Vintage Vibes | 1838 Martin & Bruno Parlor Guitar
Fender Highways Series Event Featuring Julia Rizik
Join us at Chicago Music Exchange on Thursday, November 30, for a special Fender event introducing the new Highway Series guitars and featuring Fender artist Julia Rizik in CME’s Lincoln Avenue showroom!
In addition to a demonstration of the new series, guests will receive Fender-branded swag. Guests will also be invited to record themselves playing a Highway Series guitar to enter an exclusive raffle!
The Elusive History of the Ultra-Rare Vintage Martin & Bruno Parlor Guitars
Behold! Among all the rare, collectible vintage guitars in CME’s ever-changing inventory of vintage and used instruments, we’re preparing to part with one of the most astoundingly playable—yet, historically confounding—acoustic guitars we’ve ever owned, built by the founder of America’s oldest guitar manufacturer, Christian Frederick Martin, himself!
What Makes This 185-Year-Old, C.F. Martin–Built Guitar So Special?
At first glance, the parlor-sized guitar body, ivory (or, perhaps, simply “bone”?) bridge, and Stauffer-style headstock all betray this guitar’s age. But, if you take a look inside the soundhole, you’ll see one maker’s mark you’d expect to find, followed by an ampersand and another name you almost surely wouldn’t—“Martin & Bruno”—making this one of only TWO Martin & Bruno acoustic guitars known to exist, today!
The Elusive History of Martin & Bruno Guitars
…An ampersand and another name you almost surely wouldn’t expect to find—unless you’re Greig Hutton, author of Hutton's Guide to Martin Guitars: 1833-1969 (Centerstream Publications, 2022), which builds on earlier archival work, filling in gaps using source documents, and features forewords by Dick Boak, George Gruhn, and Joe Spann.
While writing his history of America’s oldest acoustic guitar maker, Hutton contacted Chicago Music Exchange to inquire about the 1838 Martin & Bruno parlor acoustic, which had formerly been part of the Scott Chinery Collection, before being acquired by CME. Further investigation into the Martin & Bruno label’s content produced a clue that gave more insight into the big question: “Who is Bruno?”
Beneath the name “Martin & Bruno,” the label reads: “212 Fulton St., near Broadway, New York,” and then, “importers and dealers in musical instruments, wholesale and retail.” I.e., the address on the guitar manufacturer’s label refers to this particular instrument’s distributor in New York.
Considering that this guitar had been built in New York the year before C.F. Martin packed up his family and moved the Martin clan and guitar manufacturing business to Nazareth, Pennsylvania, in 1838 (where C.F. Martin & Co. has remained since) led Hutton to posit a final answer to the question, “Who is Bruno?” He was simply another among a handful of instrument distributors to have helped C.F. Martin maintain his brand name’s cachet, which the founder spent five years building up while living and working in the biggest city in the U.S.
C.F. Martin’s solution? In a testament to the then-burgeoning manufacturer’s business acumen, he partnered with New York musical instrument distributors, like Charles Bruno—as well as John Coupa, the distributor of Martin & Coupa guitars of the same era—to retain his hold in the New York market.
Yet, since Charles Bruno was the one manufacturer with whom Martin’s founder had the shortest distribution agreement, relatively few Martin & Bruno guitars were built. Thus, only two Martin & Bruno guitars are known to have survived since 1838. And, CME is humbly honored to have owned one of them!
Watch Daniel Escauriza and Nathaniel Murphy discuss the backstory behind this extraordinarily playable, uber-rare vintage collectible, and hear how this historical instrument from the Chinery Collection sounds in Nathaniel’s hands!
Plus, check the huge variety of vintage and used instruments, ranging from rare collectible investments to player-grade road ready pieces on our website, in-store, or in the CME mobile app!
SHOP MARTIN GUITAR
Related Posts
Vintage Vibes: 1970s Gibson EDS-1275 Double Neck
Nathaniel takes us through this prime example of a '70s Gibson EDS-1275, one neck at a time.
Read more
What's the Best Acoustic Guitar for Singers?
Acoustic Guitar Specialist Karl Neurauter demonstrates how different tonewoods and body shapes frame your voice, using a Gibson J-45 Vintage Red Spruce/Mahogany, Collings 002H Traditional 12-Fret Sitka Spruce/Indian Rosewood, Santa Cruz Custom Dreadnought Adirondack Spruce/Cocobolo, Taylor K14ce Builder’s Edition Sitka Spruce/Koa, and “Speed of the Sound of Loneliness,” a track from songwriting master John Prine’s 1986 album, German Afternoons.
Read more
Walrus Audio SLÄRP | CME Exclusive
Say it with us now: SLÄRP it to me, baby! The new CME Exclusive SLÄRP from Walrus Audio combines the Slö Multi-Texture Reverb with the ARP-87 Multi-Function Delay to create a unique new sound machine offering instant access to the abstract. Preorder the Walrus Audio SLÄRP today! Gesundheit!
Read more