The Marshall Studio Range
More compact. Same impact.
New from Marshall, the Studio Series range offers portable, low-wattage takes on classic heads, combos, and cabs, available in three categories: Studio Classic, Studio Vintage, and Studio Jubilee.
(From left to right): The SV20H atop an SC212 cab, and an SC20H atop an SV212 cab
VINTAGE VIBE, MODERNIZED.
We're going to be taking a look at two of Marshall's most iconic amplifiers that paved the way for a countless number of guitar players in the 60's and 70's; the SV20H, which is based off of the classic 1959SLP and the SC20H, which is based off of one of Marshall's most successful amps, the JCM800 2203.
The SV20H
Based off of the 1959SLP, the SV20H anticipates inspiring guitarists for generations to come. This 20W recreation is much more portable, and is even switchable to a 5W output for those considerate rockers out there. Four different inputs allow the player to blend the channels together, and create a truly unique tone. A DI output also allows players to get the full tonality from their amp over long distances in a live setting.
Specifications -
Valves:
2x ECC83, 1xECC83 (phase splitter), 2x EL34
EQ:
Treble, middle, bass and presence controls
Channels:
Single channel w/ 4 separate inputs,
High and low sensitivity loudness controls
Speaker Outs:
5x 1/4" jack sockets (16Ω load / 8Ω load / 4Ω load)
Power Control:
20W or 5W
Outputs:
DI output
Speakers:
1x10" Celestion V-type 10" (combo only)
The gray grill cloth on the SV212 is unmistakably Marshall.
The SV20H atop the SC20H, ready to make a statement.
Perfect for home or studio use, the SV20H & SV212 combo is a reimagined classic rock rig that puts the tone of rock's greatest heroes in the hands of the everyman.
The SCH20H
The Marshall JCM800 2203 needs no introduction. You may not recognize it's model name, but you may recognize the "JCM 800 Lead Series" title on the front panel of the amp, and you SHOULD recognize its tone as one of the beacons of classic rock.
The SC20H makes that arena-shaking tone accessible to you in your home or studio, and won't give your neighbors a free concert they didn't ask for. The SC20H replicates the tones from the original 100W JCM800 2203, from rich, full, and clean, to searing and heavily distorted, and puts them into a compact, 20W package, which is switchable to a 5W output in case you have some extra pesky neighbors, or don't want to sacrifice your hearing for tone . In modernist tradition, the SC20H adds a dedicated FX loop, and a DI out for expanded studio and tone-shaping capabilities.
Specifications -
Valves:
2x ECC83, 1x ECC83 (phase splitter) and 2x EL34
Speakers:
1x10" Celestion V-type 10" (combo only)
Channels:
Single channel w/ high and low sensitivity inputs, preamp and master volume controls
Speaker Outputs:
5x1/4" jack sockets (16Ω load / 8Ω load / 4Ω load)
Power Control:
20W or 5W
Outputs:
DI output
Equalization:
Treble, middle, bass and presence controls
The SV20H with selectable high and low loudness sensitivity controls.
Alex Chadwick runs a Gibson Custom Shop Les Paul through the SV20H for an unmistakably classic rock sound.
The SV20H features 4 blend-able inputs for plenty of tonal flexibility.
SHOP MARSHALL AMPLIFIERS
Related Posts
Focusrite 4th Gen Scarlett Interfaces
With a 69 dB gain range, Focusrite’s 4th-generation Scarlett mic pres bring the clearest and most detailed recording quality available from a Focusrite audio interface to the entire Scarlett lineup! Equipped with the same studio-grade converters as Focusrite’s flagship RedNet interfaces, found in countless high-end studios worldwide, the new Focusrite Scarlett 4th Generation audio interfaces boast a huge dynamic range of 120 dB.
View Details
Gibson Les Paul Standard Custom Color Editions
While the original Gibson Les Paul Standard models may have kicked off the Golden Era of electric guitar design, just a few years after the first Goldtop models were released, musical instrument manufacturers began looking for alternative color options to broaden their potential customer base. By the mid-’50s, the car craze was in full swing, and guitar manufacturers like Gibson turned to the automotive industry for new colors to help inspire would-be Les Paul lovers with a wider assortment of custom finish options.
View Details
Teenage Engineering OB-4 New Colors
Designed to be played outdoors, in public spaces, at high volume; or, carried on the shoulder with speaker elements facing the head, the Teenage Engineering OB-4 Magic Radio already reflects each user's individual style with the music they choose—and, of course, the device they use to listen to it. Now, with an expanded array of Magic Radio color options—including grey, navy (blue), ochre, and orange—Teenage Engineering is giving users a chance to add even more of their own personal flair to each and every music listening experience!
View Details