Epiphone | B.B. King "Lucille" ES-335
The Bluesman's First Lady Is Back!
B.B. played many guitars in his lifetime, but he gave them all one name: Lucille. Epiphone remembers this singular monicker with the new Epiphone B.B. King "Lucille," an ES-335 inspired by King's originals, finished in Ebony.
As the story goes, King was playing a dancehall in Twist, Arkansas, when two men began to fight, tipping over a flaming barrel of kerosene providing the building's heat. The floor caught fire and King fled, leaving behind his beloved Gibson. King ran back in to save it. He later learned that the two men were fighting over a woman. Her name was Lucille.
The Epiphone B.B. King "Lucille" pays tribute to this legendary moment and the decades of brilliance the followed with gold hardware, Grover® Rotomatic® tuners, GraphTech® nut, ebony fingerboard, pearloid block inlays, and signature features like a brass truss rod cover with custom engraving, mother of pearl Lucille headstock inlay, and a semi-hollow body with a maple center block and no f-holes, a detail B.B. himself added as a measure of protection against feedback.
Of course, there's also a six-position Varitone switch and dual Alnico Classic PROTM humbucking pickups with CTS® potentiometers and stereo and mono output jacks for that classic "Blues Boy" tone.
SHOP EPIPHONE
Related Posts
Vintage Vibes: 1968 Gibson Trini Lopez Deluxe Sunburst
Henry tells the story of Trini Lopez and his highly collectible signature model, the Gibson Trini Lopez Deluxe, thawing our weary winter bones in the process with dreams of hot sun, white sand beaches, and maybe a lemon tree or two.
View DetailsLabor of Love: Tancred
Jess Abbott, AKA Tancred, stopped by to dig on our 60s odd body vintage guitars and treated us to her tune "Clipping" from her album "Nightstand". We asked her how she got her start on guitar, what directs her style and what rig she's touring with in this episode of Labor of Love.
View DetailsVintage Vibes: 1967 Gibson Byrdland Sunburst
From somewhere over the rainbow comes this badass Byrdland. A portmanteau of both Billy Byrd and Hank Garland, who designed the guitar with Gibson’s Ted McCarty, the Byrdland evolved out of the L-5 CES. The three reduced the body depth, scale length, and nut width to make a lean, mean, riff-ripping machine, equally suited for jazz, country, or rock, which Nathaniel happily demonstrates.
View Details






