Description
Description
Carrying on Orville Gibson’s historic pursuit of sonic excellence and aesthetic perfection, the Gibson Custom Shop combines traditional instrument-making techniques, innovative methods, and meticulous attention to detail to craft instruments worthy of its banner-era slogan, “Only a Gibson is Good Enough.”
This instrument exclusively features woods hand-picked by CME’s expert guitar-buying team at the Gibson Custom Shop in Nashville, paired with one of our favorite finishes, plus a thoughtful combination of preferred fingerboards, neck profiles, pickups, and hardware, to make this customized Gibson guitar.
Following decades of research for the Gibson Custom, Art, and Historic Division founded in 1993, Gibson Custom Shop established the Murphy Labs Division in 2017 to take Tom Murphy’s proprietary techniques to the next level.
Sporting a scientifically reverse-engineered nitrocellulose lacquer identical what was used on Gibson guitars of the ‘50s and ‘60s, this Custom Shop instrument has been meticulously aged by hand at Murphy Labs—with all the wear-and-tear of a well-played original, including an extra-rolled fingerboard binding for a broken-in feel and true-to-life look.
Specs
Specs
General
| Series: | Gibson Custom Shop Historic |
| Country of Manufacture: | Made in the USA |
| Serial Number: | 76055 |
| Product Color: | Antique Ebony |
| Relic/Aging Level: | VOS (Vintage Original Spec) |
| Case Type: | Hardshell Case Included |
| Factory Setup: | E Standard (E-A-D-G-B-E) |
Body
| Body Shape: | Les Paul |
| Body Material: | 50s Single Piece Mahogany |
| Body Finish: | Nitrocellulose Lacquer (VOS Patina) |
| Top Material: | Mahogany |
| Body Binding: | Seven-Ply Black/White Top, 5-Ply Black/White Back |
Neck
| Neck Material: | Solid Mahogany |
| Neck Finish: | Nitrocellulose Lacquer (VOS Patina) |
| Neck Tint/Color: | Antique Ebony |
| Neck Shape: | 1950's Chunky D-Shape (0.900/1.000") |
| Fingerboard Material: | Ebony |
| Headstock Veneer: | Holly |
| Nut Material: | Nylon |
| Nut Width: | 1.687" (42.85mm) |
| Fingerboard Radius: | 12" (304.8mm) |
| Scale Length: | 24.75" (628.65mm) |
| Number of Frets: | 22 Frets |
| Neck Joint: | Long Tenon, Hide Glue Fit |
| Fingerboard Inlay: | 1950s Pattern Mother of Pearl |
| Inlay Shape: | Blocks |
| Side Marker Inlay: | Black Side Dots |
| Headstock Inlay/Decal: | Split Diamond Inlay "Gibson" |
| Neck Binding: | .062 White |
Electronics
| Bridge Pickup: | CME Custom "S" Bucker |
| Neck Pickup: | CME Custom "S" Bucker |
| Controls and Switching: | 3-Way Switchcraft; 2 Volume, 2 Tone |
| Electronics Notes: | CTS 500K Audio Taper Potentiometers, Paper-in-Oil Capacitors |
Hardware
| Hardware Color: | Gold |
| Bridge: | No-Wire ABR-1 |
| Tailpiece: | Lightweight Aluminum Stop Bar |
| Tuning Machines: | Kluson Waffleback w/Pearloid Tips |
| Fret Wire: | Historic Medium Jumbo |
| Saddle: | Metal |
| Pickguard: | Multiply Laminated Acrylic |
| Truss Rod Cover: | Authentic Stepped 2-Ply Les Paul Custom |
| Knobs: | Butyrate Black Top Hats |
| Switch Cap: | Amber Catalin |