Description
Description
Carrying on Orville Gibson’s historic pursuit of sonic excellence and aesthetic perfection, the Gibson Custom Shop combines traditional instrument-making techniques, innovative methods, and meticulous attention to detail to craft instruments worthy of its banner-era slogan, “Only a Gibson is Good Enough.”
This instrument exclusively features woods hand-picked by CME’s expert guitar-buying team at the Gibson Custom Shop in Nashville, paired with one of our favorite finishes, plus a thoughtful combination of preferred fingerboards, neck profiles, pickups, and hardware, to make this customized Gibson guitar.
Following decades of research for the Gibson Custom, Art, and Historic Division founded in 1993, Gibson Custom Shop established the Murphy Labs Division in 2017 to take Tom Murphy’s proprietary techniques to the next level.
Sporting a scientifically reverse-engineered nitrocellulose lacquer identical what was used on Gibson guitars of the ‘50s and ‘60s, this Custom Shop instrument has been meticulously aged by hand at Murphy Labs—with all the wear-and-tear of a well-played original, including an extra-rolled fingerboard binding for a broken-in feel and true-to-life look.
Specs
Specs
General
| Series: | Gibson Custom Shop Historic |
| Country of Manufacture: | Made in the USA |
| Serial Number: | 86604 |
| Product Color: | Antique Ebony |
| Relic/Aging Level: | Murphy Lab Heavy Aged |
| Case Type: | Hardshell Case Included |
| Factory Setup: | E Standard (E-A-D-G-B-E) |
Body
| Body Shape: | Les Paul |
| Body Material: | Chambered 1-Piece Mahogany |
| Body Finish: | Murphy Lab Nitrocellulose Lacquer |
| Top Material: | 2-Piece Plain Maple, Hide Glue Fit |
| Body Binding: | Single-Ply Royalite |
| Body Notes: | Chambered |
Neck
| Neck Material: | Solid Mahogany |
| Neck Finish: | Murphy Lab Nitrocellulose Lacquer |
| Neck Tint/Color: | Faded Cherry Aniline Dye |
| Neck Shape: | 59 Carmelita Neck (0.860"/0.975") |
| Fingerboard Material: | Ebony |
| Headstock Veneer: | Holly |
| Nut Material: | Nylon |
| Nut Width: | 1.69" (42.85mm) |
| Fingerboard Radius: | 12" (304.8mm) |
| Scale Length: | 24.75" (628.65mm) |
| Number of Frets: | 22 Frets |
| Neck Joint: | Long Tenon, Hide Glue Fit |
| Fingerboard Inlay: | Mother of Pearl Blocks |
| Inlay Shape: | Blocks |
| Side Marker Inlay: | Tortoise Side Dots |
| Headstock Inlay/Decal: | Gibson 1950s Split Diamond Inlay |
| Neck Binding: | .062 White |
Electronics
| Bridge Pickup: | Double Classic White CME Custom "S" Bucker |
| Neck Pickup: | Double Classic White CME Custom "S" Bucker |
| Controls and Switching: | 3-Way Switchcraft; 2 Volume, 2 Tone |
| Electronics Notes: | CTS 500K Audio Taper Potentiometers, Paper-in-Oil Capacitors |
Hardware
| Hardware Color: | Aged Nickel |
| Bridge: | No-Wire ABR-1 |
| Tailpiece: | Lightweight Aluminum Stop Bar |
| Tuning Machines: | Grover Kidney Tuners |
| Fret Wire: | Medium-Jumbo |
| Saddle: | Nickel-Plated Brass |
| Pickguard: | Laminated Cellulose Acetate Butyrate |
| Truss Rod Cover: | Authentic Stepped 2-Ply |
| Knobs: | Butyrate Gold Top Hats |
| Switch Cap: | Amber Catalin |