003c\/b\u003e\u003cbr\u003eThe eight stereo analog circuits are designed to quickly access varied and powerful sound shaping. Each circuit has a distinctive way of processing sound. Clean boost, tape-like saturation, tube amp-like enhancement, overdrive, crunch, distortion, harmonic fuzz or high gain? You’ll find your favorite flavor with ease.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBrighter and better\u003c\/b\u003e\u003cbr\u003eThe MKII version of the Analog Heat features improved durability and precision encoders, new tough back-lit keys and a crisp OLED screen. The display is bigger, sharper and brighter: perfect for performing in the dark. 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This classic channel strip design, with its warm preamp tone and smooth, natural-sounding compression, is updated with modern, user-requested features like true compressor bypass, larger metering, increased output, and an auto-switching power supply.\u003c\/p\u003e\u003cp\u003eThe LA-610 MkII also boasts much lower noise specs versus vintage models. Elegant and highly popular “Black on Black” cosmetics complete the package. 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This unit provides the silky, vintage warmth of the original console’s mic amp design, and will flatter any microphone or instrument with its signature sound. Thanks to its convenient form factor, the SOLO\/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO\/610 maintains the character of the 610 console — at a price every serious project studio can afford.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eClassic Putnam 610 console mic preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eLegendary all-tube sound, at a project studio price\u003c\/li\u003e\n\u003cli\u003eGain, Level, and Impedance selection for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003ePortable design for studio, desktop or stage\u003c\/li\u003e\n\u003cli\u003eRugged construction-steel chassis\u003c\/li\u003e\n\u003cli\u003eDI features include Thru and Mic\/Line level output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e\u003cspan\u003eThe SOLO\/610 offers Mic and DI inputs, and features Gain and Level control for a wide variety of clean to colored tones. Unlike its predecessors, the SOLO\/610 has continuous Gain control with even greater range, allowing for more precise gain structuring — doubling as input signal padding. The SOLO\/610 has all the essential features like 48v Phantom Power, Lo-Cut filtering, Phase Reverse and flexible dual impedance selection for both Mic and DI inputs. 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It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, ½ rack chassis, and can be linked together with a second ½ rack unit by using the included connector plate.\u003cbr\u003e\u003cbr\u003eThe Auteur MKII has a revamped gain stage that results in higher gain, lower noise, lower distortion, and a more extended frequency response than the original design. Use it on drums for rotund results. Throw it on vocals for a silky polish. Hear guitars soar like never before. No matter what you use it on, the Auteur MKII will do the job like a pro!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDual Channel\u003c\/li\u003e\n\u003cli\u003eUltra High-Speed Input Stages\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformers\u003c\/li\u003e\n\u003cli\u003e65dB Gain\u003c\/li\u003e\n\u003cli\u003eExtended Frequency Response\u003c\/li\u003e\n\u003cli\u003eLow Distortion \u0026amp; Noise\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\u003cli\u003e10dBu Pad\u003c\/li\u003e\n\u003cli\u003eXLR Microphone Input\u003c\/li\u003e\n\u003cli\u003eTRS Line Output (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMax Microphone Input Level:\u003c\/b\u003e +1dBu\u003cbr\u003e\u003cb\u003eInput Impedance: \u003c\/b\u003e6000Ω\u003cbr\u003e\u003cb\u003ePad: \u003c\/b\u003e10dBu\u003cbr\u003e\u003cb\u003eGain (no pad):\u003c\/b\u003e +14dB to +65dB\u003cbr\u003e\u003cb\u003eEquivalent Input Noise (noise floor):\u003c\/b\u003e -108dBu\u003cbr\u003e\u003cb\u003eBandwidth (1kHz, 150Ω source, unweighted):\u003c\/b\u003e 10Hz to 30kHz\u003cbr\u003e\u003cb\u003eOutput Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax Output Level: +26dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e 24VAC, 500mA External Supply\u003cbr\u003e\u003cb\u003eProduct Dimensions:\u003c\/b\u003e 9.5” x 6.5” x 1.75”\u003cbr\u003e\u003cb\u003eProduct Weight:\u003c\/b\u003e 3.2 lbs\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13” x 13” x 5”\u003cbr\u003e\u003cb\u003eShipping Weight: \u003c\/b\u003e6 lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":34300662841479,"sku":"AUTEURMK2","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-auteur-mkii-mic-preamp-di-auteurmk2-28214901407879.jpg?v=1652492108"},{"product_id":"black-lion-audio-auteur-mkii-mic-preampdi-763767","title":"Black Lion Audio Auteur MKII Mic Preamp\/DI","description":"\u003cb style=\"\"\u003eCondition:\u003c\/b\u003e Item is subject to minor cosmetic imperfections. 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Packaging may be in poor shape.\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eFrom Black Lion Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been. Designed in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor. This new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely. We also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available.\u003cbr\u003e\u003cbr\u003eNever the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet\/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003cb\u003ePlease Note:\u003c\/b\u003e The item displayed in the images may not be the actual item you receive.\u003c\/i\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":34319656845447,"sku":"SEVENTEEN-FBAU","price":664.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-seventeen-compressor-seventeen-fbau-17182078632071.jpg?v=1649573042"},{"product_id":"teenage-engineering-oplab-module-1020810","title":"Teenage Engineering Oplab Module","description":"\u003cb style=\"\"\u003eCondition: \u003c\/b\u003eDoes not include midi adapter unit or user guide.\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eFrom Teenage Engineering:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eImagine having the power and flexibility of the OP-Z sequencer available to any other music equipment. Now you can, with the new oplab module - the magic link between OP-Z and the rest of the world. The oplab module is the first hardware expansion module for OP-Z. once mounted in the back of your  OP-Z, you can use it to connect to any equipment using standard cv and gate, such as the pocket operator modular or any other modular system. It features three cv outs and one gate out, all programmable and playable from OP-Z. have your wall of modules sequenced from the palm of your hands. Use the po sync out to unleash the power of your regular pocket operators and have them play in sync with the rest of your setup. Even connect standard midi devices, using midi over 3.5 mm jack or the included midi over din adapter cable. Oplab features both midi in and out ports as well as trig in and out for other synthesizers and sequencers.","brand":"Teenage Engineering","offers":[{"title":"Default Title","offer_id":34398650400903,"sku":"TE015AS001-U1","price":119.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/teenage-engineering-keyboards-and-synths-synths-modular-synths-teenage-engineering-oplab-module-te015as001-u1-28564917452935.jpg?v=1650523620"},{"product_id":"warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-1062829","title":"Warm Audio WA273-EQ 2-Channel 1073-Style Mic Preamp w\/ EQ","description":"\u003cb style=\"\"\u003eCondition:\u003c\/b\u003e Item is subject to minor wear from use.\u003cbr\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre. '73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA273-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA273-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA273-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA273-EQ can’t handle.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDUAL CHANNEL, CLASS A, '73-STYLE BRITISH MICROPHONE PREAMP WITH EQ\u003c\/li\u003e\n\u003cli\u003eUK MADE CARNHILL TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eUK MADE - BLORE EDWARDS EQ DUAL-CONCENTRIC SWITCH POTENTIOMETERS\u003c\/li\u003e\n\u003cli\u003eHAND WIRED, HAND ASSEMBLED\u003c\/li\u003e\n\u003cli\u003e80DB OF GAIN - RESISTOR STEPPED GAIN SWITCH\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - CHANGES INPUT TRANSFORMER IMPEDANCE FOR VARYING TONE\u003c\/li\u003e\n\u003cli\u003ePOLARITY SWITCH\u003c\/li\u003e\n\u003cli\u003e48V PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLOW BAND BOOST\/CUT - 35, 60, 110, 220 HZ\u003c\/li\u003e\n\u003cli\u003eMID BAND BOOST\/CUT - 360, 700, 1600, 3200, 4800, 7200 HZ\u003c\/li\u003e\n\u003cli\u003eHIGH BAND BOOST\/CUT - 10, 12, 16 KHZ\u003c\/li\u003e\n\u003cli\u003eADDITIONAL HIGH BAND FREQUENCY EQ POINTS ADDED (COMPARED TO VINTAGE 1073)\u003c\/li\u003e\n\u003cli\u003e4 POSITION INDUCTOR BASED HIPASS FILTER - 50, 80, 160, 300 HZ\u003c\/li\u003e\n\u003cli\u003eXLR MIC INPUTS (FRONT \u0026amp; BACK)\u003c\/li\u003e\n\u003cli\u003eLINE LEVEL TRS INPUT\u003c\/li\u003e\n\u003cli\u003eTS SEND\/RECEIVE INSERT JACKS\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS LINE LEVEL OUTPUTS\u003c\/li\u003e\n\u003cli\u003eDIRECT IN, INSTRUMENT INPUT\u003c\/li\u003e\n\u003cli\u003eOUTPUT CONTROL\u003c\/li\u003e\n\u003cli\u003eLED LEVEL INDICATION\u003c\/li\u003e\n\u003cli\u003eFREQ RESPONSE 20HZ - 20KHZ +\/-.5 DB\u003c\/li\u003e\n\u003cli\u003e19\" RACKMOUNTABLE\u003c\/li\u003e\n\u003cli\u003eINTERNAL IEC 115V\/230V POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34532410065031,"sku":"WA273-EQ-U1","price":1395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa273-eq-2-channel-1073-style-mic-preamp-w-eq-wa273-eq-u1-17539282141319.jpg?v=1646169434"},{"product_id":"warm-audio-wa12-mkii-discrete-mic-pre-wdi-black-1081372","title":"Warm Audio WA12 MKII Discrete Mic Pre W\/DI Black","description":"\u003ci\u003eFrom Warm Audio:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eA lot of preamps on the market do a good job of raising the volume of microphones and instruments, but many pres today are doing only that: raising the volume. These “super clean” designs often leave the signal exiting the preamp sounding much the same as it did entering it, which ends up requiring a lot of work in post-production to get instruments to wake up and sound big in a mix.\u003cbr\u003e\u003cbr\u003eIf you’re looking for a preamp to actually improve and shape your signal instead, you will most definitely love the WA12 MKII Black. This preamp is designed to transform the tone of plain instruments and vocals into exciting sounds that can stand on their own - so if your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, the the WA12 MKII Black is the affordable answer.\u003cbr\u003e\u003cbr\u003eThe WA12 MKII Black is a completely discrete, high voltage, dual-transformer microphone preamplifier design with high gain (+71dB), high headroom, low noise, and exciting sonic performance – which makes it an ideal choice for all types of recording applications. A high-quality mic preamp is one of the most critical pieces needed to achieve that elusive ‘larger than life’ sound, and the WA12 MKII Black delivers on that promise every single time.\u003cbr\u003e\u003cbr\u003eThe WA12 MKII Black is based around the X731 discrete op-amp, which is our own reproduction of the classic Melcor 1731 - considered by some to be the warmer predecessor to the modern 2520-style op-amp. The X731 can achieve vibrant, clean and lifelike tones, but it can also be driven into mild saturation at much higher gain levels. While the effects of that saturation can range from subtle to obvious, they always remain very pleasing to the ear, and because it was designed around the X731 the WA12 MKII Black can accept any discrete op-amp on the market that conforms to the +\/-16v, 2520 pinout standard.\u003cbr\u003e\u003cbr\u003eOur ears played a big part in the process of designing the WA12 MKII Black, and we didn’t stop tweaking until anything we ran through it sounded better. Using CineMag USA transformers and an all-discrete signal path, we ensured that this preamp would have the building blocks to compete with the best-sounding preamps on the market, and we’re very proud to offer such a robust and professional design in a small and affordable package.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM-GRADE INPUT AND OUTPUT TRANSFORMERS FROM CINEMAG USA\u003c\/li\u003e\n\u003cli\u003eFULLY DISCRETE DESIGN WITH A ROBUST 71DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eUTILIZES A DISCRETE 6-PIN SOCKETED 1731-STYLE OPAMP, WHICH CAN BE SWAPPED WITH OTHER DESIGNS THAT CONFORM TO THE 6-PIN, 2520 FOOTPRINT +\/- 16VDC STANDARD FOR VARYING TONE AND FLAVOR\u003c\/li\u003e\n\u003cli\u003e20DB PAD.\u003c\/li\u003e\n\u003cli\u003eTONE BUTTON - SWITCHES THE INPUT IMPEDANCE FROM 150 TO 600 OHMS AND CHANGES THE TONE OF BOTH THE MIC AND HI-Z INPUTS\u003c\/li\u003e\n\u003cli\u003eMIC LEVEL BALANCED INPUT: XLR\u003c\/li\u003e\n\u003cli\u003e2 MEGOHM TRUE HI-Z INPUT ON THE FRONT PANEL WHICH SENDS THE SIGNAL THROUGH THE ENTIRE CIRCUIT, INCLUDING BOTH CINEMAG TRANSFORMERS AND THE X731 OPAMP - GREAT FOR GUITARS, BASS, KEYS, KEYBOARDS AND ANY INSTRUMENT WITH A 1\/4” OUTPUT JACK\u003c\/li\u003e\n\u003cli\u003eBALANCED OUTPUTS: XLR AND 1\/4″\/TRS\u003c\/li\u003e\n\u003cli\u003e48 VOLT PHANTOM POWER\u003c\/li\u003e\n\u003cli\u003eLED METER GAIN INDICATION\u003c\/li\u003e\n\u003cli\u003eOUTPUT ATTENUATION CONTROL (POSITIONED AFTER THE CINEMAG OUTPUT TRANSFORMER) ALLOWS FOR DRIVING THE PREAMP AND TRANSFORMERS INTO SATURATION\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34606482620551,"sku":"WA12 MKII Black","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-wa12-mkii-discrete-mic-pre-w-di-black-wa12-mkii-black-17429474345095.jpg?v=1647988145"},{"product_id":"warm-audio-bus-comp-stereo-vca-bus-compressor-1081363","title":"Warm Audio BUS-COMP Stereo VCA Bus Compressor","description":"The Warm Audio BUS-COMP is an all-analog, 2 channel, stereo VCA bus compressor based on classic circuitry that has provided silky smooth tone for decades.  Stereo VCA bus compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes.  \u003cbr\u003e\u003cbr\u003eThe BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources.  The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. VCA bus compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.\u003cbr\u003e\u003cbr\u003eRe-creating legendary VCA bus compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development.  One feature we are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!\u003cbr\u003e\u003cbr\u003eAs with all of the products we develop here at Warm Audio, the BUS-COMP was designed with a price point in mind.  With efficient, modern manufacturing techniques we are proud to bring this boutique quality, classic VCA bus compressor to the market at a quality-to-price ratio previously unseen.  More studios than ever before will now have access to analog quality VCA bus compression. Our desire is for all musicians to be heard the way they want to be heard and we feel the BUS-COMP is the perfect tool to perfect any mix!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eALL ANALOG, 2 CHANNEL, STEREO VCA BUS COMPRESSOR\u003c\/li\u003e\n\u003cli\u003eBASED ON LEGENDARY VCA BUS COMPRESSOR TECHNOLOGY\u003c\/li\u003e\n\u003cli\u003eSELECTABLE DISCRETE OPAMP STAGE WITH CINEMAG USA TRANSFORMERS\u003c\/li\u003e\n\u003cli\u003eEXTERNAL SIDE CHAIN SOURCE SELECT\u003c\/li\u003e\n\u003cli\u003eSELECTABLE HI-PASS FILTER: 30, 60, 105, 125, 185 HZ\u003c\/li\u003e\n\u003cli\u003eCOMPRESSOR ENGAGE SWITCH FOR EASY A\/B COMPRESS VS. 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'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today. The Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance. The tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions. After years of R\u0026amp;D, intense research and countless hours of auditioning, the WA73-EQ was born!\u003cbr\u003e\u003cbr\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. Classic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003cbr\u003e\u003cbr\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps. The signal transformers are a common topic of conversation. Vintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions. These are regarded as the most desirable choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003cbr\u003e\u003cbr\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003e\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003cbr\u003e\u003cbr\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003cbr\u003e\u003cbr\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build. 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When you hear the bottom-end presence and top-end detail of quality analog gear, the difference is astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003cbr\u003e\u003cbr\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of the classic '2A optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have striven to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003cbr\u003e\u003cbr\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilizing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cbr\u003e\u003cbr\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6aq5 (or 6P1J). We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e2A STYLE, TRANSFORMER BALANCED, HIGH VOLTAGE, OPTO TUBE COMPRESSOR​.\u003c\/li\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eUSA MADE KENETEK OPTO-CELL ATTENUATOR T4' STYLE MODULE. 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The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003cbr\u003e\u003cbr\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable. \u003cbr\u003e\u003cbr\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.\u003cbr\u003e\u003cbr\u003eAll-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.\u003cbr\u003e\u003cbr\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. 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Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that’s nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003cbr\u003e\u003cbr\u003eOur goal was to make a equalizer affordable for the first time, without compromising the quality and design parameters that make this type of equalizer so desirable.\u003cbr\u003e\u003cbr\u003eThe EQP-WA is a high-voltage tube equalizer, utilzing CineMag USA Transformers and two premium vacuum tubes by Tung-Sol.\u003cbr\u003e\u003cbr\u003eThe EQP-WA operates on two tubes: one 12AX7 and one 12AU7. We proudly use Tung-Sol brand tubes in this product for their sonic richness and 'open' sound. These 2 tubes are socketed for easy swapping and replacement.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUTILIZES PREMIUM GRADE INPUT AND OUTPUT CINEMAG USA TRANSFORMERS.\u003c\/li\u003e\n\u003cli\u003eTUBE EQUALIZER BASED ON THE CLASSIC “PULTEC” EQP-1A.\u003c\/li\u003e\n\u003cli\u003ePREMIUM HIGH VOLTAGE 12AX7 AND 12AU7 TUBES.\u003c\/li\u003e\n\u003cli\u003eCINEMAG INDUCTOR EQ SECTION.\u003c\/li\u003e\n\u003cli\u003eEQ SECTION IS BYPASSABLE - SIGNAL STILL PASSES THROUGH TUBES AND TRANSFORMERS FOR WARMING EFFECT.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED OUTPUTS.\u003c\/li\u003e\n\u003cli\u003eFLAT FREQUENCY RESPONSE FROM 20 HZ - 50 KHZ.\u003c\/li\u003e\n\u003cli\u003eXLR AND TRS TRANSFORMER BALANCED INPUTS.\u003c\/li\u003e\n\u003cli\u003eNO INSERTION LOSS - LOSS RESTORED BY TUBE AMPLIFIER.\u003c\/li\u003e\n\u003cli\u003e5 ADDED FREQUENCY POINTS FOR GREATER FLEXIBILITY.\u003c\/li\u003e\n\u003cli\u003eSWITCHABLE 115\/230 VOLT IEC POWER INLET.\u003c\/li\u003e\n\u003cli\u003eDIMENSIONS: 19 X 3.5 X 6 INCHES - 2RU RACK MOUNTABLE.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY BOOST - 20, 30, 60, 100, 200, 400, 800 HZ - 12 DB.\u003c\/li\u003e\n\u003cli\u003eLOW FREQUENCY CUT - 20, 30, 60, 100, 200, 400, 800 HZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY BOOST - 3, 4, 5, 8, 10, 12, 16 KHZ - 18 DB.\u003c\/li\u003e\n\u003cli\u003eHIGH FREQUENCY CUT - 3, 4, 5, 10, 20 KHZ - 14 DB.\u003c\/li\u003e\n\u003cli\u003eBOOST AND CUT CONTROLS CAN BE USED SIMULTANEOUSLY FOR PHASE EFFECT.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":34608426057863,"sku":"EQP-WA","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/warm-audio-pro-audio-outboard-gear-warm-audio-eqp-wa-pultec-tube-equalizer-eqp-wa-28045895532679.jpg?v=1652617743"},{"product_id":"black-lion-audio-b173-mkii-half-rack-british-styled-1113680","title":"Black Lion Audio B173 MKII Half-Rack British-Styled Preamp","description":"Meet the Black Lion Audio B173 mkII — the most portable 1073 British-sound around! The B173 mkII uses the same Cinemag input and output transformers as our B173 Quad for a whopping 70dB of gain, a revamped gain stage, and a lower noise floor for cleaner, lower distortion sound. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain and variable output attenuation allow for perfect control over transformer saturation.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBig 1073-style gain\u003c\/li\u003e\n\u003cli\u003eCinemag input and output transformers\u003c\/li\u003e\n\u003cli\u003eVariable output attenuation for control over transformer saturation\u003c\/li\u003e\n\u003cli\u003eFront panel D.I.\u003c\/li\u003e\n\u003cli\u003eStepped input gain\u003c\/li\u003e\n\u003cli\u003e48V phantom power and phase inverse controls\u003c\/li\u003e\n\u003cli\u003eConvenient half-rack sizing for mixing-and-matching\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":34682965229703,"sku":"B173MK2","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-b173-mkii-half-rack-british-styled-preamp-b173mk2-28214211281031.jpg?v=1652636653"},{"product_id":"black-lion-audio-b12a-mkiii-half-rack-american-styled-1113681","title":"Black Lion Audio B12A MKIII Half-Rack American-Styled Preamp","description":"Meet the Black Lion Audio B12A mkIII — the most portable 312A American-sound around! The B12A mkIII uses the same Cinemag input and output transformers as our B12A Quad for a whopping 70dB of gain. A front panel D.I. delivers a harmonically rich tone to guitars, keyboards, and synthesizers, and stepped input gain allow for perfect recall.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBig 312A-style gain\u003c\/li\u003e\n\u003cli\u003eCinemag input and output transformers\u003c\/li\u003e\n\u003cli\u003eFront panel D.I.\u003c\/li\u003e\n\u003cli\u003eStepped input gain\u003c\/li\u003e\n\u003cli\u003e48V phantom power, 18dB pad, and phase inverse controls\u003c\/li\u003e\n\u003cli\u003eConvenient half-rack sizing for mixing-and-matching\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":34682965262471,"sku":"B12AMK3","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-b12a-mkiii-half-rack-american-styled-preamp-b12amk3-28214204235911.jpg?v=1652637896"},{"product_id":"black-lion-audio-auteur-mkii-mic-preampdi-1093566","title":"Black Lion Audio Auteur MKII Mic Preamp\/DI","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Item has some scratches.\u003cbr\u003e\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Auteur MKII is a two channel preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, ½ rack chassis, and can be linked together with a second ½ rack unit by using the included connector plate.\u003cbr\u003e\u003cbr\u003eThe Auteur MKII has a revamped gain stage that results in higher gain, lower noise, lower distortion, and a more extended frequency response than the original design. Use it on drums for rotund results. Throw it on vocals for a silky polish. Hear guitars soar like never before. No matter what you use it on, the Auteur MKII will do the job like a pro!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDual Channel\u003c\/li\u003e\n\u003cli\u003eUltra High-Speed Input Stages\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformers\u003c\/li\u003e\n\u003cli\u003e65dB Gain\u003c\/li\u003e\n\u003cli\u003eExtended Frequency Response\u003c\/li\u003e\n\u003cli\u003eLow Distortion \u0026amp; Noise\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\u003cli\u003e10dBu Pad\u003c\/li\u003e\n\u003cli\u003eXLR Microphone Input\u003c\/li\u003e\n\u003cli\u003eTRS Line Output (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMax Microphone Input Level:\u003c\/b\u003e +1dBu\u003cbr\u003e\u003cb\u003eInput Impedance: \u003c\/b\u003e6000Ω\u003cbr\u003e\u003cb\u003ePad: \u003c\/b\u003e10dBu\u003cbr\u003e\u003cb\u003eGain (no pad):\u003c\/b\u003e +14dB to +65dB\u003cbr\u003e\u003cb\u003eEquivalent Input Noise (noise floor):\u003c\/b\u003e -108dBu\u003cbr\u003e\u003cb\u003eBandwidth (1kHz, 150Ω source, unweighted):\u003c\/b\u003e 10Hz to 30kHz\u003cbr\u003e\u003cb\u003eOutput Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax Output Level: +26dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e 24VAC, 500mA External Supply\u003cbr\u003e\u003cb\u003eProduct Dimensions:\u003c\/b\u003e 9.5” x 6.5” x 1.75”\u003cbr\u003e\u003cb\u003eProduct Weight:\u003c\/b\u003e 3.2 lbs\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13” x 13” x 5”\u003cbr\u003e\u003cb\u003eShipping Weight: \u003c\/b\u003e6 lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":34767521742983,"sku":"AUTEURMK2u2","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-auteur-mkii-mic-preamp-di-auteurmk2u2-17654215278727.jpg?v=1649847730"},{"product_id":"korg-mini-kaoss-pad-s2-1077537","title":"Korg Mini Kaoss Pad S2","description":"\u003cb\u003eCondition: \u003c\/b\u003eItem is subject to minor cosmetic imperfections. Packaging may be in poor shape. The item displayed in the images may not be the actual item you receive.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eA powered-up mini kaoss pad 2, the mini kaoss pad 2S (“S” for sampler) is a powerful DJ effect unit that fits in the palm of your hand. It includes the familiar KORG touchpad, which allows you to intuitively control 100 different effects, and a sampler function that makes it easy to load and trigger a variety of sounds. Whether you are playing or performing, you'll have more fun than ever with the powerful mini kaoss pad 2S.\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePrograms:\u003c\/b\u003e 100 \u003cbr\u003e\u003cb\u003eProgram Categories:\u003c\/b\u003e Filter (15), Modulation (15), LFO (20), Delay (10), Reverb (5), Looper (20), Vocoder (5), Synthesizer (10) \u003cbr\u003e\u003cb\u003eAudio Demo Sample:\u003c\/b\u003e 6 preset loops (House, HipHop, Electro, Breaks, Dubstep, D\u0026amp;B)\u003cbr\u003e\u003cb\u003eSampling Frequency:\u003c\/b\u003e 48kHz \u003cbr\u003e\u003cb\u003eAD\/DA Conversion: \u003c\/b\u003e24-bit linear \u003cbr\u003e\u003cb\u003eInput Connectors: \u003c\/b\u003eLine Input (stereo mini jack type) \u003cbr\u003e\u003cb\u003eOutput Connectors: \u003c\/b\u003eHeadphone Output (stereo mini jack type) \u003cbr\u003e\u003cb\u003eData Storage:\u003c\/b\u003e microSD card (512MB - 2GB), microSDHC card ( - 16GB)\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e AA batteries, Optional AC adapter (DC 4.5V) \u003cbr\u003e\u003cb\u003eBattery Life: \u003c\/b\u003eApprox. 5 hours (with POWER SAVING: ON, with Nickel-Metal Hydride battery) \u003cbr\u003e\u003cb\u003eDimensions (W x D x H):\u003c\/b\u003e 76 mm x 128 mm x 25 mm \/ 2.99” x 5.04” x 0.98” \u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 100 g \/ 3.53 oz. (without batteries) \u003cbr\u003e\u003cb\u003eAccessories: \u003c\/b\u003eAA batteries x2 (for verifying operation) \u003cbr\u003e\u003cb\u003eOptions:\u003c\/b\u003e AC adapter (DC 4.5V)","brand":"Korg","offers":[{"title":"Default Title","offer_id":39323793162375,"sku":"MINIKP2S-FBAU","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/korg-dj-and-lighting-gear-dj-controllers-korg-mini-kaoss-pad-s2-minikp2s-fbau-28066170241159.jpg?v=1646221445"},{"product_id":"black-lion-audio-b12a-mkiii-half-rack-american-styled-1273838","title":"Black Lion Audio B12A MKIII Half-Rack American-Styled Preamp","description":"\u003cb\u003eCondition:\u003c\/b\u003e Item is subject to minor cosmetic imperfections. The item displayed in the images may not be the actual item you receive.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMeet the Black Lion Audio B12A mkIII — the most portable 312A American-sound around! The B12A mkIII uses the same Cinemag input and output transformers as our B12A Quad for a whopping 70dB of gain. 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It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.\u003cbr\u003e\u003cbr\u003eThe Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003cbr\u003e\u003cbr\u003eWhen designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003cbr\u003e\u003cbr\u003eThe TB12 \"Tone Beast Black\" is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. \u003cbr\u003e\u003cbr\u003eThe different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals\/mixes in a way that is very pleasing to the ear.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e71DB OF GAIN\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER\u003c\/li\u003e\n\u003cli\u003eTRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT\u003c\/li\u003e\n\u003cli\u003eDISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP. THESE ARE SOCKETED\/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS\u003c\/li\u003e\n\u003cli\u003eIMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE\u003c\/li\u003e\n\u003cli\u003e2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS. 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It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, ½ rack chassis, and can be linked together with a second ½ rack unit by using the included connector plate.\u003cbr\u003e\u003cbr\u003eThe Auteur MKII has a revamped gain stage that results in higher gain, lower noise, lower distortion, and a more extended frequency response than the original design. Use it on drums for rotund results. Throw it on vocals for a silky polish. Hear guitars soar like never before. No matter what you use it on, the Auteur MKII will do the job like a pro!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDual Channel\u003c\/li\u003e\n\u003cli\u003eUltra High-Speed Input Stages\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformers\u003c\/li\u003e\n\u003cli\u003e65dB Gain\u003c\/li\u003e\n\u003cli\u003eExtended Frequency Response\u003c\/li\u003e\n\u003cli\u003eLow Distortion \u0026amp; Noise\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\u003cli\u003e10dBu Pad\u003c\/li\u003e\n\u003cli\u003eXLR Microphone Input\u003c\/li\u003e\n\u003cli\u003eTRS Line Output (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMax Microphone Input Level:\u003c\/b\u003e +1dBu\u003cbr\u003e\u003cb\u003eInput Impedance: \u003c\/b\u003e6000Ω\u003cbr\u003e\u003cb\u003ePad: \u003c\/b\u003e10dBu\u003cbr\u003e\u003cb\u003eGain (no pad):\u003c\/b\u003e +14dB to +65dB\u003cbr\u003e\u003cb\u003eEquivalent Input Noise (noise floor):\u003c\/b\u003e -108dBu\u003cbr\u003e\u003cb\u003eBandwidth (1kHz, 150Ω source, unweighted):\u003c\/b\u003e 10Hz to 30kHz\u003cbr\u003e\u003cb\u003eOutput Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax Output Level: +26dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e 24VAC, 500mA External Supply\u003cbr\u003e\u003cb\u003eProduct Dimensions:\u003c\/b\u003e 9.5” x 6.5” x 1.75”\u003cbr\u003e\u003cb\u003eProduct Weight:\u003c\/b\u003e 3.2 lbs\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13” x 13” x 5”\u003cbr\u003e\u003cb\u003eShipping Weight: \u003c\/b\u003e6 lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":39578221019271,"sku":"AUTEURMK2u3","price":328.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-auteur-mkii-mic-preamp-di-auteurmk2u3-28550074138759.jpg?v=1646360056"},{"product_id":"elektron-oh-7-overhub-port-for-overbridge-1327681","title":"Elektron OH-7 Overhub Port for Overbridge","description":"\u003cb\u003eMade for Overbridge\u003c\/b\u003e\u003cbr\u003eOverhub is the ideal USB hub solution for Overbridge enabled units. 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Overhub is a top performer.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIn­cluded in the box:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e1 × Overhub Multiple Transaction Translator USB 3.0 Hub\u003c\/li\u003e\n\u003cli\u003e1 × USB 2.0 A to Micro-B Connector Cable\u003c\/li\u003e\n\u003cli\u003e1 × USB 3.0 A to Micro-B Connector Cable\u003c\/li\u003e\n\u003cli\u003e1 × User manual\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e7 USB ports\u003c\/li\u003e\n\u003cli\u003eSupports USB 3.0\u003c\/li\u003e\n\u003cli\u003eSpecifically made for Overbridge enabled units\u003c\/li\u003e\n\u003cli\u003eFully compatible with all USB peripherals\u003c\/li\u003e\n\u003cli\u003eMTT technology for efficient merging of multiple USB Full speed (12 Mbit\/s) streams\u003c\/li\u003e\n\u003cli\u003eDriverless operation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elektron","offers":[{"title":"Default Title","offer_id":39596446449799,"sku":"121001","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/elektron-accessories-cables-elektron-oh-7-overhub-port-for-overbridge-121001-28597880356999.jpg?v=1645797910"},{"product_id":"black-lion-audio-b173-mic-preampdi-1334039","title":"Black Lion Audio B173 Mic Preamp\/DI","description":"\u003cb\u003eThis item is in excellent working condition and barely used.\u003c\/b\u003e\u003cbr\u003e\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eIntroducing Black Lion Audio's own 1073-style microphone preamp, the B173! Don't let the price tag fool you. This is not only a serious contender for the most \"bang for your buck\" preamp in existence, but sonically stands on its own at any price point. Our goal was to capture the essence of the original 1073 at a price anyone can afford, and we're proud to say that we've accomplished our goal! Tape Op gave it a run, and couldn't agree more. Give the B173 a try and prepare to be blown away!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\u003cli\u003e80dB Gain\u003c\/li\u003e\n\u003cli\u003eD.I. 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The input transformer imparts a special character to the sound that can't be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn't have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound – it's up to you.Whether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low\/high impedance switching and an amplifier output, and its own feed to the optional A\/D converter and separate rear-panel XLR output.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eISA series transformer-based preamplifier\u003c\/b\u003e\u003cbr\u003eEncased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFlexible independent DI channel\u003c\/b\u003e\u003cbr\u003eISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional A-D converter.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSwitchable impedance\u003c\/b\u003e\u003cbr\u003eChoose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHeadphone output with volume control\u003c\/b\u003e\u003cbr\u003eISA One can feed either a sum of the two input to the headphones output, or an external stereo cue mix (such as a stereo feed from an interface) via two TRS jack inputs on the rear of the unit.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDedicated insert point\u003c\/b\u003e\u003cbr\u003eAllows you to place extra processing between the preamplifier or DI and the optional converter, such as an EQ or compressor.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOptional stereo 192kHz A-D converter\u003c\/b\u003e\u003cbr\u003eYou can chose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). 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The original Focusrite mic pre was designed to suit the microphones of the time; today's model makes one small change, adding three additional input impedances to the classic ISA110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design. Or you can experiment and bring out just the qualities you want.In addition to the mic inputs, there are four front-panel instrument inputs making the ISA428 Mk II ideal for overdubs in the control room with no need for a DI box. On the back: four line inputs and switchable insert points on each channel to allow routing via external signal processors. There's also a versatile, vintage design variable high-pass filter to control what's going on at the bass end. And finally… accurate, 6-LED meters to tell you exactly what's going down. Optionally available for the ISA428 Mk II is a precision eight-channel A-D converter with 122dB dynamic range and superb jitter performance – ideal for simple interfacing with your DAW.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFour ISA series transformer-based preamps\u003c\/b\u003e\u003cbr\u003eISA series mic preamps have been the producers' choice on countless hit records over the last two decades.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEight-channel optional A-D converter\u003c\/b\u003e\u003cbr\u003eFour additional A-D converter inputs allow eight channels of high quality conversion, with a dynamic range of 122dB and jitter performance below 250 picoseconds.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSelectable impedance\u003c\/b\u003e\u003cbr\u003eIdeal for mic matching or extended microphone creativity. Settings include the 'Vintage ISA110' setting, providing the original focusrite signature sound.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFour front panel instrument inputs\u003c\/b\u003e\u003cbr\u003eInstant access on the front fascia - no separate DI box required.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDedicated analogue insert points\u003c\/b\u003e\u003cbr\u003eSwitchable insert points are featured on every channel, allowing routing (between preamp and output) through additional external processing.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAccurate LED meters for every channel\u003c\/b\u003e\u003cbr\u003eClear metering designed to catch even the fastest and most elusive of transients.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMic Inputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency response at minimum gain (0dB): -0.35dB at 20Hz and –3dB at 122kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response at maximum gain (60dB): –2.5dB at 20Hz and –3dB 103kHz\u003c\/li\u003e\n\u003cli\u003eGain range: 0dB to +60dB in 10dB steps, plus 0dB to +20dB continuously variable trim\u003c\/li\u003e\n\u003cli\u003eMaximum headroom: +7.4dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.0009% (measured at 1kHz -20dBu input signal, at 30dB gain setting, with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise EIN: -126dB (measured at 60dB of gain with 150Ω termination and 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise at main output with unity gain: -98dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eSNR: 123dB (relative to max output 25dBu)\u003c\/li\u003e\n\u003cli\u003eSNR: 120dB (relative to 0dBFS (+22dBu)\u003c\/li\u003e\n\u003cli\u003eCMRR: 88dB.\u003c\/li\u003e\n\u003cli\u003eInput Impedance, variable: 600Ω, 1400Ω, 2400Ω, 6800Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eLine Inputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response at unity gain (0dB): -0.3dB at 20Hz and –3dB at 94kHz\u003c\/li\u003e\n\u003cli\u003eGain range: -20dB to +10dB in 10dB steps, plus 0dB to +20dB continuously variable trim\u003c\/li\u003e\n\u003cli\u003eMaximum headroom: +25.4dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002% (measured with +4dBu input signal, 0dB gain setting, with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise at main output with unity gain: -91dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eSNR: 116dB (relative to max output 25dBu)\u003c\/li\u003e\n\u003cli\u003eSNR: 113dB (relative to 0dBFS +22dBu). Input Impedance: 10kΩ\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eInstrument Inputs\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response at +10dB gain: -0.2dB at 20Hz and 0dB at 200kHz\u003c\/li\u003e\n\u003cli\u003eFrequency Response at +40dB gain: -3dB at 20Hz and –3dB at 38.4kHz\u003c\/li\u003e\n\u003cli\u003eGain range: +10dB to +40dB continuously variable\u003c\/li\u003e\n\u003cli\u003eMaximum headroom: +11.5dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.006% (measured with –20dBu input signal, at minimum gain (+10dB), with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eNoise at main output with minimum gain (+10dB): -95dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/li\u003e\n\u003cli\u003eInput Impedance = \u0026gt;1MΩ\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eRoll off = 18dB per octave 3 pole filter\u003c\/li\u003e\n\u003cli\u003eFrequency range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMeters\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e6 LED meter is calibrated 0dBFS = +22dBu (the maximum level which can be correctly converted by the optional internal A\/D converter before overload occurs). The meter calibration points are as follows:\u003c\/li\u003e\n\u003cli\u003eMeter panel calibration value in dBFS \/ Equivalent dBu value\u003c\/li\u003e\n\u003cli\u003e0dBFS \/ +22dBu\u003c\/li\u003e\n\u003cli\u003e-2dBFS \/ +20dBu\u003c\/li\u003e\n\u003cli\u003e-6dBFS \/ +16dBu\u003c\/li\u003e\n\u003cli\u003e-12dBFS \/ +10dBu\u003c\/li\u003e\n\u003cli\u003e-18dBFS \/ +4dBu\u003c\/li\u003e\n\u003cli\u003e-42dBFS \/ -20dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAnalogue Channel Inputs (Inputs 1-4)\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4 instrument 1⁄4\" TS jack inputs on front panel\u003c\/li\u003e\n\u003cli\u003e4 microphone XLR inputs on rear panel\u003c\/li\u003e\n\u003cli\u003e4 line 1⁄4\" TRS jacks on rear panel\u003c\/li\u003e\n\u003cli\u003e4 insert return 1⁄4\" TRS jacks on rear panel\u003c\/li\u003e\n\u003cli\u003e4 ADC XLR inputs on rear panel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eAnalogue Audio Outputs (Outputs 1-4)\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e4 line XLR outputs on rear panel\u003c\/li\u003e\n\u003cli\u003e4 insert send 1⁄4\" TRS jacks on rear panel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eOther I\/O\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003eIEC power input connector 100Vac – 240Vac\u003c\/li\u003e\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFront Panel Indicators\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e8 output meters, 6 segment\u003c\/li\u003e\n\u003cli\u003e4 30-60 mic gain range selection indicator\u003c\/li\u003e\n\u003cli\u003e4 +48V phantom power indicator\u003c\/li\u003e\n\u003cli\u003e4 Phase indicator\u003c\/li\u003e\n\u003cli\u003e4 Insert In indicator\u003c\/li\u003e\n\u003cli\u003e4 Filter In indicator\u003c\/li\u003e\n\u003cli\u003e4 Input selection indicators (Mic, Line, Inst)\u003c\/li\u003e\n\u003cli\u003e4 Z In microphone input impedance selection indicators (Low, ISA110, Med, High) Clock select indicators (44.1, 48, 88.2, 96, 176.4, 192)\u003c\/li\u003e\n\u003cli\u003eExt clock indicators (Lock, Word clock, 256X)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e5.5kg\u003c\/li\u003e\n\u003cli\u003e12.2lbs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eDimensions (W x H x D)\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e480mm (W) x 88mm (H) x 280mm (D)\u003c\/li\u003e\n\u003cli\u003e19\" (W) x 3.5\" (H) x 11\" (D)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":39672256004231,"sku":"AMS-ISA428MK2","price":1999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/focusrite-pro-audio-outboard-gear-focusrite-isa428-mkii-4-channel-microphone-preamp-ams-isa428mk2-28793440436359.jpg?v=1645369147"},{"product_id":"black-lion-audio-auteur-mkii-mic-preampdi-1361594","title":"Black Lion Audio Auteur MKII Mic Preamp\/DI","description":"\u003cb\u003e\u003ci\u003ePlease Note:\u003c\/i\u003e\u003c\/b\u003e Damaged packaging. Minor blemishes on the preamp.\u003cbr\u003e\u003ci\u003eFrom Black Lion:\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe Auteur MKII is a two channel preamp that features high-speed input stages that capture lots of detail and nuance, and transformer-coupled output stages that impart a nice touch of vintage vibe. It also features phantom power, phase, and a 10dB pad. It’s housed in a 1U, ½ rack chassis, and can be linked together with a second ½ rack unit by using the included connector plate.\u003cbr\u003e\u003cbr\u003eThe Auteur MKII has a revamped gain stage that results in higher gain, lower noise, lower distortion, and a more extended frequency response than the original design. Use it on drums for rotund results. Throw it on vocals for a silky polish. Hear guitars soar like never before. No matter what you use it on, the Auteur MKII will do the job like a pro!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDual Channel\u003c\/li\u003e\n\u003cli\u003eUltra High-Speed Input Stages\u003c\/li\u003e\n\u003cli\u003eEdcor Output Transformers\u003c\/li\u003e\n\u003cli\u003e65dB Gain\u003c\/li\u003e\n\u003cli\u003eExtended Frequency Response\u003c\/li\u003e\n\u003cli\u003eLow Distortion \u0026amp; Noise\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\u003cli\u003e10dBu Pad\u003c\/li\u003e\n\u003cli\u003eXLR Microphone Input\u003c\/li\u003e\n\u003cli\u003eTRS Line Output (balanced)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMax Microphone Input Level:\u003c\/b\u003e +1dBu\u003cbr\u003e\u003cb\u003eInput Impedance: \u003c\/b\u003e6000Ω\u003cbr\u003e\u003cb\u003ePad: \u003c\/b\u003e10dBu\u003cbr\u003e\u003cb\u003eGain (no pad):\u003c\/b\u003e +14dB to +65dB\u003cbr\u003e\u003cb\u003eEquivalent Input Noise (noise floor):\u003c\/b\u003e -108dBu\u003cbr\u003e\u003cb\u003eBandwidth (1kHz, 150Ω source, unweighted):\u003c\/b\u003e 10Hz to 30kHz\u003cbr\u003e\u003cb\u003eOutput Section:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMax Output Level: +26dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e 24VAC, 500mA External Supply\u003cbr\u003e\u003cb\u003eProduct Dimensions:\u003c\/b\u003e 9.5” x 6.5” x 1.75”\u003cbr\u003e\u003cb\u003eProduct Weight:\u003c\/b\u003e 3.2 lbs\u003cbr\u003e\u003cb\u003eShipping Dimensions: \u003c\/b\u003e13” x 13” x 5”\u003cbr\u003e\u003cb\u003eShipping Weight: \u003c\/b\u003e6 lbs","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":39700638400647,"sku":"AUTEURMK2u4","price":298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-auteur-mkii-mic-preamp-di-auteurmk2u4-28863749816455.jpg?v=1645264205"},{"product_id":"focusrite-scarlett-octopre-8-channel-microphone-preamp-1282831","title":"Focusrite Scarlett OctoPre 8-channel Microphone Preamp","description":"The Scarlett OctoPre is the ideal 8-channel expansion for any Scarlett - or other digital interface with ADAT inputs. ADAT is a simple and easy way of increasing the number of simultaneous recording channels available in your studio. With eight channels of Focusrite's 2nd generation Scarlett preamps and precision A-D conversion at sample rates up to 192 kHz, Scarlett OctoPre is the ideal way of increasing the number of inputs in your studio. It also offers eight balanced line outputs, sourced directly from their respective mic preamps for use on stage in a live environment.\u003cbr\u003e\u003cbr\u003eEight natural-sounding 2nd generation Scarlett mic\/line inputs deliver high headroom, plenty of clean gain, low noise and minimal distortion - ideal for tracking drums as well guitars, keyboards, vocals and more. The front panel features two newly-designed instrument inputs with extended headroom. ADAT outputs let you connect to any interface or digital system with ADAT optical inputs, and analogue line outputs let you feed an analogue console at the same time as recording with the digital outputs.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eEight natural-sounding 2nd generation Scarlett mic preamps\u003c\/li\u003e\n\u003cli\u003eEight balanced line inputs\u003c\/li\u003e\n\u003cli\u003eFocusrite precision A-D conversion up to sample rates of 192 kHz\u003c\/li\u003e\n\u003cli\u003eDual front-panel instrument inputs\u003c\/li\u003e\n\u003cli\u003ePad on every channel for extra headroom - ideal for loud sources such as drums\u003c\/li\u003e\n\u003cli\u003eEight balanced line outputs - ideal for live use\u003c\/li\u003e\n\u003cli\u003eAccurate 5-segment LED input metering\u003c\/li\u003e\n\u003cli\u003eSimple ADAT connectivity via optical cables\u003c\/li\u003e\n\u003cli\u003e48V Phantom power available on every channel for condenser mics\u003c\/li\u003e\n\u003cli\u003eState-of-the-art digital clocking with Word Clock I\/O for synchronisation with external devices\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003eCreate studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Focusrite Scarlett 3rd Gen interface comes with an unbeatable range of tried-and tested studio tools from some of the biggest names in the business:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAntares Auto-Tune Access\u003c\/li\u003e\n\u003cli\u003eRelab’s LX480 Essentials \u003c\/li\u003e\n\u003cli\u003eSoftube Marshall Silver Jubilee 2555 \u003c\/li\u003e\n\u003cli\u003eXLN Audio Addictive Keys \u003c\/li\u003e\n\u003cli\u003eXLN Audio Addictive Drums 2: Studio Rock kit \u003c\/li\u003e\n\u003cli\u003eBrainworx bx_oberhausen \u003c\/li\u003e\n\u003cli\u003eBrainworx bx_console Focusrite SC\u003c\/li\u003e\n\u003cli\u003eFocusrite Red Plug-in Suite \u003c\/li\u003e\n\u003cli\u003eBrainworx bx_masterdesk\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":39702082748551,"sku":"AMS-SCARLETT-OCTOPRE","price":579.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/focusrite-pro-audio-outboard-gear-focusrite-scarlett-octopre-8-channel-microphone-preamp-ams-scarlett-octopre-28868087021703.jpg?v=1645257372"},{"product_id":"black-lion-audio-auteur-mkiii-dual-channel-mic-and-1404282","title":"Black Lion Audio Auteur MKIII Dual Channel Mic and Instrument Preamplifier","description":"The Auteur MKII is the second generation Auteur with lush preamps that capture every detail of your signal. It offers ultra-fast input stages, 65dB gain, a frequency response wider than its predecessor’s, and lower noise\/distortion levels. Plus it delivers all the great features of the original: dual channel functionality, 48V switchable phantom power on each channel, phase switching, and a 10dBu pad option for both channels, as well. The Auteur MKII has XLR in and TRS out on Ch. 1 and Ch. 2, and it’s wrapped in a 1U, 1\/2 rack housing.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e2nd-gen dual channel high-quality mic pres capture every detail and nuance of your signal\u003c\/li\u003e\n\u003cli\u003eHigh-speed input stages accommodate all types of audio sources\u003c\/li\u003e\n\u003cli\u003eEdcor transformer-coupled output stages add a touch of vintage vibe\u003c\/li\u003e\n\u003cli\u003eLower noise\/distortion levels and wider frequency response than the first Auteur\u003c\/li\u003e\n\u003cli\u003e14–65dB input gain offers greater range than its predecessor\u003c\/li\u003e\n\u003cli\u003e1U 1\/2 rack chassis\u003c\/li\u003e\n\u003cli\u003eFront panel offers per-channel gain, switchable phantom power, phase inversion, and 10dBu pad\u003c\/li\u003e\n\u003cli\u003eXLR input\/TRS (balanced) line output for outboard connectivity\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePreamp Type: \u003c\/b\u003eSolid State\u003cbr\u003e\u003cb\u003eNumber of Channels:\u003c\/b\u003e 2\u003cbr\u003e\u003cb\u003ePhantom Power:\u003c\/b\u003e Yes\u003cbr\u003e\u003cb\u003ePads:\u003c\/b\u003e -10dB\u003cbr\u003e\u003cb\u003eAnalog Inputs:\u003c\/b\u003e 2 x XLR\u003cbr\u003e\u003cb\u003eAnalog Outputs:\u003c\/b\u003e 2 x 1\/4″ TRS\u003cbr\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e 10Hz-30kHz bandwidth\u003cbr\u003e\u003cb\u003eRack Spaces:\u003c\/b\u003e Half rack\u003cbr\u003e\u003cb\u003ePower Source:\u003c\/b\u003e 24V AC, 500mA power supply\u003cbr\u003e\u003cb\u003eHeight:\u003c\/b\u003e 1.75\" \u003cbr\u003e\u003cb\u003eDepth:\u003c\/b\u003e 9.5\"\u003cbr\u003e\u003cb\u003eWidth:\u003c\/b\u003e 6.5\"\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 6 lbs.","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":39745844707463,"sku":"AUTEURMKIII","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/black-lion-audio-pro-audio-outboard-gear-black-lion-audio-autuer-mkiii-dual-channel-mic-and-instrument-preamplifier-auteurmkiii-29080269914247.jpg?v=1646767760"},{"product_id":"universal-audio-4-710d-four-channel-mic-pre-1271516","title":"Universal Audio 4-710d Four-Channel Mic Pre","description":"By merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.\u003cbr\u003e\u003cbr\u003eFeaturing four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003cbr\u003e\u003cbr\u003eNOW YOU CAN:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eTrack through meticulously designed UA tube preamp circuitry\u003c\/li\u003e\n\u003cli\u003eBlend tube and solid-state textures for tons of flexibility\u003c\/li\u003e\n\u003cli\u003eHarness classic 1176-style compression on each mic channel\u003c\/li\u003e\n\u003cli\u003eAdd 8 inputs to any Apollo interface via ADAT optical connection\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003c\/b\u003e\u003cbr\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eA Legendary Compression Circuit\u003c\/b\u003e\u003cbr\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAdd Inputs and Professional A\/D Conversion\u003c\/b\u003e\u003cbr\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. 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As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat is Silk?\u003c\/b\u003e\u003cbr\u003eIn addition to the tape circuit, the continuously variable Texture control with Silk Red and Silk Blue modes provides a whole other level of control over the harmonic density and tonality of your tracks \u0026amp; mixes. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” tracks or mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003cbr\u003e\u003cbr\u003eDrive the 542 hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for a more purist, hi-fi tape effect. The choice is yours.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLINE AMP NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasurements with tape circuit disengaged. Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohm.\u003c\/li\u003e\n\u003cli\u003eUnity Gain: Better than -100 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at +10 dBu, trim at unity.\u003c\/li\u003e\n\u003cli\u003eMain Output: +\/- 0.25 dB from 5 Hz to 60 kHz, -2 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003e23.25 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level: Better than 0.002%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level: 0.07% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTAPE FX SPECIFICATIONS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohm.\u003c\/li\u003e\n\u003cli\u003eSaturation @ minimum: Better than -100 dBu \u003c\/li\u003e\n\u003cli\u003eSaturation @ maximum: Better than -100 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e15 IPS, Input @ -0 dBu: -3 dBu @ 28 kHz \u003c\/li\u003e\n\u003cli\u003eSaturation @ minimum: 0 dBu @ 10 Hz \u003c\/li\u003e\n\u003cli\u003e+5 dBu Peak @ 60 Hz Saturation @ maximum: -3 dBu @ 20 kHz \u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 12.5 Hz \u003c\/li\u003e\n\u003cli\u003e+2.4 dBu Peak @ 60 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e30 IPS, Input @ -0 dBu: -3 dBu @ 120 kHz \u003c\/li\u003e\n\u003cli\u003eSaturation @ minimum: -3 dBu @ 10 Hz, +3.15 dBu Peak @ 125 Hz \u003c\/li\u003e\n\u003cli\u003eSaturation @ maximum: -3 dBu @ 100 kHz \u003c\/li\u003e\n\u003cli\u003e-3 dBu @ 12.5 Hz \u003c\/li\u003e\n\u003cli\u003e+1.3 dBu Peak @ 110 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e15 IPS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput @ -0 dBu: 0.4% @ 3 kHz to 1% @ 175 Hz typical Saturation @ minimum: Greater than 1% below 175 Hz typical \u003c\/li\u003e\n\u003cli\u003eSaturation @ maximum: 1% at 6 kHz typical, 0.3% @ 1 kHz to 3% @ 50 Hz typical\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003e30 IPS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eInput @ -0 dBu: 1% at 1 kHz typical \u003c\/li\u003e\n\u003cli\u003eSaturation @ minimum: 0.6% @ 400 Hz to 5% @ 20 Hz typical \u003c\/li\u003e\n\u003cli\u003eSaturation @ maximum: 1.5% @ 20 kHz to 0.4% @ 1 kHz typical, 0.4% @ 1 kHz to 2% @ 50 Hz typical\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003cbr\u003eSupplied by 500 series rack with 110-125 mA @ +\/- 16V DC","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777095843975,"sku":"RNEVE542","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-500-series-rupert-neve-designs-542-500-series-tape-emulator-rneve542-29038858731655.jpg?v=1645752198"},{"product_id":"rupert-neve-designs-5035-shelford-channel-microphone-1423712","title":"Rupert Neve Designs 5035 Shelford Channel Microphone Preamp \/ Inductor EQ \/ Compressor","description":"The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, a “best-of-the-classics” inductor EQ section, a tone-packed diode bridge compressor, the power of variable Silk saturation, a new dual-tap transformer output stage, and twice the operating voltage of vintage designs.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Input Stage and Transformer Gain Mic Pre\u003c\/b\u003e\u003cbr\u003eLike Rupert’s designs from his time in Little Shelford , the Shelford Channel’s preamplifier uses a directly-coupled transformer input with gain provided by the custom transformer itself – a first in over 40 years for Rupert Neve. This new custom-designed input transformer, along with its careful integration with the surrounding class-A circuitry, is critical to the Channel’s bold and instantly recognizable character.\u003cbr\u003e\u003cbr\u003eConveniently, the Direct Input uses the same topology as the best-selling RNDI Active Transformer Direct Interface, providing astonishing clarity for high-Z instrument signals, with unparalleled low-frequency response and an incredibly smooth high end.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat is Silk?\u003c\/b\u003e\u003cbr\u003eThe Silk \u0026amp; Texture circuit on the Shelford Channel allows you to fine-tune the amount (and type) of harmonic content in the output stage. This means your signal can be adjusted from quite transparent to settings that produce nearly 10x the amount of sonic color as Rupert’s vintage modules – and in two very unique modes. No matter what sound you’re looking for, Silk can help get you there.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Dual Tap Transformer Output\u003c\/b\u003e\u003cbr\u003eComplementing the Silk circuit is the custom-designed output transformer, which uses Rupert Neve Designs’ unique dual-tap output topology. This offers both full-headroom (+26dBu) and -6dB outputs, allowing the engineer to drive the unit fully into classic transformer saturation without clipping converters and other devices later in the chain.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe “Best-Of” EQ\u003c\/b\u003e\u003cbr\u003eThe Shelford Channel’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs. The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the Shelford Channel can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end.\u003cbr\u003e\u003cbr\u003eThe midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control, with the shelf \/ peak corner switchable between 8K or 16K.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Diode Bridge Compressor\u003c\/b\u003e\u003cbr\u003eLike the Inductor EQ and Transformer Gain microphone preamp, the Diode Bridge Compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs – but refined \u0026amp; adapted for the modern engineer.\u003cbr\u003e\u003cbr\u003eWhat is diode bridge compression? Where the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix. \u003cbr\u003e\u003cbr\u003eBy understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor \u0026amp; accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls. \u003cbr\u003e\u003cbr\u003eDelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford’s diode bridge compressor is a dynamic tool equipped to make a statement on virtually any mix or track.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMIC PREAMP\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eINPUT IMPEDANCE\u003c\/b\u003e\u003cbr\u003e2200 Ohm\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM INPUT\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e+21.5 dBu from 150 Hz to 22 kHz\u003c\/li\u003e\n\u003cli\u003e+8 dBu 20 Hz to 22 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUn-weighted, 22 Hz-22 kHz, source impedance 150 Ohm balanced.\u003c\/li\u003e\n\u003cli\u003eMain Out @ unity gain -100.9 dBu\u003c\/li\u003e\n\u003cli\u003e-6 dB Out @ unity gain -106.6 dBu\u003c\/li\u003e\n\u003cli\u003e+30 dB gain (Main Out) -91.37 dBu\u003c\/li\u003e\n\u003cli\u003e+66 dB Gain (Main Out) -64.1 dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise -121.37 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e+\/-0.25 dB from 17 Hz to 45 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDIRECT INPUT\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM INPUT\u003c\/b\u003e\u003cbr\u003e8 dBu @ 20 Hz to 120 kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE (MAIN OUTPUT)\u003c\/b\u003e\u003cbr\u003e-100 dBu (22 Hz to 22 kHz)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLINE INPUT\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM INPUT LEVEL\u003c\/b\u003e\u003cbr\u003e+30.5 dBu 20 Hz to 30 kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.002%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.05% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eNOISE (MAIN OUTPUT)\u003c\/b\u003e\u003cbr\u003eUn-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced, no load.\u003cbr\u003e-101.1 dBu\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e+\/- 0.25 dBu from less than 10 Hz to 110 kHz\u003cbr\u003e-0.32 dB @ 120 kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003e+26 dBu @ 16 Hz to 20 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRED\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMIN TEXTURE @ 100 Hz, +20 dBu input level, no load: 0.0131%, mostly 3rd harmonic (typical)\u003c\/li\u003e\n\u003cli\u003eMAX TEXTURE @ 100 Hz, +20 dBu input level, no load: 1.66%, mostly 2rd harmonic (typical)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eBLUE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMIN TEXTURE @ 100Hz, +20 dBu input level, no load: 0.0079%, mostly 3rd harmonic (typical)\u003c\/li\u003e\n\u003cli\u003eMAX TEXTURE @ 100Hz, +20 dBu input level, no load: 0.941%, mostly 2rd harmonic (typical)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHIGH PASS FILTER\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eContinuously variable swept frequency from 20 Hz to 250 Hz.\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eEQ NOISE\u003c\/b\u003e\u003cbr\u003eUn-weighted, 22 Hz-22 kHz: -92 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSIGNAL PRESENT\u003c\/b\u003e\u003cbr\u003eIlluminates GREEN when input stage signal level reaches -20 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOVERLOAD INDICATOR\u003c\/b\u003e\u003cbr\u003eIlluminates RED when input stage signal level reaches -23 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDIODE BRIDGE COMPRESSOR\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eNOISE (BW 22 Hz – 22 kHz)\u003c\/li\u003e\n\u003cli\u003e0 dB Makeup Gain: -84.5 dBu\u003c\/li\u003e\n\u003cli\u003e+20 dB Makeup Gain: -64.2 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTIME CONSTANTS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasurements taken represent full range achievable between 1.5:1 Ratio and 8:1 Ratio setting.\u003c\/li\u003e\n\u003cli\u003e0 dBu I\/P 1kHz Burst Tone used for all recorded measurements.\u003c\/li\u003e\n\u003cli\u003eFast (TC1): Attack 180µS — 1.8mS \/\/ Release 100mS – 150mS\u003c\/li\u003e\n\u003cli\u003eMedFast (TC2): Attack 750µS – 5.25mS \/\/ Release 160mS – 250mS\u003c\/li\u003e\n\u003cli\u003eMed (TC3): 2.7mS – 18mS \/\/ Release 350mS – 525mS\u003c\/li\u003e\n\u003cli\u003eMedSlow (TC4): 4.6mS – 38mS \/\/ Release 600mS – 1 S\u003c\/li\u003e\n\u003cli\u003eSlow (TC5): 11mS – 72.5mS \/\/ Release 800mS – 1.25 S\u003c\/li\u003e\n\u003cli\u003eAuto (TC6): 5.75mS – 35.5mS \/\/ Release T1 400mS – 850mS, T2 TBD\u003c\/li\u003e\n\u003cli\u003e“Fast” Mode Multiplier: Modifies aforementioned TC’s by 70% of original value\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePRODUCT DIMENSIONS\u003c\/b\u003e\u003cbr\u003e19” (48.3 cm) x 10.5” (26.7 cm) x 1.75” (4.4 cm)","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777097285767,"sku":"RNEVE5035","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-outboard-gear-rupert-neve-designs-5035-shelford-channel-microphone-preamp-inductor-eq-compressor-rneve5035-29038865154183.jpg?v=1645760125"},{"product_id":"rupert-neve-designs-5211-2-channel-microphone-preamp-1423715","title":"Rupert Neve Designs 5211 2-Channel Microphone Preamp","description":"Simple and elegant, the 5211 is the natural evolution of what is arguably the most famous gear in audio recording history: Rupert Neve’s microphone preamps. \u003cbr\u003e\u003cbr\u003eWith two channels of the classic tone you know and love, 72dB of gain, sweepable high-pass filters for precise control, and the power of Mr. Rupert Neve’s dual-tap transformers with variable Silk saturation, the 5211 delivers a versatile, flattering, and uncompromising front end for any signal path. In short, it’s everything a mic preamp should be.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat is Silk?\u003c\/b\u003e\u003cbr\u003eOne of the key features of the 5211 is the Silk \/ Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage.\u003cbr\u003e\u003cbr\u003eTaking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003cbr\u003e\u003cbr\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk \/ Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want. And when the level is driven to the edge of its headroom, the Silk effect is multiplied.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhy a -6dB Output?\u003c\/b\u003e\u003cbr\u003eComplementing the Silk circuit is the custom-designed output transformer from the renowned Shelford Channel, which uses Rupert Neve Designs’ unique dual-tap output topology. This offers both full-headroom (+26dBu) and -6dB outputs, allowing the engineer to drive the unit fully into classic transformer saturation without clipping converters and other devices later in the chain.\u003cbr\u003e\u003cbr\u003eUnlike the Shelford Channel, which uses a mic input transformer for a more vintage topology, the 5211’s input is fully transformerless, maximizing signal clarity direct from the microphone. Combined with the more extreme saturation from both variable Silk and the custom output transformer’s lower-headroom tap, the 5211 is capable of producing tones ranging from thick \u0026amp; warm to breathtakingly delicate \u0026amp; clear. It’s the best of old and new alike.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM INPUT LEVEL\u003c\/b\u003e\u003cbr\u003e@ 1 kHz: +26 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUn-weighted, 22 Hz - 22 kHz, 150 Ohm input termination\u003c\/li\u003e\n\u003cli\u003eLine Out (Unity Gain): -104 dBV, -101.9 dBu\u003c\/li\u003e\n\u003cli\u003e-6 dB Line Out (Unity Gain): -109 dBV, -107 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+30 dB Gain): -98 dBV, -96 dBu\u003c\/li\u003e\n\u003cli\u003eLine Out (+66 dB Gain): -66 dBV, -64 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEQUIVALENT INPUT NOISE (EIN)\u003c\/b\u003e\u003cbr\u003e-128 dBV, -126 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e-0.2 dB at 10Hz, -2.9 dB at 120kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e1 kHz: +26.5 dBu\u003c\/li\u003e\n\u003cli\u003e20 Hz to 30kHz +26 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE (WITHOUT SILK)\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e1 kHz, +20 dBu O\/P level, no load 0.0015%, typical\u003c\/li\u003e\n\u003cli\u003e20 Hz, +20 dBu O\/P level, no load less than 0.02%, typical\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE (WITH SILK ENGAGED)\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eTEXTURE @ min, 100 Hz, +20 dBu O\/P level, no load: 0.03%, mostly 3rd harmonic\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ max, 100 Hz, +20 dBu O\/P level, no load: 1.5%, mostly 2nd harmonic\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePOWER CONSUMPTION\u003c\/b\u003e\u003cbr\u003e35 W (Max)'\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePRODUCT DIMENSIONS\u003c\/b\u003e\u003cbr\u003e19” W x 1.75” H x 7 ⅝” D\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSHIPPING WEIGHT\u003c\/b\u003e\u003cbr\u003e11 lbs. (5 kg)\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eSHIPPING DIMENSIONS\u003c\/b\u003e\u003cbr\u003e23” W x 15” D x 7” H (58.4cm W x 38.1cm D x 17.8cm H)","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777097351303,"sku":"RNEVE5211S","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-outboard-gear-rupert-neve-designs-5211-2-channel-microphone-preamp-rneve5211s-29038865383559.jpg?v=1645751298"},{"product_id":"rupert-neve-designs-5017-mobile-pre-di-compressor-1423724","title":"Rupert Neve Designs 5017 Mobile Pre \/ DI \/ Compressor w\/ Vari-phase","description":"Comprised of a rugged, portable chassis with world-class preamp, compressor and DI circuits as well as two channel operation, Vari-phase, Silk and DI\/mic blending capabilities, the Portico 5017 is an innovative and powerful tool for recording or live performance.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMain Output, no load.\u003c\/li\u003e\n\u003cli\u003e-0.2 dB @ 10 Hz\u003c\/li\u003e\n\u003cli\u003e-3 dB @ 160 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, unweighted, 22 Hz - 22 kHz. Terminated 150 Ohm.\u003c\/li\u003e\n\u003cli\u003eWith gain at unity better than -100 dBu\u003c\/li\u003e\n\u003cli\u003eWith gain at 66 dB better than -62 dBu\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise better than -128 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eNOISE FACTOR \u003c\/b\u003e\u003cbr\u003e1.5 dB\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHIGH PASS FILTER\u003c\/b\u003e\u003cbr\u003e80 Hz, 12 dB\/Octave Bessel\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003eMaximum output from 20 Hz to 40 kHz is +23 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output: Main Output: Better than 0.001%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output: Main Output: Better than 0.002%\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eSILK ENGAGED \u003c\/b\u003e\u003cbr\u003eBetter than 0.2% Second harmonic\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eCOMPRESSOR\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTHRESHOLD\u003c\/b\u003e\u003cbr\u003eContinuously Variable from -20 dBu to +10 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eRATIO\u003c\/b\u003e \u003cbr\u003eFixed at 2:1\u003cbr\u003e\u003cbr\u003e\u003cb\u003eATTACK \u0026amp; RELEASE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFAST MODE: Attack 40ms , Release 40ms\u003c\/li\u003e\n\u003cli\u003eSLOW MODE: Attack 100ms , Release 350ms\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePHANTOM POWER\u003c\/b\u003e\u003cbr\u003e+48 Volts DC +\/- 1%\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003cbr\u003e12VDC is optimal voltage, but 9-15VDC is acceptable\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eCURRENT CONSUMPTION\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 9VDC Current is 1.3 A typical: Power = 11.7W\u003c\/li\u003e\n\u003cli\u003e@ 12VDC Current is 1.0 A typical: Power = 12.0 watts\u003c\/li\u003e\n\u003cli\u003e@ 15VDC Current is 800 mA typical: Power = 12.0 watts\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eDIMENSIONS\u003c\/b\u003e\u003cbr\u003e7.5″ (deep) x 6.5″ (wide) x 2″ (high)","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777097515143,"sku":"RNEVE5017","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-outboard-gear-rupert-neve-designs-5017-mobile-pre-di-compressor-w-vari-phase-rneve5017-29038866006151.jpg?v=1645751310"},{"product_id":"rupert-neve-designs-511-500-series-microphone-preamp-1423725","title":"Rupert Neve Designs 511 500 Series Microphone Preamp","description":"With a big, bold preamp, a swept high-pass filter and the powerful saturation control of variable Silk, the 511 combines legendary Rupert Neve tone with 500 Series value.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat is Silk?\u003c\/b\u003e\u003cbr\u003eOne of the key features of the 511 is the Silk \/ Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage.\u003cbr\u003e\u003cbr\u003eTaking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003cbr\u003e\u003cbr\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk \/ Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22 Hz - 22 kHz, source impedance 150 Ohm balanced. Noise performance can vary depending on the 500 series and \/ or interference from stray magnetic fields.\u003c\/li\u003e\n\u003cli\u003eUnity Gain: Better than -103 dBV\u003c\/li\u003e\n\u003cli\u003eGain @ +66 dB: Better than -60 dBV\u003c\/li\u003e\n\u003cli\u003eEquivalent Input Noise: -125 dB \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMain output, no load.\u003c\/li\u003e\n\u003cli\u003e+\/- 0.1 dBu from 10 Hz to 31.5 kHz\u003c\/li\u003e\n\u003cli\u003e-2.6 dB @ 120 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003e+23 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE, NO SILK\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.0025%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.025% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED \u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 100 Hz, +20 dBu input level, no load.\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ min: 0.015%, mostly 3rd harmonic typical\u003c\/li\u003e\n\u003cli\u003eTEXTURE @ max: 2%, mostly 2rd harmonic typical\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eGAIN\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUnity up to +66 dB in 6 dB steps.\u003c\/li\u003e\n\u003cli\u003eTrim continuously adjustable from -6 dB to +6 dB.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePHANTOM POWER\u003c\/b\u003e\u003cbr\u003eSupplied by the 500 series rack power supply. Switch selectable on faceplate.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHIGH PASS FILTER\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eContinuously variable swept frequency from 20 Hz to 250 Hz.\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003cbr\u003e@ +\/-16VDC, 100mA","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777097580679,"sku":"RNEVE511","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-outboard-gear-rupert-neve-designs-511-500-series-microphone-preamp-rneve511-29038866169991.jpg?v=1645760491"},{"product_id":"rupert-neve-designs-535-500-series-diode-bridge-compressor-1423727","title":"Rupert Neve Designs 535 500 Series Diode Bridge Compressor","description":"Originally developed for the dynamics circuit of the acclaimed Shelford Channel, the 535 Diode Bridge Compressor captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls throughout, and internal parallel processing capabilities.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat is diode bridge compression?\u003c\/b\u003e\u003cbr\u003eWhere the VCA compressor found in the Master Buss Processor provides unmatched clarity, the weighty, harmonically rich tonality of diode bridge compression can be essential in pushing key sources like vocals, electric guitars, bass and drums to the forefront of a mix. \u003cbr\u003e\u003cbr\u003eBy understanding the limitations of vintage units like the legendary 2254, painstaking effort was taken to reproduce the unique tone of these classics while improving the noise floor \u0026amp; accuracy, expanding inflexible time constants, adding full wave sidechain detection for improved dynamic response, and widening the range of threshold and ratio controls. \u003cbr\u003e\u003cbr\u003eDelivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the 535 Diode Bridge Compressor is a dynamic tool equipped to make a bold statement on virtually any mix or track.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLINE INPUT TO LINE OUTPUT\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eCompressor Bypassed.\u003c\/li\u003e\n\u003cli\u003eZ source = 40 Ohm Balanced\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eINPUT IMPEDANCE\u003c\/b\u003e\u003cbr\u003e10K Ohm\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOUTPUT IMPEDANCE\u003c\/b\u003e\u003cbr\u003e40 Ohm\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM INPUT LEVEL\u003c\/b\u003e\u003cbr\u003e+23.5 dBu \u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL\u003c\/b\u003e\u003cbr\u003e+23.5 dBu \u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e22 Hz - 22 kHz BW.\u003c\/li\u003e\n\u003cli\u003e-101 dBu \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e10 Hz - 120 kHz, 30ft Output XLR Cable.\u003c\/li\u003e\n\u003cli\u003e+\/- 0.25 dB \u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTHD+N \u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz @ Maximum Output Level, 22 Hz - 22 kHz BW.\u003c\/li\u003e\n\u003cli\u003e0.001% \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39777097613447,"sku":"RNEVE535","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-outboard-gear-rupert-neve-designs-535-500-series-diode-bridge-compressor-rneve535-29038866268295.jpg?v=1645751316"},{"product_id":"rupert-neve-designs-551-500-series-inductor-eq-1423731","title":"Rupert Neve Designs 551 500 Series Inductor EQ","description":"\u003cb\u003eThe vintage EQ tones you know \u0026amp; love.\u003c\/b\u003e\u003cbr\u003eThe 551 is the only equalizer for the 500 Series actually designed by Rupert Neve. Featuring 3 bands of EQ inspired by Mr. Neve’s most prized vintage designs, along with custom-wound inductors, transformers and class-A gain blocks, the 551 brings the thick, powerful lows and sweet highs of Rupert’s classics to the 500-Series format.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe “Best-Of” EQ\u003c\/b\u003e\u003cbr\u003eThe 551’s 3-band, custom-tapped inductor EQ was inspired by our favorite elements of Rupert’s vintage EQ designs. The low frequency band is designed to produce a creamy, resonant bass response similar to a vintage 1064 – but unlike the vintage modules, the LF band on the 551 can be used as either a shelf or a peak filter, adding punch, dimension, and control to your low end.\u003cbr\u003e\u003cbr\u003eThe midrange band is based on that of the 1073, ideal for sweetening vocals and instruments while bringing them forward in a mix, and its proportional “Q” response makes it well-suited for minimizing problematic frequencies. The high frequency band is a hybrid vintage \/ modern design, blending inductor circuitry with capacitor-based topologies to achieve vintage tones with enhanced control. The High Pass filter is a 12dB\/octave design with a fixed 80Hz frequency, and can be used in tandem with the low frequency EQ to add low-end presence without clouding the source material.\u003cbr\u003e\u003cbr\u003eAs with Rupert’s most prized classic designs, each EQ section uses low-feedback, class-A discrete electronics to prevent low-level artifacts and harshness from detracting from the tonal shaping. However, this new circuit is a decidedly modern design with updated techniques and components that were simply not available 50 years ago, and is definitely not a “clone”.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhat Are Inductors?\u003c\/b\u003e\u003cbr\u003eInductors are wires wound around a coil that provide a form of frequency-dependant resistance. When they saturate, they bring out beautifully musical harmonics that give your tracks the smooth, polished sound that has made Rupert’s consoles and equipment so desirable for over fifty years. This is what makes them different from capacitor-based EQ designs, which do a great job at surgical equalization. But inductors provide the tone.\u003cbr\u003e\u003cbr\u003eWhile it is certainly possible to create a functioning EQ using off-the-shelf inductors, we choose to use our own custom inductors for the 551. This attention to detail in controlling variables such as the winding and core materials in relation to the surrounding circuitry allows the 551 to capture the vitality and personality of Rupert’s classic designs.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22Hz-22kHz, source impedance 40 Ohm balanced.\u003c\/li\u003e\n\u003cli\u003eBetter than -102 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003eMain output, no load: +\/- 0.1 dBu from 20 Hz to 31.5 kHz, -1 dB @ 120 kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL \u003c\/b\u003e\u003cbr\u003e23.25 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.0025%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eHIGH PASS FILTER\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e-2.7 dB @ 80 Hz\u003c\/li\u003e\n\u003cli\u003eSlope: 12 dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eNOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eMeasured at Main Output, un-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced.\u003c\/li\u003e\n\u003cli\u003eBetter than -94 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eFREQUENCY RESPONSE\u003c\/b\u003e\u003cbr\u003eMain output, no load: +\/- 0.25 dBu from 20 Hz to 45 kHz, -2 dB @ 120 kHz\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMAXIMUM OUTPUT LEVEL \u003c\/b\u003e\u003cbr\u003e23 dBu\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTOTAL HARMONIC DISTORTION AND NOISE\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e@ 1 kHz, +20 dBu output level, no load: Better than 0.009%\u003c\/li\u003e\n\u003cli\u003e@ 20 Hz, +20 dBu output level, no load: 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003ePOWER REQUIREMENTS\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e120mA on +16VDC\u003c\/li\u003e\n\u003cli\u003e110ma on -16VDC\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":39791607840903,"sku":"RNEVE551","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/products\/rupert-neve-designs-pro-audio-500-series-rupert-neve-designs-551-500-series-inductor-eq-rneve551-29066001318023.jpg?v=1646340266"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0343\/4368\/2183\/collections\/01.24.19_-_NAMM_Day_2-69.jpg?v=1591300687","url":"https:\/\/www.chicagomusicexchange.com\/en-mx\/collections\/pro-audio-outboard-gear.oembed?page=6","provider":"Chicago Music Exchange","version":"1.0","type":"link"}