Epiphone | B.B. King "Lucille" ES-335
The Bluesman's First Lady Is Back!
B.B. played many guitars in his lifetime, but he gave them all one name: Lucille. Epiphone remembers this singular monicker with the new Epiphone B.B. King "Lucille," an ES-335 inspired by King's originals, finished in Ebony.
As the story goes, King was playing a dancehall in Twist, Arkansas, when two men began to fight, tipping over a flaming barrel of kerosene providing the building's heat. The floor caught fire and King fled, leaving behind his beloved Gibson. King ran back in to save it. He later learned that the two men were fighting over a woman. Her name was Lucille.
The Epiphone B.B. King "Lucille" pays tribute to this legendary moment and the decades of brilliance the followed with gold hardware, Grover® Rotomatic® tuners, GraphTech® nut, ebony fingerboard, pearloid block inlays, and signature features like a brass truss rod cover with custom engraving, mother of pearl Lucille headstock inlay, and a semi-hollow body with a maple center block and no f-holes, a detail B.B. himself added as a measure of protection against feedback.
Of course, there's also a six-position Varitone switch and dual Alnico Classic PROTM humbucking pickups with CTS® potentiometers and stereo and mono output jacks for that classic "Blues Boy" tone.
SHOP EPIPHONE
Related Posts
Inside: Earthquaker Devices Q&A with Jamie Stillman
Built upon strong DIY ethics and a refusal to bow to to anyone, Earthquaker makes the pedals they want the way they want, with an emphasis on ethical work practices and, most importantly, fun.
View DetailsLabor of Love: Torche
The band Torche isn’t any one thing. They’re not metal. They’re not hard rock. They’re just Torche, and they’re f*cking heavy. We caught up with original bassist turned guitarist Jon Nuñez to talk Torche tone, what’s new at Nuñez Amps, and the instant allure of the power chord.
View DetailsVintage Vibes: 1965 Lake Placid Blue Fender Bass VI
Not a baritone, not a bass, and not even really a guitar, this 1965 Fender Bass VI is somehow all of those things at once, and more. Papa Shelby takes us through the history of this freaky Fender and outlines how it’s similar to other models, yet entirely its own. And he does a spot-on Carol Kaye.
View Details






