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Description
Description
The Taylor 314ce-N Grand Auditorium Sapele/Sitka Spruce nylon-string models offer the balanced highs and supportive lows of the brand’s flagship, medium-sized body shape, fit for any playing style, with a 1 7/8-inch neck to help balance between fret-hand comfort and adequate string spacing—while the bright, shimmering Sapele back and sides paired with a strong, yet elastic, Sitka spruce top yields crisp articulation, suitable for everything from aggressive strumming and flatpicking to fingerpicking. Plus, Taylor’s ES-N electronics feature a preamp and tone controls customized to complement the nylon-string voice.
300 Series Sapele/Sitka Spruce
Taylor 300 series Sapele/Sitka Spruce editions offer players balanced and consistent output across the tonal spectrum, making them compatible with a diverse range of playing styles. Paired with highly sustainable West African Sapele—a harder tonewood, similar to mahogany, but with a higher density tending toward a slightly brighter sound that adds more top-end shimmer—the classic Sitka spruce top (Bob Taylor’s favorite choice) provides additional strength and elasticity. Together, in Taylor’s 300 series, these tonewoods boast a broad dynamic range, yielding crisp articulation—allowing for everything from aggressive strumming and flatpicking to fingerpicking.
Grand Auditorium Cutaway Nylon-String
The brand’s flagship body shape, the Taylor Grand Auditorium’s medium size offers balanced highs and supportive lows, making it a versatile choice that’s fit for nearly any playing style. Boasting bold, balanced tone, the Taylor Grand Auditorium provides vibrant, well-defined sound across the entire tonal spectrum, thanks to a more tapered waist than a traditional dreadnought, making the Taylor Grand Auditorium the Swiss Army Knife of Taylor’s body shapes.
A unique addition to any musical arsenal, Taylor nylon-string models feature a 1 7/8-inch neck width, giving players who are used to playing steel-string acoustics an ideal balance between fret-hand comfort and adequate string spacing for fingerstyle players.
Q: Does a cutaway diminish a guitar’s tonal output?
A: Not in a discernible way. We recommend you decide based on whether you want that extra upper-fretboard range; or, if you simply have an aesthetic preference—either for a more traditional, symmetrical look of a non-cutaway, or in favor of the sleek, more modern contouring that the cutaway offers.
V-Class Bracing
The Taylor Grand Auditorium features Taylor’s innovative new V-Class bracing, which lets the soundboard of the guitar vibrate naturally, increasing sustain and overall cohesiveness, and generating additional volume without sacrificing sustain. This design puts the body more in tune with the strings, improving articulation and harmonic alignment, resulting in a sound that is optimally warm and seasoned, nicely blended, and full of luscious low end without being muddy.
ES-N Electronics
All Taylor acoustic-electric nylon-string acoustic models come equipped with Taylor’s ES-N single-source, under-saddle transducer, featuring a preamp and tone controls customized to complement the nylon-string voice.
300 Series Sapele/Sitka Spruce
Taylor 300 series Sapele/Sitka Spruce editions offer players balanced and consistent output across the tonal spectrum, making them compatible with a diverse range of playing styles. Paired with highly sustainable West African Sapele—a harder tonewood, similar to mahogany, but with a higher density tending toward a slightly brighter sound that adds more top-end shimmer—the classic Sitka spruce top (Bob Taylor’s favorite choice) provides additional strength and elasticity. Together, in Taylor’s 300 series, these tonewoods boast a broad dynamic range, yielding crisp articulation—allowing for everything from aggressive strumming and flatpicking to fingerpicking.
Grand Auditorium Cutaway Nylon-String
The brand’s flagship body shape, the Taylor Grand Auditorium’s medium size offers balanced highs and supportive lows, making it a versatile choice that’s fit for nearly any playing style. Boasting bold, balanced tone, the Taylor Grand Auditorium provides vibrant, well-defined sound across the entire tonal spectrum, thanks to a more tapered waist than a traditional dreadnought, making the Taylor Grand Auditorium the Swiss Army Knife of Taylor’s body shapes.
A unique addition to any musical arsenal, Taylor nylon-string models feature a 1 7/8-inch neck width, giving players who are used to playing steel-string acoustics an ideal balance between fret-hand comfort and adequate string spacing for fingerstyle players.
Q: Does a cutaway diminish a guitar’s tonal output?
A: Not in a discernible way. We recommend you decide based on whether you want that extra upper-fretboard range; or, if you simply have an aesthetic preference—either for a more traditional, symmetrical look of a non-cutaway, or in favor of the sleek, more modern contouring that the cutaway offers.
V-Class Bracing
The Taylor Grand Auditorium features Taylor’s innovative new V-Class bracing, which lets the soundboard of the guitar vibrate naturally, increasing sustain and overall cohesiveness, and generating additional volume without sacrificing sustain. This design puts the body more in tune with the strings, improving articulation and harmonic alignment, resulting in a sound that is optimally warm and seasoned, nicely blended, and full of luscious low end without being muddy.
ES-N Electronics
All Taylor acoustic-electric nylon-string acoustic models come equipped with Taylor’s ES-N single-source, under-saddle transducer, featuring a preamp and tone controls customized to complement the nylon-string voice.
Specs
Specs
General
| Series: | Taylor 300 Series |
| Country of Manufacture: | Made in the USA |
| Product Color: | Natural |
| Case Type: | Hardshell Case Included |
| Factory Setup: | E Standard (E-A-D-G-B-E) |
Body
| Body Shape: | Grand Auditorium |
| Acoustic Cutaway Type: | Venetian Cutaway |
| Body Material: | Sapele |
| Body Finish: | Satin Back/Sides, Gloss Top |
| Top Material: | Sitka Spruce |
| Bracing Material: | Spruce |
| Bracing Pattern: | Fan |
| Body Binding: | Black |
| Rosette: | Black Plastic 3 Ring |
| Purfling: | Black/White |
Neck
| Neck Material: | Neo-Tropical Mahogany |
| Neck Finish: | Satin |
| Neck Tint/Color: | Medium Stain |
| Neck Shape: | Standard Carve |
| Fingerboard Material: | West African Crelicam Ebony |
| Headstock Veneer: | West African Crelicam Ebony |
| Nut Material: | TUSQ |
| Nut Width: | 1.875" |
| Fingerboard Radius: | 20" |
| Scale Length: | 25.5" |
| Number of Frets: | 20 Frets |
| Neck Joint: | Taylor Neck, Bolt-On |
| Fingerboard Inlay: | Faux Pearl Gemstones |
| Inlay Shape: | Diamonds |
| Side Marker Inlay: | Silver |
| Neck Binding: | Black |
Electronics
| Acoustic Electronics: | ES-N Electronics |
| Controls and Switching: | Volume, Bass, Treble |
Hardware
| Hardware Color: | Nickel |
| Bridge: | West African Crelicam Ebony |
| Tuning Machines: | Classical Nickel with Faux Pearl Buttons |
| Saddle: | Micarta |