Vongon | replay Polyphonic Virtual Analog Synth
Access Vintage Analog Sounds with Vongon’s New Easy-to-Use Replay Polyphonic Synth!
Now Available at Chicago Synth Exchange, the Vongon replay polyphonic virtual analog synthesizer is equipped with a multi-mode arpeggiator and designed to embody the character of a vintage synth, with modern utility and versatility of form in mind. Inspired by both the ’80s-era Roland Juno and the Korg Polysix synths, the new Vongon replay represents the Oakland, California-based effects pedal maker’s first foray into the polyphonic synth world!




Vintage Synth Sounds in an Intuitive, Sleek Enclosure
Founded in 2020 by Ryan McGill, Vongon built its reputation by making iconic-inspired, original effects circuits housed in custom pedal enclosures designed to evoke vintage vibes, while combining unique retro beauty with high-quality, modern technology.
Equipped with a six-voice virtual analog sound engine, the Vongon replay polyphonic synth emulates the organic response of an analog circuit, letting users create a diverse range of sounds, from rich pads and vibrant leads to snappy arpeggios and deep sub-bass tones.
Balancing scope, style, and function, the Vongon replay packs all of its features into a slim footprint equipped with 22 dedicated sound controls, plus a 2½-octave keyboard comprised of genuine Cherry MX keys arranged in an intuitive format to encourage an immersive, hands-on approach.
The Vongon replay seamlessly integrates into your personalized setup with full MIDI I/O via 3.5mm jacks and USB connectivity. Compatible with any standard effects pedal power supply, it also connects effortlessly with any pedal board, streamlining workflow, whether for live performances onstage or recording sessions in the studio. Vongon also offers a user-friendly web interface command center for managing replay presets, in addition to accessing extended parameters and downloading firmware updates.


Fender Highways Series Event Featuring Julia Rizik
Join us at Chicago Music Exchange on Thursday, November 30, for a special Fender event introducing the new Highway Series guitars and featuring Fender artist Julia Rizik in CME’s Lincoln Avenue showroom!
In addition to a demonstration of the new series, guests will receive Fender-branded swag. Guests will also be invited to record themselves playing a Highway Series guitar to enter an exclusive raffle!
Key Features
- 6-voice polyphonic subtractive style synthesizer
- Monochrome aluminum housing with Rogan knobs
- Multi-mode arpeggiator with MIDI beat sync
- 32-bit audio sound processing
- 22 dedicated sound controls
- 4 oscillator waveforms and 7 low-frequency oscillator waveforms
- 2.5 octaves of genuine Cherry MX keys installed with hot-swap sockets to let users replace the switch with alternative actions
- The web interface lets users manage presets, access extended parameters, and download firmware updates
To experience this sleek, intuitive polyphonic synthesizer for yourself, come try the Vongon replay polyphonic synth at Chicago Synth Exchange! Call us, chat with us online, or download the CME mobile app to learn more!
SHOP CHICAGO SYNTH EXCHANGE
Related Posts
Vintage Vibes: Roland GR-700 Guitar Synthesizer
Our resident metaphysical oracle, Future Joel, soul-bonds with “Midnight” Mike Hussa to demonstrate the infinite groove of the Roland GR-700 Guitar Synthesizer. Now, this is no toy. This is a previously unidentified funk object.
Read moreVintage Vibes: Cherry 1962 Gibson ES-335TD
Joel's back! This time he shows off an extraordinary All original Cherry 1962 Gibson ES-335TD. This "Custom Made" Gibson ES-335 is quite a find.
Read moreVintage Vibes: History of the Gibson J-50
Played by a host of acoustic luminaries like Jorma Kaukonen, John Hiatt, Brad Paisley, and Bob Dylan, the J-50 is every bit as versatile as the J-45, and it’s reputation as an insider secret makes vintage models a collector’s dream. Producing the exact same legendary tone that filled popular American recordings for decades in the J-45, the J-50 is essentially the exact same guitar. And yet it’s not, which is perhaps its best quality of all.
Read more
