Description
Description
Condition Note: Minor surface scratches on the back of the body.
The D-18 Dreadnought features a sleek, modern High Performance Neck for enhanced playability. The D-18 adds a Sitka spruce top to the mahogany back and sides. Perfect for the intermediate and advanced player. Limited lifetime warranty. The D-18 Dreadnought Acoustic Guitar includes a deluxe Martin hardshell case.
Body Size: D-14 Fret
Finish Top: Gloss
Construction: Dovetail Neck Joint
Back and Side Finish: Gloss
Bracing Pattern: Forward-Shifted X-Brace
Scale Length: 25.4"
Brace Shape: Scalloped
Fingerboard Width at Nut: 1 3/4''
Top Material: Spruce
Neck Shape: Modified Low Oval
Back Material: Genuine Mahogany
Neck Taper: High-Performance Taper
Side Material: Genuine Mahogany
Electronics: Optional
Top Color: Aging Toner
Bridge Style: Modern Belly - Drop in Saddle
Binding: Black
Bridge String Spacing: 2 5/32"
Top Inlay Material: Multi-Stripe
Bridge Material: Ebony
Top Detail: None
Bridge Pin Material: Black Plastic
Pickguard: Tortoise Pattern
Bridge Pin Dots: None
Pickguard Inlay: None
Saddle: Compensated Bone
Rosette: Old Style 18 Multi-Stripe
Saddle Radius: 16"
Brace Material: Spruce
Back and Sides Color: Dark Mahogany
Brace Size: 5/16"
Back Detail: None
Back Purfling/Strip: Style 18
Back Inlay Material: None
Heelcap: Faux Tortoise
Side Detail: None
Endpiece: Faux Tortoise
Side Inlay Material: None
Endpiece Inlay: None
Neck Material: Select Hardwood
Fingerboard Material: Ebony
Finish Neck: Satin
Fingerboard Width at 12th Fret: 2 1/8''
Neck Color: Dark Mahogany
Fingerboard Inlay Style: Old Style 18
Number of Frets Total: 20
Fingerboard Inlay Material: Abalone
Neck Joins Body At: 14th Fret
Fingerboard Binding Material: None
Side Dots: White
Headstock Shape: Solid with Square Taper
Tuning Machines: Nickel Open Gear
Headplate Material: East Indian Rosewood
Knob: Butterbean
Headplate Logo Style: Script Old Style Overlay
Nut Material: Bone
Headplate Binding Material: None
Please Note: On Nazareth made product we will use ebony fingerboards and bridges in their natural state on most instruments going forward. This will mean that fingerboards and bridges will vary in appearance and may show streaks in the wood