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Arturia Matrix-12 V2 Software Synthesizer Download
Arturia Matrix-12 V2 Software Synthesizer Download
Regular price
$ 2,840.00
Regular price
Sale price
$ 2,840.00
Unit price
per
This item is delivered via download. You will receive a license code shortly after purchase.
All digital software purchases are non-returnable.
Description
Description
A truly pioneering synth, it combined preset voice paths and modular flexibility to create totally unique, inspiring sounds. Its 15 mode filter system also let synthesists explore brave new sonic possibilities, and now you too can enjoy this legend.
With 27 modulation sources, 47 destinations, 15 filter modes, and five envelopes, it combined the flexibility of a modular synth with the polyphony and programmability demanded by artists like Toto, Vangelis, Prince, and Herbie Hancock. It’s a playground for quick tweaks during live performance and exacting sound design in the studio. Because it applied digital control to analog tone generation, the Matrix-12 had three displays and many pages of functions but only six knobs. We thought a sound engine this sensational deserved a lot more.
Original Oscillators
We began with faithful models of the oscillators, which feature pulse, saw, and triangle waves, PWM, hard sync, FM, and noise.
15 Filters in One
That’s right — multiple pass modes, multiple slopes, and even phase-shifting filters let the Matrix create tones other analog synths can’t.
Pushing the Envelope
Why settle for just volume and filter envelopes when you can have five assignable ones? Create sounds that evolve in interesting and unexpected ways.
LFO Flexibility
Explore 5 tempo-syncable LFOs ready to apply to anything - and that’s just the tip of Matrix-12 V’s modulation iceberg.
Modulation Central
Press any parameter’s button to see all the sources that modulate it, and work with up to six sources at once.
Ramp It Up
Four ramp processors are like extra one-stage envelopes you can apply to any signal.
Windows
Win 8.1+ (64bit)
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Apple
Mac OS 10.13+
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
With 27 modulation sources, 47 destinations, 15 filter modes, and five envelopes, it combined the flexibility of a modular synth with the polyphony and programmability demanded by artists like Toto, Vangelis, Prince, and Herbie Hancock. It’s a playground for quick tweaks during live performance and exacting sound design in the studio. Because it applied digital control to analog tone generation, the Matrix-12 had three displays and many pages of functions but only six knobs. We thought a sound engine this sensational deserved a lot more.
Original Oscillators
We began with faithful models of the oscillators, which feature pulse, saw, and triangle waves, PWM, hard sync, FM, and noise.
15 Filters in One
That’s right — multiple pass modes, multiple slopes, and even phase-shifting filters let the Matrix create tones other analog synths can’t.
Pushing the Envelope
Why settle for just volume and filter envelopes when you can have five assignable ones? Create sounds that evolve in interesting and unexpected ways.
LFO Flexibility
Explore 5 tempo-syncable LFOs ready to apply to anything - and that’s just the tip of Matrix-12 V’s modulation iceberg.
Modulation Central
Press any parameter’s button to see all the sources that modulate it, and work with up to six sources at once.
Ramp It Up
Four ramp processors are like extra one-stage envelopes you can apply to any signal.
- Two oscillators, each offering triangle, sawtooth and variable-width pulse wave with PWM.
- Oscillator 2 also function as a white noise generator.
- Oscillator 1 or the Filter can be frequency modulated.
- Single filter with 15 modes: 4 Low Pass, 3 High Pass, 2 Band Pass modes, Notch and Phase Shift plus four additional "combo" filter modes.
- Ultra-powerful modulation matrix with 27 sources and 47 destinations.
- Sources include 5 envelopes, 5 LFOs, 4 Ramp, 3 Track generators, Velocity, Pressure, Keyboard follow, and more.
- Two insert effect slots with six studio-grade effects available.
- 12 voices of polyphony like the original instrument
- Multitimbral
Windows
Win 8.1+ (64bit)
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Apple
Mac OS 10.13+
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
Description
Description
A truly pioneering synth, it combined preset voice paths and modular flexibility to create totally unique, inspiring sounds. Its 15 mode filter system also let synthesists explore brave new sonic possibilities, and now you too can enjoy this legend.
With 27 modulation sources, 47 destinations, 15 filter modes, and five envelopes, it combined the flexibility of a modular synth with the polyphony and programmability demanded by artists like Toto, Vangelis, Prince, and Herbie Hancock. It’s a playground for quick tweaks during live performance and exacting sound design in the studio. Because it applied digital control to analog tone generation, the Matrix-12 had three displays and many pages of functions but only six knobs. We thought a sound engine this sensational deserved a lot more.
Original Oscillators
We began with faithful models of the oscillators, which feature pulse, saw, and triangle waves, PWM, hard sync, FM, and noise.
15 Filters in One
That’s right — multiple pass modes, multiple slopes, and even phase-shifting filters let the Matrix create tones other analog synths can’t.
Pushing the Envelope
Why settle for just volume and filter envelopes when you can have five assignable ones? Create sounds that evolve in interesting and unexpected ways.
LFO Flexibility
Explore 5 tempo-syncable LFOs ready to apply to anything - and that’s just the tip of Matrix-12 V’s modulation iceberg.
Modulation Central
Press any parameter’s button to see all the sources that modulate it, and work with up to six sources at once.
Ramp It Up
Four ramp processors are like extra one-stage envelopes you can apply to any signal.
Windows
Win 8.1+ (64bit)
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Apple
Mac OS 10.13+
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
With 27 modulation sources, 47 destinations, 15 filter modes, and five envelopes, it combined the flexibility of a modular synth with the polyphony and programmability demanded by artists like Toto, Vangelis, Prince, and Herbie Hancock. It’s a playground for quick tweaks during live performance and exacting sound design in the studio. Because it applied digital control to analog tone generation, the Matrix-12 had three displays and many pages of functions but only six knobs. We thought a sound engine this sensational deserved a lot more.
Original Oscillators
We began with faithful models of the oscillators, which feature pulse, saw, and triangle waves, PWM, hard sync, FM, and noise.
15 Filters in One
That’s right — multiple pass modes, multiple slopes, and even phase-shifting filters let the Matrix create tones other analog synths can’t.
Pushing the Envelope
Why settle for just volume and filter envelopes when you can have five assignable ones? Create sounds that evolve in interesting and unexpected ways.
LFO Flexibility
Explore 5 tempo-syncable LFOs ready to apply to anything - and that’s just the tip of Matrix-12 V’s modulation iceberg.
Modulation Central
Press any parameter’s button to see all the sources that modulate it, and work with up to six sources at once.
Ramp It Up
Four ramp processors are like extra one-stage envelopes you can apply to any signal.
- Two oscillators, each offering triangle, sawtooth and variable-width pulse wave with PWM.
- Oscillator 2 also function as a white noise generator.
- Oscillator 1 or the Filter can be frequency modulated.
- Single filter with 15 modes: 4 Low Pass, 3 High Pass, 2 Band Pass modes, Notch and Phase Shift plus four additional "combo" filter modes.
- Ultra-powerful modulation matrix with 27 sources and 47 destinations.
- Sources include 5 envelopes, 5 LFOs, 4 Ramp, 3 Track generators, Velocity, Pressure, Keyboard follow, and more.
- Two insert effect slots with six studio-grade effects available.
- 12 voices of polyphony like the original instrument
- Multitimbral
Windows
Win 8.1+ (64bit)
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU
Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).
Apple
Mac OS 10.13+
4 GB RAM
2.5 GHz CPU
2GB free hard disk space
OpenGL 2.0 compatible GPU